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Gabriela Montero - Baroque (2007)

Gabriela Montero - Baroque (2007)

BAND/ARTIST: Gabriela Montero

  • Title: Baroque
  • Year Of Release: 2007
  • Label: Warner Classics
  • Genre: Classical
  • Quality: FLAC (tracks) / MP3 320 Kbps
  • Total Time: 01:00:48
  • Total Size: 184 Mb / 144 Mb
  • WebSite:
Tracklist:

1. Canarios (Improvisation on a Theme of Gaspar Sanz) 01:40
2. Autumn (Improvisation after the first movement of Vivaldi's Violin Concerto, Op. 8 No. 3, RV 293) 02:24
3. Canon (Improvisation after Pachelbel's Canon and Gigue in D Major, P. 37) 04:26
4. Sarabande (Improvisation on the Theme of "Sarabande" from Handel's Harpsichord Suite in D Minor, HWV 437) 03:50
5. Baroque and me 03:43
6. Hallelujah (Improvisation on the Theme of the "Hallelujah" Chorus from Part 2 of Handel's "Messiah", HWV 56) 02:23
7. Adagio (Improvisation after Giazotto's "Adagio of Albinoni") 07:01
8. Largo (Improvisation on the Theme of the "Ombra mai fu" Aria from Act 1 of Handel's "Serse", HWV 40) 03:41
9. Prelude (After Bach's Violin Partita No. 3, BWV 1006) 02:01
10. Winter (Improvisation after the second movement of Vivaldi's Violin Concerto, Op. 8 No. 4, RV 297) 05:09
11. Hornpipe (Improvisation after the Hornpipe from Handel's Suite No. 2 in D Major, HWV 349 in "Water Music") 04:48
12. Improvisation on Scarlatti's Sonata in D Minor, Kk. 141 01:28
13. Spring (Improvisation after the first movement of Vivaldi's Violin Concerto, Op. 8 No. 1, RV 269) 03:45
14. Summer and Winter (Improvisation after the third movement of Vivaldi's Violin Concerto, Op. 8 No. 2, RV 315) 02:02
15. Continuum 04:11
16. Rondeau (Improvisation on the Theme of "Rondeau" from Purcell's Abdelazer, Z. 570) 03:32
17. Trumpet Voluntary (Improvisation after Jeremiah Clarke's Prince of Denmark's March) 04:44

Performers:
Gabriela Montero (piano)

Gabriela’s extraordinary ability as an improviser, rare in the classical world, is fast becoming her trademark. The passion, poetic musicality and sense of structure Gabriela brings to classical works translate to her classy improvisations. And no matter how complex the variations, the original melody always emerges triumphantly from a musical tapestry that might weave blues, jazz, tango, Bach or Debussy into a multihued framework. Such a skill for improvisation – to blend a vast range of styles – makes Gabriela an extremely rare talent. In “Baroque” Gabriela takes some of the best known Baroque themes, including Pachelbel’s Canon in D Major, Albinoni’s Adagio, Vivaldi’s Four Seasons, Boccherini’s Minuet and Handel’s Water Music, and brings to her classy improvisations the same passion, poetic musicality and sense of structure that she brings to classical works.




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