Bertrand Chavarría-Aldrete - [p]ers[on]a mis[ce]llanea (Works of Manuel M. Ponce) (2020) [Hi-Res]
![Bertrand Chavarría-Aldrete - [p]ers[on]a mis[ce]llanea (Works of Manuel M. Ponce) (2020) [Hi-Res]](https://www.dibpic.com/uploads/posts/2020-10/1604014940_bertrand-chavarria-aldrete-persona-miscellanea-works-of-manuel-m_-ponce-2020.jpg)
BAND/ARTIST: Bertrand Chavarría-Aldrete
- Title: [p]ers[on]a mis[ce]llanea (Works of Manuel M. Ponce)
- Year Of Release: 2020
- Label: Odradek Records
- Genre: Classical
- Quality: flac lossless / flac 24bits - 96.0kHz +Booklet
- Total Time: 01:08:55
- Total Size: 300 mb / 1.04 gb
- WebSite: Album Preview
Tracklist
01. Sonata III: I. Allegro moderato
02. Sonata III: II. Canción. Andante
03. Sonata III: III. Allegro non troppo
04. Sonata I 'Mexicana': I. Allegro moderato
05. Sonata I 'Mexicana': II. Andantino affettuoso
06. Sonata I 'Mexicana': III. Allegretto, quasi serenata
07. Sonata I 'Mexicana': IV. Allegretto un poco vivace
08. Tres canciones mexicanas: I. La pajarera
09. Tres canciones mexicanas: II. Por ti mi corazón
10. Tres canciones mexicanas: III. La Valentina
11. Seis preludios cortos: Moderato 1
12. Seis preludios cortos: Andante
13. Seis preludios cortos: Moderato 2
14. Seis preludios cortos: Allegretto espressivo
15. Seis preludios cortos: Allegretto con moto
16. Seis preludios cortos: Allegretto
17. Preludio
18. Variations sur 'Folía de España' et Fugue: Theme. Lento
19. Variations sur 'Folía de España' et Fugue: Variation 1. Poco vivo
20. Variations sur 'Folía de España' et Fugue: Variation 2. Allegretto mosso
21. Variations sur 'Folía de España' et Fugue: Variation 3. Lento
22. Variations sur 'Folía de España' et Fugue: Variation 4. Un po agitato
23. Variations sur 'Folía de España' et Fugue: Variation 5. Andantino
24. Variations sur 'Folía de España' et Fugue: Variation 6. Allegretto espressivo
25. Variations sur 'Folía de España' et Fugue: Variation 7. Andante
26. Variations sur 'Folía de España' et Fugue: Variation 8. Moderato
27. Variations sur 'Folía de España' et Fugue: Variation 9. Andantino affettuoso
28. Variations sur 'Folía de España' et Fugue: Variation 10. Prestissimo
29. Variations sur 'Folía de España' et Fugue: Variation 11. Andantino
30. Variations sur 'Folía de España' et Fugue: Variation 12. Animato
31. Variations sur 'Folía de España' et Fugue: Variation 13. Sostenuto
32. Variations sur 'Folía de España' et Fugue: Variation 14. Allegro non troppo
33. Variations sur 'Folía de España' et Fugue: Variation 15. Allegro moderato energico
34. Variations sur 'Folía de España' et Fugue: Variation 16. Moderato
35. Variations sur 'Folía de España' et Fugue: Variation 17. Allegro ma non troppo
36. Variations sur 'Folía de España' et Fugue: Variation 18. Allegro scherzando
37. Variations sur 'Folía de España' et Fugue: Variation 19. Vivo e marcato
38. Variations sur 'Folía de España' et Fugue: Variation 20. Andante
39. Variations sur 'Folía de España' et Fugue: Fuga. Moderato
Following his fascinating Odradek debut, 'Carpere fide(s)', innovative guitarist Bertrand Chavarra-Aldrete returns with an album exploring the music of one of the greatest of all composers for guitar, and Mexico's first "nationalist" composer, Manuel Mara Ponce.
According to his close friend and inspiration, the great Spanish guitarist Andrs Segovia, Ponce was the most significant composer in the modern revival of guitar music, rejuvenating the instrument's reputation and vastly enriching its repertoire. Ponce's body of guitar music is almost unparalleled in the 20th century, and his style embraces an eclectic range of influences, from romanticism to bitonality and atonality. He was Mexico's first nationalist composer, a status reflected in the Mexican titles and characteristics of many of his works, but he also drew upon Spanish and Cuban styles, as well as European and American impressionism.
This release brings together some of Ponce's finest guitar works, carefully selected and sensitively performed by Bertrand Chavarra-Aldrete. The album opens with a 'Preludio' written not long after Ponce arrived in Paris, characterised by modal and whole tone inflections that lend the piece an impressionistic quality. The release also includes the later set of 'Seis preludios cortos' ('Six short preludes'), written shortly before the composer's death and exuding a soulful sophistication showing Ponce at the peak of his powers.
The 'Tres canciones populares mexicanas' ('Three popular Mexican songs') represent a fine example of Ponce's characteristically Mexican style. The 'Sonata I', "Mexicana" was composed in the wake of Ponce's first meeting with Segovia, but its style also reflects the composer's enjoyment of life in jazz-age Paris. The 'Sonata III' was composed in 1927, by which time Ponce was immersed in Parisian life and his studies with Dukas.
