Mathias Vidal & Ensemble Amarillis - Rameau: Pièces de clavecin en concerts Nos. 2 & 5, Orphée & Le berger fidèle (2014) [Hi-Res]
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BAND/ARTIST: Mathias Vidal, Ensemble Amarillis
- Title: Rameau: Pièces de clavecin en concerts Nos. 2 & 5, Orphée & Le berger fidèle
- Year Of Release: 2014
- Label: Naive
- Genre: Classical
- Quality: flac lossless / flac 24bits - 88.2kHz +Booklet
- Total Time: 01:06:06
- Total Size: 377 mb / 1.14 gb
- WebSite: Album Preview
Tracklist
01. Deuxieme Concert I. La Laborde
02. Deuxieme Concert II. La Boucon
03. Deuxieme Concert III. L'Agacante
04. Deuxieme Concert IV. Menuet I - V. Menuet II
05. Recitative Par le charme vainqueur d'un chant harmonieux
06. Aria Que du bruit de tes hauts exploits
07. Recitative Mais son ame, sensible a la seule eurydice
08. Aria J'ai pour temoin de ma victoire
09. Recitative Inutiles regrets! a sa douleur mortelle
10. Aria En amour, il est un moment
11. Cinquieme Concert I. La Forqueray
12. Cinquieme Concert II. La Cupis
13. Cinquieme Concert III. La Marais
14. Recitative Prest a voir immoler l'objet de sa tendresse
15. Aria Faut-il qu'Amarillis perisse
16. Recitative Mais c'est trop me livrer a ma douleur mortelle
17. Air L'Amour qui regne dans votre ame
18. Recitative Cependant a l'autel le Berger se presente
19. Aria Charmant amour, sous ta puissance
To mark the 250th anniversary of Jean-Philippe Rameau’s death, Ensemble Amarillis and tenor Mathias Vidal, leading performers in French baroque repertoire, recorded this Rameau chamber music programme performed earlier in 2014 at the Château de Versailles.
Although his output consists essentially of operas (Les Indes galantes, Hippolyte et Aricie, Platée, Les Boréades), Rameau, one of the greatest French composers of the 18th century, also left for posterity a number of works in a more intimate style, such as those featured on this recording: two cantatas and two of the Pièces de clavecin en concert, thus reflecting Amarillis’s constant concern to set vocal eloquence alongside instrumental discourse.
“We have chosen to play the fifth and the second concerts. They are given in two different scorings, which was customary in Rameau’s day and in the decades that followed, since several versions of this music coexist (for sextet, for orchestra, for solo harpsichord)...Finally, our preference in these cantatas for the voice of Mathias Vidal, with its timbre at once powerful and mellow, rather than a soprano voice, reflects our wish to restore all their liveliness and their vivacity to these miniature dramas and is logically consistent with the characters they depict, the musician Orpheus and the shepherd Myrtil.”
01. Deuxieme Concert I. La Laborde
02. Deuxieme Concert II. La Boucon
03. Deuxieme Concert III. L'Agacante
04. Deuxieme Concert IV. Menuet I - V. Menuet II
05. Recitative Par le charme vainqueur d'un chant harmonieux
06. Aria Que du bruit de tes hauts exploits
07. Recitative Mais son ame, sensible a la seule eurydice
08. Aria J'ai pour temoin de ma victoire
09. Recitative Inutiles regrets! a sa douleur mortelle
10. Aria En amour, il est un moment
11. Cinquieme Concert I. La Forqueray
12. Cinquieme Concert II. La Cupis
13. Cinquieme Concert III. La Marais
14. Recitative Prest a voir immoler l'objet de sa tendresse
15. Aria Faut-il qu'Amarillis perisse
16. Recitative Mais c'est trop me livrer a ma douleur mortelle
17. Air L'Amour qui regne dans votre ame
18. Recitative Cependant a l'autel le Berger se presente
19. Aria Charmant amour, sous ta puissance
To mark the 250th anniversary of Jean-Philippe Rameau’s death, Ensemble Amarillis and tenor Mathias Vidal, leading performers in French baroque repertoire, recorded this Rameau chamber music programme performed earlier in 2014 at the Château de Versailles.
Although his output consists essentially of operas (Les Indes galantes, Hippolyte et Aricie, Platée, Les Boréades), Rameau, one of the greatest French composers of the 18th century, also left for posterity a number of works in a more intimate style, such as those featured on this recording: two cantatas and two of the Pièces de clavecin en concert, thus reflecting Amarillis’s constant concern to set vocal eloquence alongside instrumental discourse.
“We have chosen to play the fifth and the second concerts. They are given in two different scorings, which was customary in Rameau’s day and in the decades that followed, since several versions of this music coexist (for sextet, for orchestra, for solo harpsichord)...Finally, our preference in these cantatas for the voice of Mathias Vidal, with its timbre at once powerful and mellow, rather than a soprano voice, reflects our wish to restore all their liveliness and their vivacity to these miniature dramas and is logically consistent with the characters they depict, the musician Orpheus and the shepherd Myrtil.”
Classical | Musique Française | FLAC / APE | HD & Vinyl
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