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The Bach Players - Clérambault: Chamber Music from the Brossard Collection (2019) [Hi-Res]

The Bach Players - Clérambault: Chamber Music from the Brossard Collection (2019) [Hi-Res]

BAND/ARTIST: The Bach Players

  • Title: Clérambault: Chamber Music from the Brossard Collection
  • Year Of Release: 2019
  • Label: Coviello Classics
  • Genre: Classical
  • Quality: flac lossless / flac 24bits - 96.0kHz +Booklet
  • Total Time: 00:58:49
  • Total Size: 341 / 1280 mb
  • WebSite:
Tracklist
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01. La magnifique in E Minor I. Lentement
02. La magnifique in E Minor II. Allegro
03. La magnifique in E Minor III. Adagio
04. La magnifique in E Minor IV. Sarabande
05. La magnifique in E Minor V. Gigue
06. La magnifique in E Minor VI. Allegro
07. Chaconne in D Major
08. Prelude in C Minor
09. L'impromptu in D Minor I. Lentement - Vite
10. L'impromptu in D Minor II. Aria. Lentement - Vite
11. Sonata prima in G Major I. Adagio
12. Sonata prima in G Major II. Allegro
13. Sonata prima in G Major III. Largo
14. Sonata prima in G Major IV. Allegro
15. Sonata prima in G Major V. Allegro - Gigue
16. Prelude in C Major
17. L'abondance in B-Flat Major I. Adagio
18. L'abondance in B-Flat Major II. Allegro
19. L'abondance in B-Flat Major III. Sarabande
20. L'abondance in B-Flat Major IV. Allegro
21. La felicite in G Major I. Lentement - Allegro - Lent
22. La felicite in G Major II. Allegro
23. La felicite in G Major III. Gavotte
24. La felicite in G Major IV. Gigue - Lent
25. Chaconne in A Major


Nicolas Clérambault (1676–1749) is known as an organist and composer of many large-scale sacred and secular works in the France of Louis XIV and Louis XV – and he also wrote chamber music. This CD gathers chamber works that were collected and copied by the composer and theorist Sébastien de Brossard (1655–1730). These pieces were not published in Clérambault’s lifetime, perhaps because he was writing in the controversial Italian style. We owe their survival to Brossard.
The five sontatas on the disc follow the Italian model of Corelli that was then gradually gaining popularity in France. The titles that Clérambault gave to these sonatas seem just to have been a name, rather than any characterisation of the piece. In this recording, two of the five sonatas are introduced by an apparently improvised ‘unmeasured prelude’ for harpsichord, taken from his book Pièces de clavecin . The disc also includes two chaconnes – one never before recorded – that live up to the aching pathos of the form.




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