Ponce composed his 'Variations sur "Fola de Espaa" et fugue' ('Variations and fugue on the Spanish Folia') in 1930, and his treatment of this ancient theme is masterful, constituting one of his most significant contributions to the guitar repertoire.
01. Sonata III: I. Allegro moderato
02. Sonata III: II. Canción. Andante
03. Sonata III: III. Allegro non troppo
04. Sonata I 'Mexicana': I. Allegro moderato
05. Sonata I 'Mexicana': II. Andantino affettuoso
06. Sonata I 'Mexicana': III. Allegretto, quasi serenata
07. Sonata I 'Mexicana': IV. Allegretto un poco vivace
08. Tres canciones mexicanas: I. La pajarera
09. Tres canciones mexicanas: II. Por ti mi corazón
10. Tres canciones mexicanas: III. La Valentina
11. Seis preludios cortos: Moderato 1
12. Seis preludios cortos: Andante
13. Seis preludios cortos: Moderato 2
14. Seis preludios cortos: Allegretto espressivo
15. Seis preludios cortos: Allegretto con moto
16. Seis preludios cortos: Allegretto
17. Preludio
18. Variations sur 'Folía de España' et Fugue: Theme. Lento
19. Variations sur 'Folía de España' et Fugue: Variation 1. Poco vivo
20. Variations sur 'Folía de España' et Fugue: Variation 2. Allegretto mosso
21. Variations sur 'Folía de España' et Fugue: Variation 3. Lento
22. Variations sur 'Folía de España' et Fugue: Variation 4. Un po agitato
23. Variations sur 'Folía de España' et Fugue: Variation 5. Andantino
24. Variations sur 'Folía de España' et Fugue: Variation 6. Allegretto espressivo
25. Variations sur 'Folía de España' et Fugue: Variation 7. Andante
26. Variations sur 'Folía de España' et Fugue: Variation 8. Moderato
27. Variations sur 'Folía de España' et Fugue: Variation 9. Andantino affettuoso
28. Variations sur 'Folía de España' et Fugue: Variation 10. Prestissimo
29. Variations sur 'Folía de España' et Fugue: Variation 11. Andantino
30. Variations sur 'Folía de España' et Fugue: Variation 12. Animato
31. Variations sur 'Folía de España' et Fugue: Variation 13. Sostenuto
32. Variations sur 'Folía de España' et Fugue: Variation 14. Allegro non troppo
33. Variations sur 'Folía de España' et Fugue: Variation 15. Allegro moderato energico
34. Variations sur 'Folía de España' et Fugue: Variation 16. Moderato
35. Variations sur 'Folía de España' et Fugue: Variation 17. Allegro ma non troppo
36. Variations sur 'Folía de España' et Fugue: Variation 18. Allegro scherzando
37. Variations sur 'Folía de España' et Fugue: Variation 19. Vivo e marcato
38. Variations sur 'Folía de España' et Fugue: Variation 20. Andante
39. Variations sur 'Folía de España' et Fugue: Fuga. Moderato
Following his fascinating Odradek debut, 'Carpere fide(s)', innovative guitarist Bertrand Chavarra-Aldrete returns with an album exploring the music of one of the greatest of all composers for guitar, and Mexico's first "nationalist" composer, Manuel Mara Ponce.
According to his close friend and inspiration, the great Spanish guitarist Andrs Segovia, Ponce was the most significant composer in the modern revival of guitar music, rejuvenating the instrument's reputation and vastly enriching its repertoire. Ponce's body of guitar music is almost unparalleled in the 20th century, and his style embraces an eclectic range of influences, from romanticism to bitonality and atonality. He was Mexico's first nationalist composer, a status reflected in the Mexican titles and characteristics of many of his works, but he also drew upon Spanish and Cuban styles, as well as European and American impressionism.
This release brings together some of Ponce's finest guitar works, carefully selected and sensitively performed by Bertrand Chavarra-Aldrete. The album opens with a 'Preludio' written not long after Ponce arrived in Paris, characterised by modal and whole tone inflections that lend the piece an impressionistic quality. The release also includes the later set of 'Seis preludios cortos' ('Six short preludes'), written shortly before the composer's death and exuding a soulful sophistication showing Ponce at the peak of his powers.
The 'Tres canciones populares mexicanas' ('Three popular Mexican songs') represent a fine example of Ponce's characteristically Mexican style. The 'Sonata I', "Mexicana" was composed in the wake of Ponce's first meeting with Segovia, but its style also reflects the composer's enjoyment of life in jazz-age Paris. The 'Sonata III' was composed in 1927, by which time Ponce was immersed in Parisian life and his studies with Dukas.
Ponce composed his 'Variations sur "Fola de Espaa" et fugue' ('Variations and fugue on the Spanish Folia') in 1930, and his treatment of this ancient theme is masterful, constituting one of his most significant contributions to the guitar repertoire.
Year 2020 | Classical | FLAC / APE | HD & Vinyl
As a ISRA.CLOUD's PREMIUM member you will have the following benefits:
- Unlimited high speed downloads
- Download directly without waiting time
- Unlimited parallel downloads
- Support for download accelerators
- No advertising
- Resume broken downloads