Orchestre Révolutionnaire et Romantique, John Eliot Gardiner - Beethoven: Symphonies Nos. 5 & 7 (2012) [Hi-Res]
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BAND/ARTIST: Orchestre Révolutionnaire et Romantique, John Eliot Gardiner
- Title: Beethoven: Symphonies Nos. 5 & 7
- Year Of Release: 2012
- Label: SDG
- Genre: Classical
- Quality: flac lossless / flac 24bits - 44.1kHz
- Total Time: 01:12:20
- Total Size: 335 / 669 mb
- WebSite: Album Preview
Tracklist
01. Symphony No. 7 in A major, Op. 92: I. Poco sostenuto - Vivace
02. Symphony No. 7 in A major, Op. 92: II. Allegretto
03. Symphony No. 7 in A major, Op. 92: III. Presto, assai meno presto
04. Symphony No. 7 in A major, Op. 92: IV. Allegro con brio
05. Symphony No. 5 in C minor, Op. 67: I. Allegro con brio
06. Symphony No. 5 in C minor, Op. 67: II. Andante con moto
07. Symphony No. 5 in C minor, Op. 67: III. Allegro
08. Symphony No. 5 in C minor, Op. 67: IV. Allegro
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John Eliot Gardiner and the Orchestre Révolutionnaire et Romantique were part of the late 20th century vanguard that introduced period performance practices to the symphonies of Ludwig van Beethoven, and their classic 1994 cycle alerted musicians everywhere to the possibilities of applying historical research to familiar warhorses. On November 16, 2011, Gardiner and his musicians revisited the Symphony No. 5 in C minor and the Symphony No. 7 in A major in a concert at Carnegie Hall, recorded by WQXR, and the performances compare favorably with the earier recordings on Archiv. Gardiner's Beethoven is almost always brisk and bristling with nervous energy, and this is apparent in the quick tempos and the sharp attacks he asks of his players. Even the slow movements are played con moto, with a real feeling of forward motion and urgency that almost seems aggressive. But this style of playing Beethoven has won many supporters and practically become mainstream, as historically informed performances increase in availability and audiences learn to appreciate the sounds of authentic instruments, the appropriate Classical ensemble size, and the techniques that were employed in Beethoven's time. While the performances meet the highest expectations, from time to time the audio is a little unbalanced in dynamics, suggesting a problem with microphone placement or mixing.
01. Symphony No. 7 in A major, Op. 92: I. Poco sostenuto - Vivace
02. Symphony No. 7 in A major, Op. 92: II. Allegretto
03. Symphony No. 7 in A major, Op. 92: III. Presto, assai meno presto
04. Symphony No. 7 in A major, Op. 92: IV. Allegro con brio
05. Symphony No. 5 in C minor, Op. 67: I. Allegro con brio
06. Symphony No. 5 in C minor, Op. 67: II. Andante con moto
07. Symphony No. 5 in C minor, Op. 67: III. Allegro
08. Symphony No. 5 in C minor, Op. 67: IV. Allegro
John Eliot Gardiner and the Orchestre Révolutionnaire et Romantique were part of the late 20th century vanguard that introduced period performance practices to the symphonies of Ludwig van Beethoven, and their classic 1994 cycle alerted musicians everywhere to the possibilities of applying historical research to familiar warhorses. On November 16, 2011, Gardiner and his musicians revisited the Symphony No. 5 in C minor and the Symphony No. 7 in A major in a concert at Carnegie Hall, recorded by WQXR, and the performances compare favorably with the earier recordings on Archiv. Gardiner's Beethoven is almost always brisk and bristling with nervous energy, and this is apparent in the quick tempos and the sharp attacks he asks of his players. Even the slow movements are played con moto, with a real feeling of forward motion and urgency that almost seems aggressive. But this style of playing Beethoven has won many supporters and practically become mainstream, as historically informed performances increase in availability and audiences learn to appreciate the sounds of authentic instruments, the appropriate Classical ensemble size, and the techniques that were employed in Beethoven's time. While the performances meet the highest expectations, from time to time the audio is a little unbalanced in dynamics, suggesting a problem with microphone placement or mixing.
Classical | FLAC / APE | HD & Vinyl
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