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Wissam Boustany, Richard Watkins, BBC Philharmonic, Bramwell Tovey - Gregson: Orchestral Works (2014) [Hi-Res]

Wissam Boustany, Richard Watkins, BBC Philharmonic, Bramwell Tovey - Gregson: Orchestral Works (2014) [Hi-Res]
  • Title: Gregson: Orchestral Works
  • Year Of Release: 2014
  • Label: Chandos
  • Genre: Classical
  • Quality: flac lossless / flac 24bits - 96.0kHz +Booklet
  • Total Time: 01:14:50
  • Total Size: 315 mb / 1.27 gb
  • WebSite:
Tracklist

01. Dream Song (Edward Gregson): I. Quite slow and dramatically - Agitated
02. Dream Song (Edward Gregson): II. Scherzo: Not too fast, menacingly
03. Dream Song (Edward Gregson): III. Trio: Like a pastorale - A tempo
04. Dream Song (Edward Gregson): IV. Scherzo: Faster, but still menacing
05. Dream Song (Edward Gregson): V. Tempo I, reflective, dream-like - Liebeslied, always moving
06. Horn Concerto (Edward Gregson): I. Allegro non troppo
07. Horn Concerto (Edward Gregson): II. Andante cantabile
08. Horn Concerto (Edward Gregson): III. Allegro brioso
09. Flute Concerto, "Aztec Dances" (Edward Gregson): I. Ritual / Pastorale
10. Flute Concerto, "Aztec Dances" (Edward Gregson): II. Fertility Dance
11. Flute Concerto, "Aztec Dances" (Edward Gregson): III. Ghost Song
12. Flute Concerto, "Aztec Dances" (Edward Gregson): IV. Sacrificial Dance
13. Concerto for Orchestra (Edward Gregson): I. Intrada: Majestically
14. Concerto for Orchestra (Edward Gregson): II. Elegy: Slow and thoughtful
15. Concerto for Orchestra (Edward Gregson): III. Toccata: Fast and rhythmic


Edward Gregson is one of Britain’s most versatile and prolific composers, his approachable and engaging music having gained recognition worldwide. With the BBC

Philharmonic, Bramwell Tovey conducts works that take inspiration from an array of musical and extra-musical sources, revealing the breadth of Gregson’s musical imagination.

The Horn Concerto, originally written in 1971 for soloist with brass band, is here heard in a recent orchestral arrangement, played by Richard Watkins, a leading horn player of his generation. Each of the Concerto’s three movements displays a different facet of the French horn’s character: serious, lyrical, and playful. Aztec Dances began as a substantial piece for recorder and piano; it was reworked for flute and piano at the request of Wissam Boustany, who here performs the final version, for flute and ensemble. Its vivid colours and ritualistic character were inspired by a British Museum exhibition exploring Aztec culture. Like Aztec Dances, the Concerto for Orchestra was revised twice. Its interim title, ‘Contrasts’, conveys the essence of the work, varieties of character and orchestral colour being key to it. Dream Song was commissioned to be share a concert programme with Mahler’s Symphony No. 6. The essence of Mahler pervades the whole of this work which aims to create a parallel musical world to the Symphony.


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