Anna Mikołajczyk-Niewiedział - Katarzyna Brochocka: The Young Wife (2020)
BAND/ARTIST: Anna Mikołajczyk-Niewiedział
- Title: Katarzyna Brochocka: The Young Wife
- Year Of Release: 2020
- Label: CD Accord
- Genre: Classical
- Quality: FLAC (tracks+booklet)
- Total Time: 59:12 min
- Total Size: 238 MB
- WebSite: Album Preview
Tracklist:
01. The Young Wife: Overture
02. The Young Wife: October 22nd
03. The Young Wife: November 29th
04. The Young Wife: December 8th
05. The Young Wife: December 19th
06. The Young Wife: January 5th
07. The Young Wife: March 21st
08. The Young Wife: April 4th
09. The Young Wife: April 28th
10. The Young Wife: May 18th
11. The Young Wife: June 8th
12. The Young Wife: July 1st
13. The Young Wife: July 8th
14. The Young Wife: July 16th
15. The Young Wife: August 18th
16. The Young Wife: August 26th
17. The Young Wife: September 25th
18. The Young Wife: Epilogue
01. The Young Wife: Overture
02. The Young Wife: October 22nd
03. The Young Wife: November 29th
04. The Young Wife: December 8th
05. The Young Wife: December 19th
06. The Young Wife: January 5th
07. The Young Wife: March 21st
08. The Young Wife: April 4th
09. The Young Wife: April 28th
10. The Young Wife: May 18th
11. The Young Wife: June 8th
12. The Young Wife: July 1st
13. The Young Wife: July 8th
14. The Young Wife: July 16th
15. The Young Wife: August 18th
16. The Young Wife: August 26th
17. The Young Wife: September 25th
18. The Young Wife: Epilogue
Opera The Young Wife is based on the novel The Memoirs of a Young Wife by Gabriela Zapolska. I reworked the original story into fragments that, combined with music, most accurately expressed the emotions of the titular heroine. Seventeen diary entries intertwine in this stage work with interludes marking the passing of time. Time, in turn, is presented in a way that corresponds to the notions and feelings of an energetic young married woman, neither used to domestic duties nor long hours of silence and loneliness. The daydreaming girl still remembers her past infatuation with her friend (Adam) and moments of happiness in the theatre with him which are in stark contrast to everyday life in the company of a dry clam her new husband (Julian).
The power of this story lies in the transformation of the heroine from a frightened and terrifying filly into a mature woman, aware of her rights. In the opera, some scenes are particularly spectacular vocally as the singer assumes different roles during the performance: including as the narrator, Miss Iza (Julian’s lover), and even her husband. Yet this comedic theatricalisation does not really last long; it aims to show the depth of experience of a young wife, her insightfulness in perceiving the unknown world she has now entered after leaving the shelter of her bourgeois family home of twenty years.
The power of this story lies in the transformation of the heroine from a frightened and terrifying filly into a mature woman, aware of her rights. In the opera, some scenes are particularly spectacular vocally as the singer assumes different roles during the performance: including as the narrator, Miss Iza (Julian’s lover), and even her husband. Yet this comedic theatricalisation does not really last long; it aims to show the depth of experience of a young wife, her insightfulness in perceiving the unknown world she has now entered after leaving the shelter of her bourgeois family home of twenty years.
Year 2020 | Classical | FLAC / APE
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