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Quincy Jones - The Quincy Jones ABC/Mercury Big Band Jazz Sessions (5CD BoxSet) (2007)

Quincy Jones - The Quincy Jones ABC/Mercury Big Band Jazz Sessions (5CD BoxSet) (2007)

BAND/ARTIST: Quincy Jones

  • Title: The Quincy Jones ABC/Mercury Big Band Jazz Sessions
  • Year Of Release: 2007
  • Label: Mosaic Records / Verve
  • Genre: Bop, Big Band, Jazz
  • Quality: FLAC (tracks+.cue,log,scans)
  • Total Time: 05:38:37
  • Total Size: 2,7 Gb
  • WebSite:
Tracklist:

CD 1:
01. Walkin' (Richard Carpenter) 10:39
02. A Sleeping Bee (H.Arlen-T.Capote) 4:38
03. Sermonette Julian Adderley) 5:54
04. Stockholm Sweetnin' (Quincy Jones) 5:38
05. Evening In Paris (Quincy Jones) 4:05
06. Boo's Bloos (Quincy Jones) 5:10
07. The Quintessence (Quincy Jones) 4:19
08. Robot Portrait (Billy Byers) 5:24
09. Little Karen (Benny Golson) 3:42
10. Straight, No Chaser (Thelonious Monk) 2:24
11. For Lena And Lennie (Quincy Jones) 4:16
12. Hard Sock Dance (Quincy Jones) 3:18
13. Invitation (B.Kaper-P.F.Webster) 3:33
14. The Twitch (Billy Byers) 3:49

CD 2:
01. The Birth Of A Band (Quincy Jones) 2:55
02. Moanin' (Bobby Timmons) 3:03
03. I Remember Clifford (Benny Golson) 3:42
04. Along Came Betty (Benny Golson) 3:17
05. Tickle Toe (Lester Young) 2:56
06. Happy Faces (Sonny Stitt) 2:40
07. Whisper Not (Benny Golson) 3:22
08. The Gypsy (William G. Reid) 4:04
09. A Change Of Pace (Q.Jones-H.Persson) 3:20
10. Tuxedo Junction (Johnson-Hawkins-Feyne-Dash) 2:43
11. Daylie Double (Quincy Jones) 5:59
12. Moanin' (Bobby Timmons) 3:10 (*) Alt. Take
13. Happy Faces (Sonny Stitt) 2:43 (*) Alt. Take
14. After Hours (Avery Parish) 3:31
15. Choo Choo Ch'Boogie (Darling-Horton) 2:26
16. The Hucklebuck (Alfred-Gibson) 2:25
17. The Midnight Sun Will Never Set (Jones-Salvador-Cochran) 2:41
18. The Preacher (Horace Silver) 2:53
19. Marching The Blues (Q.Jones-M.Liston) 2:41
20. Blues In The Night (H.Arlen-J.Mercer) 3:56
21. Syncopated Clock (L.Anderson-M.Parish) 2:44

CD 3:
01. Lester Leaps In (Lester Young) 3:33
02. Ghana (Ernie Wilkins) 4:35
03. Caravan (Tizol-Ellington) 3:28
04. Everybody's Blues (Ernie Wilkins) 4:13
05. Cherokee (Ray Noble) 3:09
06. Air Mail Special (Christian-Goodman) 2:33
07. They Say It's Wonderful (Irving Berlin) 3:21
08. Chant Of The Weed (Don Redman) 3:13
09. I Never Has Seen Snow (Arlen-Capote) 3:08
10. Eesom (Bill Potts) 5:03
11. Pleasingly Plump (Quincy Jones) 2:15
12. G'wan Train (Patti Bown)) 6:20
13. Moonglow (Hudson-DeLange-Mills) 2:47
14. Tone Poem (Melba Liston) 3:38
15. You Turned The Tables On Me (L.Alter-S.Mitchell) 2:29
16. Chinese Checkers (David C.Glover Jr.) 2:40
17. Love Is Here To Stay (I) 3:11
(G.Gershwin-I.Gershwin)
18. The Midnight Sun Will Never Set (Jones-Salvador-Cochran) 4:31
19. Trouble On My Mind (William Noble) 2:30
20. A Sunday Kind Of Love (Prima-Bell-Leonard-Rhodes) 2:32
21. Parisian Thoroughfare (Bud Powell) 3:47
22. Pleasingly Plump (Q.Jones) 2:26 (*) 1st Version
23. G'wan Train (Patti Bown) 2:57 (*) Short Version

