Ruby Hughes, Nicholas Mulroy, Choir of St Mary’s Cathedral, Edinburgh & Scottish Chamber Orchestra Soloists, Duncan Ferguson - Stravinsky: Choral Works (2016) [Hi-Res]
![Ruby Hughes, Nicholas Mulroy, Choir of St Mary’s Cathedral, Edinburgh & Scottish Chamber Orchestra Soloists, Duncan Ferguson - Stravinsky: Choral Works (2016) [Hi-Res]](https://www.dibpic.com/uploads/posts/2020-09/1599147504_ruby-hughes-nicholas-mulroy-choir-of-st-marys-cathedral-stravinsky-choral-works-2016.jpg)
BAND/ARTIST: Ruby Hughes, Nicholas Mulroy, Choir of St Mary’s Cathedral, Edinburgh & Scottish Chamber Orchestra Soloists, Duncan Ferguson
- Title: Stravinsky: Choral Works
- Year Of Release: 2016
- Label: Delphian
- Genre: Classical
- Quality: flac lossless / flac 24bits - 48.0kHz +Booklet
- Total Time: 00:59:52
- Total Size: 267 / 573 mb
- WebSite: Album Preview
Tracklist
01. Mass Kyrie
02. Mass Gloria
03. Mass Credo
04. Mass Sanctus
05. Mass Agnus Dei
06. Ave Maria
07. Pater Noster
08. Credo
09. A Lyke-wake Dirge. Versus I (Prelude)
10. Ricercar I The Maidens Came
11. A Lyke-wake Dirge. Versus II (Interlude No. 1)
12. Ricercar II. Sacred History Tomorrow Shall Be
13. A Lyke-wake Dirge. Versus III (Interlude No. 2)
14. Westron Wind
15. A Lyke-wake Dirge. Versus IV (Postlude)
16. No. 1, Da pacem, Domine
17. No. 2, Assumpta est Maria
18. No. 3, Illumina nos misericordiarum
![Ruby Hughes, Nicholas Mulroy, Choir of St Mary’s Cathedral, Edinburgh & Scottish Chamber Orchestra Soloists, Duncan Ferguson - Stravinsky: Choral Works (2016) [Hi-Res]](https://www.dibpic.com/uploads/posts/2020-09/1599147525_ruby-hughes-nicholas-mulroy-choir-of-st-marys-cathedral-stravinsky-choral-works-2016-back.jpg)
Since taking the helm of the St Mary’s choir in Edinburgh, Duncan Ferguson has directed them in four composer-led recording projects – featuring Taverner, John Sheppard, Bruckner and Gabriel Jackson. Every one of these discs has attracted editors’ choices from one or more specialist classical magazines. Now, in Ferguson’s most ambitious project to date, the choir are joined by players from the Scottish Chamber Orchestra and vocal soloists Ruby Hughes and Nicholas Mulroy to record major works by the twentieth century’s most influential composer. The choir rarely get to perform Stravinsky’s Mass in its full version with wind instruments accompanying rather than organ (‘We love it!’ proclaimed the choristers), while a performance of the Cantata with cathedral choristers rather than an adult choir is rare indeed. Also included are Stravinsky’s ‘completions’ of three cantiones sacrae by Gesualdo; their weird contrapuntal twists and turns are relished by this intelligent, committed choir, and provide a stark contrast to the austere simplicity of Stravinsky’s own short sacred choruses. Gabriel Jackson provides the illuminating accompanying essay.
01. Mass Kyrie
02. Mass Gloria
03. Mass Credo
04. Mass Sanctus
05. Mass Agnus Dei
06. Ave Maria
07. Pater Noster
08. Credo
09. A Lyke-wake Dirge. Versus I (Prelude)
10. Ricercar I The Maidens Came
11. A Lyke-wake Dirge. Versus II (Interlude No. 1)
12. Ricercar II. Sacred History Tomorrow Shall Be
13. A Lyke-wake Dirge. Versus III (Interlude No. 2)
14. Westron Wind
15. A Lyke-wake Dirge. Versus IV (Postlude)
16. No. 1, Da pacem, Domine
17. No. 2, Assumpta est Maria
18. No. 3, Illumina nos misericordiarum
Since taking the helm of the St Mary’s choir in Edinburgh, Duncan Ferguson has directed them in four composer-led recording projects – featuring Taverner, John Sheppard, Bruckner and Gabriel Jackson. Every one of these discs has attracted editors’ choices from one or more specialist classical magazines. Now, in Ferguson’s most ambitious project to date, the choir are joined by players from the Scottish Chamber Orchestra and vocal soloists Ruby Hughes and Nicholas Mulroy to record major works by the twentieth century’s most influential composer. The choir rarely get to perform Stravinsky’s Mass in its full version with wind instruments accompanying rather than organ (‘We love it!’ proclaimed the choristers), while a performance of the Cantata with cathedral choristers rather than an adult choir is rare indeed. Also included are Stravinsky’s ‘completions’ of three cantiones sacrae by Gesualdo; their weird contrapuntal twists and turns are relished by this intelligent, committed choir, and provide a stark contrast to the austere simplicity of Stravinsky’s own short sacred choruses. Gabriel Jackson provides the illuminating accompanying essay.
Year 2016 | Classical | FLAC / APE | HD & Vinyl
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