Alberto Rasi - Jeux d'harmonie (2017) [Hi-Res]

• Title: Jeux d'harmonie
  
• Year Of Release: 2017
  
• Label: Stradivarius
  
• Genre: Classical, Solo Instrumental
  
• Quality: flac lossless / flac 24bits - 44.1kHz
  
• Total Time: 01:02:14
  
• Total Size: 281 / 593 mb
  
• WebSite: Album Preview
  

Tracklist

01. Pièces de viole, Book 1, Suite No. 1 in D Minor: No. 1, Prélude
02. Pièces de viole, Book 4, Suite No. 1 in D Minor: No. 4, Caprice
03. Pièces de viole, Book 2, Suite No. 3 in D Major: No. 63, Les voix humanes
04. Pièces de viole, Book 3, Suite No. 4 in D Major: No. 54, Rondeau
05. Pièces de viole, Book 4, Suite d'un goût etranger: No. 80, Arabasque
06. Pièces de viole, Book 4, Suite d'un goût etranger: No. 82, La rêveuse
07. Pièces de viole, Book 3, Suite No. 8 in C Major: No. 109, Caprice
08. Pièces de viole, Book 3, Suite No. 8 in C Major: No. 110, Allemande - No. 111, Double
09. Pièces de viole, Book 4, Suite No. 4 in A Minor: No. 28, Musette - No. 29, Musette
10. Pièces de viole, Book 5, Suite No. 1 in A Minor: No. 15, Rondeau moitié pincé
11. Pièces de viole, Book 4, Suite d'un goût etranger: No. 55b, Marche tartare
12. Pièces de viole, Book 4, Suite d'un goût etranger: No. 58, La tartarine - 59. Double
13. Pièces de viole, Book 5, Suite No. 7 in E Minor: No. 107, Le caprice Bellemont
14. Pièces de viole, Book 3, Suite No. 6 in G Minor: No. 91, Le Moulinet
15. Pièces de viole, Book 2, Suite No. 4 in G Major: No. 82, Chaconne en rondeau
16. Pièces de viole, Book 2, Suite No. 6 in E Minor: No. 101, Sarabande a l'español
17. Pièces de viole, Book 5, Suite No. 6 in G Major: No. 87, Le joue du volent

This is the "pièces" that show Marais’ mastery in interpreting with great originality the resources of the jeu d’harmonie, in a variety of technical solutions. These are sometimes vey demanding, ever more associated with stylistic or expressive inventions, also these new and sometimes strange. Still more obvious are the peculiarities of writing and character of these pieces in an execution on solo viol without the support of the basso continuo, integrating it if necessary into the harmony. On the other hand, it is evident how the inclination of Marais approached that of De Machy, who included the viola da gamba (low register), with the harpsichord, lute, theorbo and guitar among the instruments “qui font d’harmonie d’eux-mêmes”, without the need for additional parts.

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Year 2017 | Classical | FLAC / APE | HD & Vinyl

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