CD 4:
01. Solitude (Ellington-DeLange-Mills) 4:27
02. Stolen Moments (Oliver Nelson) 13:44
03. Bess, You Is My Woman Now (Gershwin-Gershwin-Heyward) 5:45
04. Moanin' (Bobby Timmons) 2:58
05. Air Mail Special (Christian-Goodman) 3:51
06. Banja Luka (Phil Woods) 9:23
07. Billie's Bounce (Charlie Parker) 7:10
08. Scrapple From The Apple (Charlie Parker) 9:59
09. Blue 'N Boogie (D.Gillespie-F.Paparelli) 10:12

CD 5:
01. Ghana (Ernie Wilkins) 4:03
02. Meet B.B. (Quincy Jones) 3:59
03. The Boy In The Tree (Quincy Jones) 5:03
04. Evening In Paris (Quincy Jones) 5:21
05. Air Mail Special (Christian-Goodman) 4:21
06. Lester Leaps In (Lester Young) 6:10
07. G'wan Train (Patti Bown) 6:05
08. Banja Luka (Phil Woods) 5:56
09. I Had A Ball (J.Lawrence-S.Freeman) 5:02
10. Almost (J.Lawrence-S.Freeman) 4:20
11. Addie's At It Again (Lawrence-Freeman) 5:03

Personnel:
Art Farmer, Ernie Royal, Bernie Glow, Joe Wilder, Terry, Joe Newman, Thad Jones, Freddie Hubbard, Harry Edison, Benny Bailey (tp), Jimmy Cleveland, Urbie Green, Frank Rehak, Billy Byers, Melba Liston, Ake Persson, Curtis Fuller, Quentin Jackson (tb), Phil Woods, Gene Quill, Frank Wess (as), Jerome Richardson (as,ts,fl), Herbie Mann (fl,ts), Zoot Sims, Lucky Thompson, Eric Dixon, Oliver Nelson, Budd Johnson, Sam 'The Man' Taylor, Benny Golson (ts), Herbie Mann (fl & ts), Jack Nimitz, Sahib Shihab (bs), Julius Watkins (frh), Milt Jackson (vib), Hank Jones, Billy Taylor, Bobby Scott, Patti Bown (p), Kenny Burrell, Les Spann (g), Milt Hinton, Charles Mingus, Paul Chambers, Ray Brown (b), Charlie Persip, Stu Martin, Jimmy Crawford, Osie Johnson, Don Lamond (d). Bill Potts, Al Cohn, Ralph Burns, Ernie Wilkins (arr).

There was never any problem finding audiences eager to hear what Quincy was thinking, or what musicians like Art Farmer, Zoot Sims, Curtis Fuller, Phil Woods, Freddie Hubbard, Benny Golson, Art Blakey, and Hank Jones were blowing. And listeners today will discover just the same joy. The set includes all of his 1959-60 studio and 1961 live Mercury sessions, as well as an earlier set from 1956 for ABC-Paramount and a 1961 date for Impulse. The 1956 date for an ABC-Paramount release was a masterpiece of arranging and band leading. You hear him creating his new sound in what is the core of the set, the 1959-60 studio recording that comprised Quincy's "The Birth of a Band" release and later sessions. The final dates were a reunion of sorts, for a tour in Europe and a performance at Newport and an expanded orchestra for a studio session on Impulse. Even though recordings spanned a number of years, from New York to Zurich to Paris to Newport and back to New York, we were able to track down every original tape master. In writing for the big band, Quincy concealed a great deal of harmonic and rhythmic complexity in his charts. He really was reinventing big band music for a new decade and a new generation of listeners. His pieces sounded youthful and vibrant, and could be technically demanding almost beyond belief; more the writing you'd expect a five-piece band to conquer, not one comprising 17 or 18 or 20 musicians. But his bands rose to the challenge, showing there is great swing in precision, and a way of creating excitement by playing both loose and tight at the same time. The set includes an essay by Brian Priestley and a complete discography, as well as many rare photographs by Chuck Stewart. But what it mostly contains is a fountain of youthfulness, in an unlikely, illogical, unprecedented and entirely delightful way that could only belong to Quincy Jones.




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