L'arte Del Mondo & Werner Ehrhardt - Gluck: La Clemenza di Tito (2014)
BAND/ARTIST: L'Arte Del Mondo, Werner Ehrhardt
- Title: Christoph Willibald Gluck: La Clemenza di Tito
- Year Of Release: 2014
- Label: deutsche harmonia mundi
- Genre: Classical
- Quality: FLAC (tracks)
- Total Time: 3:39:01
- Total Size: 1.08 GB
- WebSite: Album Preview
Tracklist:
01. Act I: Sinfonia: I. Allegro
02. Act I: Sinfonia: II. Largo
03. Act I: Sinfonia: III. Allegro molto
04. Act I: Recitativo Scena 1
05. Act I: Recitativo Scena 2
06. Act I: Deh! Se piacer mi vuoi (Aria)
07. Act I: Recitativo Scena 3
08. Act I: Io sento che in petto (Aria)
09. Act I: Recitativo Scena 4
10. Act I: Opprimete i contumaci (Aria)
11. Act I: Marcia Scena 5
12. Act I: Recitativo Scena 5
13. Act I: Di quel sublime soglio (Aria)
14. Act I: Recitativo Scena 6
15. Act I: Ah! Perdona al primo affetto (Aria)
16. Act I: Recitativo Scena 7
17. Act I: Amo te solo (Aria)
18. Act I: Recitativo Scena 8
19. Act I: Recitativo Scena 9
20. Act I: Ah! Se fosse intorno al trono (Aria)
21. Act I: Recitativo Scena 10
22. Act I: Parto, ma tu ben mio (Aria)
23. Act I: Recitativo Scena 11
24. Act I: Recitativo Scena 12
25. Act I: Quando sarà quel d`(Aria)
26. Act II: Recitativo Scena 1
27. Act II: Recitativo Scena 2
28. Act II: Recitativo Scena 3
29. Act II: Recitativo Scena 4
30. Act II: Sia lontano ogni cimento (Aria)
31. Act II: Recitativo Scena 5
32. Act II: Almen, se non poss'io (Aria)
33. Act II: Recitativo Scena 6
34. Act II: Come potesti, oh Dio! (Aria)
35. Act II: Recitativo Scena 7
36. Act II: Fra stupido e pensoso (Aria)
37. Act II: Recitativo Scena 8
38. Act II: Recitativo Scena 9
39. Act II: Recitativo Scena 10
40. Act II: Recitativo Scena 11
41. Act II: Tu, infedel, non hai difese (Aria)
42. Act II: Recitativo Scena 12
43. Act II: Ch'io aprto reo, lo vedi (Aria)
44. Act II: Recitativo Scena 13
45. Act II: Recitativo Scena 14
46. Act II: Se mai senti spirarti sul volto (Aria)
47. Act II: Recitativo Scena 15
48. Act II: Tremo fra' dubbi miei (Aria)
49. Act III: Recitativo Scena 1
50. Act III: Tardi s'avvede (Aria)
51. Act III: Recitativo Scena 2
52. Act III: Recitativo Scena 3
53. Act III: Pietà, signor, per lui (Aria)
54. Act III: Recitativo Scena 4
55. Act III: Recitativo Scena 5
56. Act III: Recitativo Scena 6
57. Act III: Vo disperato a morte (Aria)
58. Act III: Recitativo Scena 7
59. Act III: Recitativo Scena 8
60. Act III: Se all'impero, amici dei (Aria)
61. Act III: Recitativo Scena 9
62. Act III: Recitativo Scena 10
63. Act III: S'altro che lagrime (Aria)
64. Act III: Recitativo Scena 11
65. Act III: Getta il nocchier talora (Aria)
66. Act III: Recitativo Scena 12
67. Act III: Recitativo Scena 13
68. Act III: Che del ciel, che degli dei (Coro)
01. Act I: Sinfonia: I. Allegro
02. Act I: Sinfonia: II. Largo
03. Act I: Sinfonia: III. Allegro molto
04. Act I: Recitativo Scena 1
05. Act I: Recitativo Scena 2
06. Act I: Deh! Se piacer mi vuoi (Aria)
07. Act I: Recitativo Scena 3
08. Act I: Io sento che in petto (Aria)
09. Act I: Recitativo Scena 4
10. Act I: Opprimete i contumaci (Aria)
11. Act I: Marcia Scena 5
12. Act I: Recitativo Scena 5
13. Act I: Di quel sublime soglio (Aria)
14. Act I: Recitativo Scena 6
15. Act I: Ah! Perdona al primo affetto (Aria)
16. Act I: Recitativo Scena 7
17. Act I: Amo te solo (Aria)
18. Act I: Recitativo Scena 8
19. Act I: Recitativo Scena 9
20. Act I: Ah! Se fosse intorno al trono (Aria)
21. Act I: Recitativo Scena 10
22. Act I: Parto, ma tu ben mio (Aria)
23. Act I: Recitativo Scena 11
24. Act I: Recitativo Scena 12
25. Act I: Quando sarà quel d`(Aria)
26. Act II: Recitativo Scena 1
27. Act II: Recitativo Scena 2
28. Act II: Recitativo Scena 3
29. Act II: Recitativo Scena 4
30. Act II: Sia lontano ogni cimento (Aria)
31. Act II: Recitativo Scena 5
32. Act II: Almen, se non poss'io (Aria)
33. Act II: Recitativo Scena 6
34. Act II: Come potesti, oh Dio! (Aria)
35. Act II: Recitativo Scena 7
36. Act II: Fra stupido e pensoso (Aria)
37. Act II: Recitativo Scena 8
38. Act II: Recitativo Scena 9
39. Act II: Recitativo Scena 10
40. Act II: Recitativo Scena 11
41. Act II: Tu, infedel, non hai difese (Aria)
42. Act II: Recitativo Scena 12
43. Act II: Ch'io aprto reo, lo vedi (Aria)
44. Act II: Recitativo Scena 13
45. Act II: Recitativo Scena 14
46. Act II: Se mai senti spirarti sul volto (Aria)
47. Act II: Recitativo Scena 15
48. Act II: Tremo fra' dubbi miei (Aria)
49. Act III: Recitativo Scena 1
50. Act III: Tardi s'avvede (Aria)
51. Act III: Recitativo Scena 2
