Purcell Choir, Orfeo Orchestra, György Vashegyi - Gregor Joseph Werner: der Gute Hirt Oratorio (1739) (2020) [Hi-Res]
![Purcell Choir, Orfeo Orchestra, György Vashegyi - Gregor Joseph Werner: der Gute Hirt Oratorio (1739) (2020) [Hi-Res]](https://www.dibpic.com/uploads/posts/2020-10/1601598434_purcell-choir-orfeo-orchestra-gyorgy-vashegyi-gregor-joseph-werner-der-gute-hirt-2020.jpg)
BAND/ARTIST: Purcell Choir, Orfeo Orchestra, György Vashegyi
- Title: Gregor Joseph Werner: der Gute Hirt Oratorio
- Year Of Release: 2020
- Label: Accent
- Genre: Classical
- Quality: flac lossless / flac 24bits - 48.0kHz +Booklet
- Total Time: 01:24:45
- Total Size: 434 / 892 mb
- WebSite: Album Preview
Tracklist
01. Introductio
02. Wohlan la?t uns mit Rosen kronen
03. Nun ihr, Blumen auf den Feldern
04. Wie Was hore ich
05. Ach, schiegle dich, mein Geist
06. Ach Schaflein, Schaflein, komme doch
07. Das Hirschlein nicht so schnell
08. Du daurest nicht, mein Kind
09. Die Liebe hat kein Ziel
10. Auf, auf, ihr wild Syrenen
11. Hinweg mit der Melancholie
12. Nun bin ich mied und matt
13. Auf, auf, mit hurtig schnellem Lauf
14. O, du geheiligter Ort
15. Deine froh Wort ich verachte
16. Endlich bin ich so weit gekommen
17. O ihr alle, die ihr vorbei nun gehet
18. Steinhartes Felsenherz
19. O du gebenedei, guter Hirt
20. So komme dann herbei
21. So sei es dann gewagt
22. So la?t uns auch dann gehen
![Purcell Choir, Orfeo Orchestra, György Vashegyi - Gregor Joseph Werner: der Gute Hirt Oratorio (1739) (2020) [Hi-Res]](https://www.dibpic.com/uploads/posts/2020-10/1601598503_purcell-choir-orfeo-orchestra-gyorgy-vashegyi-gregor-joseph-werner-der-gute-hirt-2020-back.jpg)
Gregor Joseph Werner (1693-1766) was Kapellmeister at the Eszterhazy court in Eisenstadt, and on his death he was succeeded by Joseph Haydn. A surviving manuscript score of his oratorio Der gute Hirt (The Good Shepherd) is preserved in the music collection of the National Library of Hungary in Budapest. Werners oratorio is a sepolcro oratorio originating from the Viennese court tradition. This particular musical-dramatic form of the Holy Week oratorio performed around the holy sepulchre of Catholic churches, became fashionable throughout the Habsburg empire during the last third of the 17th century. This genre, a staged musical performance presenting the burial of Jesus Christ, was a part of church music practice in Central Europe as late as the 1730s. On 28 March 1739, the Good Friday service held in the Palace Chapel in Eisenstadt was centred around a musical drama setting of Gregor Werners own text based on the Parable of the Good Shepherd in the Gospel of Luke, thereby commemorating Jesus Christs death on the cross at Golgotha. The single lost sheep is the symbol of man who, having revolted and lost his secure place in Paradise, can be guided back to the path of salvation only through the sacrifice of the all-forgiving Good Shepherd/Jesus, the Fathers only son, who will never leave him.
01. Introductio
02. Wohlan la?t uns mit Rosen kronen
03. Nun ihr, Blumen auf den Feldern
04. Wie Was hore ich
05. Ach, schiegle dich, mein Geist
06. Ach Schaflein, Schaflein, komme doch
07. Das Hirschlein nicht so schnell
08. Du daurest nicht, mein Kind
09. Die Liebe hat kein Ziel
10. Auf, auf, ihr wild Syrenen
11. Hinweg mit der Melancholie
12. Nun bin ich mied und matt
13. Auf, auf, mit hurtig schnellem Lauf
14. O, du geheiligter Ort
15. Deine froh Wort ich verachte
16. Endlich bin ich so weit gekommen
17. O ihr alle, die ihr vorbei nun gehet
18. Steinhartes Felsenherz
19. O du gebenedei, guter Hirt
20. So komme dann herbei
21. So sei es dann gewagt
22. So la?t uns auch dann gehen
Gregor Joseph Werner (1693-1766) was Kapellmeister at the Eszterhazy court in Eisenstadt, and on his death he was succeeded by Joseph Haydn. A surviving manuscript score of his oratorio Der gute Hirt (The Good Shepherd) is preserved in the music collection of the National Library of Hungary in Budapest. Werners oratorio is a sepolcro oratorio originating from the Viennese court tradition. This particular musical-dramatic form of the Holy Week oratorio performed around the holy sepulchre of Catholic churches, became fashionable throughout the Habsburg empire during the last third of the 17th century. This genre, a staged musical performance presenting the burial of Jesus Christ, was a part of church music practice in Central Europe as late as the 1730s. On 28 March 1739, the Good Friday service held in the Palace Chapel in Eisenstadt was centred around a musical drama setting of Gregor Werners own text based on the Parable of the Good Shepherd in the Gospel of Luke, thereby commemorating Jesus Christs death on the cross at Golgotha. The single lost sheep is the symbol of man who, having revolted and lost his secure place in Paradise, can be guided back to the path of salvation only through the sacrifice of the all-forgiving Good Shepherd/Jesus, the Fathers only son, who will never leave him.
Year 2020 | Classical | FLAC / APE | HD & Vinyl
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