Christopher Palameta - Marais: Suites for Oboe (2015) [Hi-Res]

• Title: Marais: Suites for Oboe
  
• Year Of Release: 2015
  
• Label: Audax Records
  
• Genre: Classical
  
• Quality: flac 24bits - 44.1kHz +Booklet
  
• Total Time: 00:58:36
  
• Total Size: 590 mb
  
• WebSite: Album Preview
  

Tracklist

01. Suite in C Major, Troisième Livre (Marin Marais): I. Prélude
02. Suite in C Major, Troisième Livre (Marin Marais): II. Courante
03. Suite in C Major, Troisième Livre (Marin Marais): III. Sarabande
04. Suite in C Major, Troisième Livre (Marin Marais): IV. Menuet
05. Suite in C Major, Troisième Livre (Marin Marais): V. La Folette
06. Suite in C Major, Troisième Livre (Marin Marais): VI. Gavotte
07. Suite in C Major, Troisième Livre (Marin Marais): VII. Gigue
08. Suite in G Major, Second Livre (Marin Marais): I. Prélude
09. Suite in G Major, Second Livre (Marin Marais): II. Courante
10. Suite in G Major, Second Livre (Marin Marais): III. Sarabande
11. Suite in G Major, Second Livre (Marin Marais): IV. Menuet
12. Suite in G Major, Second Livre (Marin Marais): V. Rondeau champêtre
13. Suite in G Major, Second Livre (Marin Marais): VI. Gavotte
14. Suite in G Major, Second Livre (Marin Marais): VII. Gigue "La Petite"
15. Suite in G Minor, Troisième Livre (Marin Marais): I. Prélude
16. Suite in G Minor, Troisième Livre (Marin Marais): II. Courante
17. Suite in G Minor, Troisième Livre (Marin Marais): III. Sarabande
18. Suite in G Minor, Troisième Livre (Marin Marais): IV. Gigue
19. Suite in G Minor, Troisième Livre (Marin Marais): V. Muzettes I & II
20. Suite in G Minor, Troisième Livre (Marin Marais): VI. Gigue « La Chicane »
21. Suite in D Minor, Second et Quatrième Livres (Marin Marais): I. Prélude
22. Suite in D Minor, Second et Quatrième Livres (Marin Marais): II. Fantaisie
23. Suite in D Minor, Second et Quatrième Livres (Marin Marais): III. Allemande
24. Suite in D Minor, Second et Quatrième Livres (Marin Marais): IV. Sarabande
25. Suite in D Minor, Second et Quatrième Livres (Marin Marais): V. Menuet
26. Suite in D Minor, Second et Quatrième Livres (Marin Marais): VI. Passacaille
27. Suite in D Minor, Second et Quatrième Livres (Marin Marais): VII. Gigue « La Badine »
28. Suite in B-Flat Major, Troisième Livre (Marin Marais): I. Prélude
29. Suite in B-Flat Major, Troisième Livre (Marin Marais): II. Courante
30. Suite in B-Flat Major, Troisième Livre (Marin Marais): III. Sarabande
31. Suite in B-Flat Major, Troisième Livre (Marin Marais): IV. Menuet
32. Suite in B-Flat Major, Troisième Livre (Marin Marais): V. Gigue
33. Suite in E Minor, Second et Quatrième Livres (Marin Marais): I. Prélude
34. Suite in E Minor, Second et Quatrième Livres (Marin Marais): II. Courante
35. Suite in E Minor, Second et Quatrième Livres (Marin Marais): III. Sarabande « à l'Espagnol »
36. Suite in E Minor, Second et Quatrième Livres (Marin Marais): IV. Menuet et Autre
37. Suite in E Minor, Second et Quatrième Livres (Marin Marais): V. La Biscayenne

Known as an ardent defender of unexplored repertoire for the oboe, Christopher Palameta sheds light on the neglected – but not forgotten – “phantom” literature for oboe by Marin Marais. Six suites are presented in this world- premiere recording, Palameta’s 4t h solo CD and his first appearance on Audax Records. Intimately familiar with the French style, Palameta was awarded research grants in 2003 and 2006 by the Canadian government to re- establish these works into the oboist’s repertoire; this recording is the fruit of that research.

Born in Montreal, Christopher Palameta is one of the most celebrated baroque oboists of his generation. After being appointed oboist in the Tafelmusik Baroque Orchestra of which he was a core member for four years, he currently devotes himself to chamber music primarily, and has recently released three world-premiere recordings of the neglected chamber works of Johann Gottlieb Janitsch for the Canadian label ATMA Classique, all of which have garnered unanimous praise from the international press. With one foot on either side of the Atlantic, he currently resides in Paris and plays with many of Europe’s and North America’s prominent period ensembles.

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