Jörg Halubek - 50°53'53.9"N 10°33'22.6"E (Bach Organ Landscapes / Waltershausen) (2020) [Hi-Res]
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BAND/ARTIST: Jörg Halubek
- Title: 50°53'53.9"N 10°33'22.6"E (Bach Organ Landscapes / Waltershausen)
- Year Of Release: 2020
- Label: Berlin Classics
- Genre: Classical
- Quality: flac lossless / flac 24bits - 96.0kHz
- Total Time: 01:40:02
- Total Size: 480 mb / 1.72 gb
- WebSite: Album Preview
Tracklist
01. Praeludium pro Organo pleno, BWV 5521
02. Kyrie, Gott Vater in Ewigkeit, BWV 669
03. Christe, aller Welt Trost, BWV 670
04. Kyrie, Gott heiliger Geist, BWV 671
05. Kyrie, Gott Vater in Ewigkeit, BWV 672
06. Christe, aller Welt Trost, BWV 673
07. Kyrie, Gott heiliger Geist, BWV 674
08. Allein Gott in der Hoh sei Ehr, BWV 675
09. Allein Gott in der Hoh sei Ehr, BWV 676
10. Fughetta super Allein Gott in der Hoh sei Ehr, BWV 677
11. Dies sind die heiligen zehen Gebot, BWV 678
12. Fughetta super Dies sind die heiligen zehen Gebot, BWV 679
13. Wir glauben all an einen Gott, BWV 680
14. Fughetta super Wir glauben all an einen Gott, BWV 681
15. Vater unser im Himmelreich, BWV 682
16. Vater unser im Himmelreich, BWV 683
17. Christ unser Herr zum Jordan kam, BWV 684
18. Christ unser Herr zum Jordan kam, BWV 685
19. Aus tiefer Not schrei ich zu dir, BWV 686
20. Aus tiefer Not schrei ich zu dir, BWV 687
21. Jesus Christus, unser Heiland, BWV 688
22. Fuga super Jesus Christus, unser Heiland, BWV 689
23. Duetto I BWV 802
24. Duetto II BWV 803
25. Duetto III BWV 804
26. Duetto IV BWV 805
27. Fuga pro Organo pleno BWV 5522
For this album Jörg Halubek selected selected Bach’s “Third Part of the Keyboard Exercise” – one of the rare collections of organ music that Bach set in print in his own lifetime (1739). The collection captivates him with its visionary compositional approach and a refreshingly pragmatic approach to printed layout that can still be appreciated today (cf. Gregory Butler, 1990). The compositional vision of the Clavierübung is linked for Halubek with the visionary element of Trost’s organ aesthetic. Bach thought highly of him – and will have appreciated his experiments with tone colours. As ever, a nobly dignified plenum forms the central pillar of the organ sound. Both mixtures contain thirds, resulting in combination with the softened middle register in a certain sharpness of sound, but also the clear, eloquent transparency of polyphonic works. The spatial acoustic has very little reverberation even in an empty church and is very clear. Apart from the plenum, the organ specification is mainly characterized by a wealth of eight-foot and four-foot stops: there are six 8' flue stops and three 4' flues in the Hauptwerk alone, among them a tremulant. The fine nuances in these sensitive timbres are an invitation to interpreters to experiment and to hear with new ears.
01. Praeludium pro Organo pleno, BWV 5521
02. Kyrie, Gott Vater in Ewigkeit, BWV 669
03. Christe, aller Welt Trost, BWV 670
04. Kyrie, Gott heiliger Geist, BWV 671
05. Kyrie, Gott Vater in Ewigkeit, BWV 672
06. Christe, aller Welt Trost, BWV 673
07. Kyrie, Gott heiliger Geist, BWV 674
08. Allein Gott in der Hoh sei Ehr, BWV 675
09. Allein Gott in der Hoh sei Ehr, BWV 676
10. Fughetta super Allein Gott in der Hoh sei Ehr, BWV 677
11. Dies sind die heiligen zehen Gebot, BWV 678
12. Fughetta super Dies sind die heiligen zehen Gebot, BWV 679
13. Wir glauben all an einen Gott, BWV 680
14. Fughetta super Wir glauben all an einen Gott, BWV 681
15. Vater unser im Himmelreich, BWV 682
16. Vater unser im Himmelreich, BWV 683
17. Christ unser Herr zum Jordan kam, BWV 684
18. Christ unser Herr zum Jordan kam, BWV 685
19. Aus tiefer Not schrei ich zu dir, BWV 686
20. Aus tiefer Not schrei ich zu dir, BWV 687
21. Jesus Christus, unser Heiland, BWV 688
22. Fuga super Jesus Christus, unser Heiland, BWV 689
23. Duetto I BWV 802
24. Duetto II BWV 803
25. Duetto III BWV 804
26. Duetto IV BWV 805
27. Fuga pro Organo pleno BWV 5522
For this album Jörg Halubek selected selected Bach’s “Third Part of the Keyboard Exercise” – one of the rare collections of organ music that Bach set in print in his own lifetime (1739). The collection captivates him with its visionary compositional approach and a refreshingly pragmatic approach to printed layout that can still be appreciated today (cf. Gregory Butler, 1990). The compositional vision of the Clavierübung is linked for Halubek with the visionary element of Trost’s organ aesthetic. Bach thought highly of him – and will have appreciated his experiments with tone colours. As ever, a nobly dignified plenum forms the central pillar of the organ sound. Both mixtures contain thirds, resulting in combination with the softened middle register in a certain sharpness of sound, but also the clear, eloquent transparency of polyphonic works. The spatial acoustic has very little reverberation even in an empty church and is very clear. Apart from the plenum, the organ specification is mainly characterized by a wealth of eight-foot and four-foot stops: there are six 8' flue stops and three 4' flues in the Hauptwerk alone, among them a tremulant. The fine nuances in these sensitive timbres are an invitation to interpreters to experiment and to hear with new ears.
Year 2020 | Classical | FLAC / APE | HD & Vinyl
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