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Eleonor Bindman - J.S. Bach: Cello Suites (Arr. E. Bindman for Piano) (2020) [Hi-Res]

Eleonor Bindman - J.S. Bach: Cello Suites (Arr. E. Bindman for Piano) (2020) [Hi-Res]

BAND/ARTIST: Eleonor Bindman

  • Title: J.S. Bach: Cello Suites (Arr. E. Bindman for Piano)
  • Year Of Release: 2020
  • Label: Grand Piano
  • Genre: Classical
  • Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks+booklet)
  • Total Time: 02:07:52
  • Total Size: 455 MB / 2.16 GB
  • WebSite:
Tracklist:

CD1
1. Cello Suite No. 1 in G Major, BWV 1007 (Arr. E. Bindman for Piano): I. Prélude (2:20)
2. Cello Suite No. 1 in G Major, BWV 1007 (Arr. E. Bindman for Piano): II. Allemande (5:02)
3. Cello Suite No. 1 in G Major, BWV 1007 (Arr. E. Bindman for Piano): III. Courante (2:30)
4. Cello Suite No. 1 in G Major, BWV 1007 (Arr. E. Bindman for Piano): IV. Sarabande (3:30)
5. Cello Suite No. 1 in G Major, BWV 1007 (Arr. E. Bindman for Piano): V. Menuets I & II (3:34)
6. Cello Suite No. 1 in G Major, BWV 1007 (Arr. E. Bindman for Piano): VI. Gigue (1:57)
7. Cello Suite No. 2 in D Minor, BWV 1008 (Arr. E. Bindman for Piano): I. Prélude (5:12)
8. Cello Suite No. 2 in D Minor, BWV 1008 (Arr. E. Bindman for Piano): II. Allemande (2:53)
9. Cello Suite No. 2 in D Minor, BWV 1008 (Arr. E. Bindman for Piano): III. Courante (2:09)
10. Cello Suite No. 2 in D Minor, BWV 1008 (Arr. E. Bindman for Piano): IV. Sarabande (4:39)
11. Cello Suite No. 2 in D Minor, BWV 1008 (Arr. E. Bindman for Piano): V. Menuets I & II (2:53)
12. Cello Suite No. 2 in D Minor, BWV 1008 (Arr. E. Bindman for Piano): VI. Gigue (2:04)
13. Cello Suite No. 3 in C Major, BWV 1009 (Arr. E. Bindman for Piano): I. Prélude (2:50)
14. Cello Suite No. 3 in C Major, BWV 1009 (Arr. E. Bindman for Piano): II. Allemande (3:29)
15. Cello Suite No. 3 in C Major, BWV 1009 (Arr. E. Bindman for Piano): III. Courante (3:10)
16. Cello Suite No. 3 in C Major, BWV 1009 (Arr. E. Bindman for Piano): IV. Sarabande (3:40)
17. Cello Suite No. 3 in C Major, BWV 1009 (Arr. E. Bindman for Piano): V. Bourrées I & II (3:54)
18. Cello Suite No. 3 in C Major, BWV 1009 (Arr. E. Bindman for Piano): VI. Gigue (3:10)

CD2
1. Cello Suite No. 4 in E-Flat Major, BWV 1010 (Arr. E. Bindman for Piano): I. Prélude (3:58)
2. Cello Suite No. 4 in E-Flat Major, BWV 1010 (Arr. E. Bindman for Piano): II. Allemande (3:19)
3. Cello Suite No. 4 in E-Flat Major, BWV 1010 (Arr. E. Bindman for Piano): III. Courante (3:28)
4. Cello Suite No. 4 in E-Flat Major, BWV 1010 (Arr. E. Bindman for Piano): IV. Sarabande (4:30)
5. Cello Suite No. 4 in E-Flat Major, BWV 1010 (Arr. E. Bindman for Piano): V. Bourrées I & II (4:14)
6. Cello Suite No. 4 in E-Flat Major, BWV 1010 (Arr. E. Bindman for Piano): VI. Gigue (2:13)
7. Cello Suite No. 5 in C Minor, BWV 1011 (Arr. E. Bindman for Piano): I. Prélude (5:10)
8. Cello Suite No. 5 in C Minor, BWV 1011 (Arr. E. Bindman for Piano): II. Allemande (5:01)
9. Cello Suite No. 5 in C Minor, BWV 1011 (Arr. E. Bindman for Piano): III. Courante (2:00)
10. Cello Suite No. 5 in C Minor, BWV 1011 (Arr. E. Bindman for Piano): IV. Sarabande (3:22)
11. Cello Suite No. 5 in C Minor, BWV 1011 (Arr. E. Bindman for Piano): V. Gavottes I & II (4:10)
12. Cello Suite No. 5 in C Minor, BWV 1011 (Arr. E. Bindman for Piano): VI. Gigue (2:07)
13. Cello Suite No. 6 in D Major, BWV 1012 (Arr. E. Bindman for Piano): I. Prélude (3:19)
14. Cello Suite No. 6 in D Major, BWV 1012 (Arr. E. Bindman for Piano): II. Allemande (7:31)
15. Cello Suite No. 6 in D Major, BWV 1012 (Arr. E. Bindman for Piano): III. Courante (3:39)
16. Cello Suite No. 6 in D Major, BWV 1012 (Arr. E. Bindman for Piano): IV. Sarabande (4:37)
17. Cello Suite No. 6 in D Major, BWV 1012 (Arr. E. Bindman for Piano): V. Gavottes I & II (3:01)
18. Cello Suite No. 6 in D Major, BWV 1012 (Arr. E. Bindman for Piano): VI. Gigue (3:30)

J.S. Bach’s genius is universally revered by music lovers, and a significant part of his output was in transcriptions of his own work, a tradition kept alive in Eleonor Bindman’s piano versions of the Six Suites for Solo Cello. Bindman has avoided embellishing these iconic pieces, preserving the intriguing ambiguities in Bach’s implied harmonies and savouring their expressive qualities through the baritone register of a marvellous Bösendorfer piano. These admirably accurate transcriptions reveal the mysterious mathematical grace and flexibility of structure that makes Bach’s art so organic and eternal.


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  • User offline
  • platico
  •  wrote in 20:47
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gracias....
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  • gemofroe
  •  wrote in 04:26
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thanks a lot