52. Act III: Recitativo Scena 3
53. Act III: Pietà, signor, per lui (Aria)
54. Act III: Recitativo Scena 4
55. Act III: Recitativo Scena 5
56. Act III: Recitativo Scena 6
57. Act III: Vo disperato a morte (Aria)
58. Act III: Recitativo Scena 7
59. Act III: Recitativo Scena 8
60. Act III: Se all'impero, amici dei (Aria)
61. Act III: Recitativo Scena 9
62. Act III: Recitativo Scena 10
63. Act III: S'altro che lagrime (Aria)
64. Act III: Recitativo Scena 11
65. Act III: Getta il nocchier talora (Aria)
66. Act III: Recitativo Scena 12
67. Act III: Recitativo Scena 13
68. Act III: Che del ciel, che degli dei (Coro)
L'arte del mondo presents the world premiere recording of: La Clemenza di Tito by Christoph Willibald Gluck (1714-1787). The world premiere recording of a masterpiece of the 'opera seria', perfectly timed for the 300th birthday of Gluck (July 2nd).
The opera is starring countertenor Valer Sabadus - one of opera's most exciting newcomers - now exclusively signed to Deutsche Harmonia Mundi, a division of Sony Classical. Christoph Willibald Gluck, widely known for fundamentally reforming the 'opera seria' wrote some of the greatest and exemplary masterpieces of this great genre before he started his famous reform of the opera. This makes this work a fascinating and enlightening piece in the puzzle for the evolution of opera and the eminent character Gluck. Gluck's setting of La Clemenza was first performed in Naples in 1752, ten years before his first reform opera.
‘La Clemenza di Tito’ is an exemplary 'opera seria' and a masterpiece of this genre, based on a libretto by the famous Pietro Metastasio. Metastasio’s libretti have been set to music more than any other writer, ever! For example, the libretto of ‘La Clemenza di Tito’ has been set to music 40 times. This world premiere recording by the ensemble l’arte del mondo imposingly shows the exceptional skills of one of the most influential opera composers of all time and reveals a rather unknown side of this outstanding visionary.
The orchestra l’arte del mondo is rooted in the Early Music tradition, but also plays on modern instruments with the same passion, performing repertoire that goes up to the Romantic period. Since it was founded, the ensemble has been invited to appear at many major festivals and concert series such as the Ludwigsburg Schlossfestspiele, the Bonn Beethoven Festival, the Schwetzingen Festival and the Sanssouci Music Festival in Potsdam. l’arte del mondo has also played at such illustrious venues as Konzerthaus Berlin, the Cité de la musique in Paris, the Düsseldorf Tonhalle, the Festspielhaus Baden-Baden and Munich's Herkulessaal.
The opera is starring countertenor Valer Sabadus - one of opera's most exciting newcomers - now exclusively signed to Deutsche Harmonia Mundi, a division of Sony Classical. Christoph Willibald Gluck, widely known for fundamentally reforming the 'opera seria' wrote some of the greatest and exemplary masterpieces of this great genre before he started his famous reform of the opera. This makes this work a fascinating and enlightening piece in the puzzle for the evolution of opera and the eminent character Gluck. Gluck's setting of La Clemenza was first performed in Naples in 1752, ten years before his first reform opera.
‘La Clemenza di Tito’ is an exemplary 'opera seria' and a masterpiece of this genre, based on a libretto by the famous Pietro Metastasio. Metastasio’s libretti have been set to music more than any other writer, ever! For example, the libretto of ‘La Clemenza di Tito’ has been set to music 40 times. This world premiere recording by the ensemble l’arte del mondo imposingly shows the exceptional skills of one of the most influential opera composers of all time and reveals a rather unknown side of this outstanding visionary.
The orchestra l’arte del mondo is rooted in the Early Music tradition, but also plays on modern instruments with the same passion, performing repertoire that goes up to the Romantic period. Since it was founded, the ensemble has been invited to appear at many major festivals and concert series such as the Ludwigsburg Schlossfestspiele, the Bonn Beethoven Festival, the Schwetzingen Festival and the Sanssouci Music Festival in Potsdam. l’arte del mondo has also played at such illustrious venues as Konzerthaus Berlin, the Cité de la musique in Paris, the Düsseldorf Tonhalle, the Festspielhaus Baden-Baden and Munich's Herkulessaal.
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