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Kent Nagano, Orchestre Symphonique de Montréal - Beethoven: Gods, Heroes & Men (2011)

Kent Nagano, Orchestre Symphonique de Montréal - Beethoven: Gods, Heroes & Men (2011)
  • Title: Beethoven: Gods, Heroes & Men
  • Year Of Release: 2011
  • Label: Sony Classical
  • Genre: Classical
  • Quality: FLAC (tracks) / MP3 320 Kbps
  • Total Time: 01:14:20
  • Total Size: 331 Mb / 187 mb
  • WebSite:
Tracklist:

Die Geschöpfe des Prometheus, Op. 43 (Ludwig van Beethoven)
1. Act I, Overture 04:39
2. Act I, Introduction. Allegro non troppo 01:59
3. Act II, No. 5 Adagio 06:43
4. Act II, No. 8 Allegro con brio 06:26
5. Act II, No. 16 Finale. Allegretto 06:12
Symphony No. 3 in E-Flat Major, Op. 55 "Eroica" (Ludwig van Beethoven)
6. I. Allegro con brio 16:49
7. II. Marcia funebre. Adagio assai 13:57
8. III. Scherzo. Allegro vivace 05:46
9. IV. Finale. Allegro molto 11:19

Performers:
Orchestre Symphonique de Montréal
Kent Nagano, conductor

For this 2011 Sony release, the theme of "Gods, Heroes, and Men" is used to bring together five selections from Ludwig van Beethoven's ballet, Die Geschöpfe des Prometheus (The Creatures of Prometheus), and his Symphony No. 3 in E flat major, "Eroica." Obviously, Beethoven's heroic middle period wouldn't be what it is without the "Eroica" Symphony, and the work's historical connection to Napoleon Bonaparte makes this piece more intriguing, while the myth of Prometheus has resonance in the ideas of early Romanticism and certainly ties in with the godlike image Beethoven encouraged about himself. But trying to develop some unifying raison d'être for this CD (by way of the enhanced bonus tracks, which contain narration of the Prometheus story in English and French by Lambert Wilson) creates almost too much weight for it to bear. The musical link that makes this pairing of works interesting is the quirky theme found in the Finale of the ballet, which Beethoven developed further in the Finale of the "Eroica" Symphony. This is a significant association that shows how Beethoven made use of his materials between works. But this barely justifies the inclusion of the five movements from The Creatures of Prometheus, when the symphony is plainly the most important work and deserves to stand on its own. Kent Nagano's performances with the Orchestre Symphonique de Montréal are attractive, with an agreeable mix of grace and robustness, and the sound of the recording is good, with a wide dynamic range and tone colors that are rich, if too evenly blended. This is an enjoyable album on musical terms alone, but the attempt to find deeper meaning by linking Beethoven, Prometheus, and Napoleon is unnecessary window dressing.




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  • olga1001
  •  wrote in 03:18
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    • 0
Back cover is on CeDe.com
See also

https://www.analekta.com/wp-content/uploads/2018/05/AN%202%209150-5.pdf

Disdigestion of HIP :p
Thanks