Bee Gees - Spirits Having Flown (1979) [24bit FLAC]
BAND/ARTIST: Bee Gees
- Title: Spirits Having Flown
- Year Of Release: 1979
- Label: RSO – 2394216 / Vinyl, LP
- Genre: Pop, Soft Rock, Pop Rock
- Quality: FLAC (tracks) / FLAC (tracks) 24bit-192kHz
- Total Time: 45:28
- Total Size: 290 Mb / 1.94 Gb
- WebSite: Album Preview
Tracklist:
A1. Tragedy (5:05)
A2. Too Much Heaven (4:58)
A3. Love You Inside Out (4:13)
A4. Reaching Out (4:07)
A5. Spirits (Having Flown) (5:21)
B1. Search, Find (4:16)
B2. Stop (Think Again) (6:42)
B3. Living Together (4:23)
B4. I'm Satisfied (3:59)
B5. Until (2:28)
A1. Tragedy (5:05)
A2. Too Much Heaven (4:58)
A3. Love You Inside Out (4:13)
A4. Reaching Out (4:07)
A5. Spirits (Having Flown) (5:21)
B1. Search, Find (4:16)
B2. Stop (Think Again) (6:42)
B3. Living Together (4:23)
B4. I'm Satisfied (3:59)
B5. Until (2:28)
“The record the world’s been waiting for,” reads an ad for Spirits Having Flown, and that’s not just hype, since the Bee Gees’ new album represents a deliberate attempt to fashion a “global” pop. Instead of extending the airy pop-disco of Saturday Night Fever, the Brothers Gibb have consolidated several styles, only one of which is disco, to make slower, more elaborate music. Miami Blue-Eyed Soul Meets Europop in Ecumenical Heaven might be an apt subtitle. Though impressively produced, Spirits Having Flown isn’t nearly as powerful as the crux of Saturday Night Fever, and its failures suggest that the group’s brilliant fusion of adolescent love songs and disco for the 1977 soundtrack LP was at least partly accidental.
From the beginning, the Bee Gees’ mating of pop and R&B was shaky. True, the key cuts on the transitional Main Course, for which producer Arif Mardin taught the trio the rhythmic basics, were landmarks. But the following disc, Children of the World, on which the Gibbs and coproducers Albhy Galuten and Karl Richardson toughened up the style, was less satisfying. There, the effort seemed forced, and the combination of harder rhythms and a much grainier sound created an abrasively shrill and somewhat cheesy blue-eyed soul that redeemed itself only once, in the poppers-in-the-fun-house smash, “You Should Be Dancing.” Coming after this letdown album, the gorgeous and surprising Saturday Night Fever songs (from the same production team) elegantly underlined both the strength and delicacy of the special chemistry. These made-to-order movie tunes had such a magical flow and simplicity that, in one stroke, a universal dance music was born. Not since the heyday of Glenn Miller, forty years earlier, had the dreamy and aggressive impulses of pop meshed so seamlessly to stamp an era.
From the beginning, the Bee Gees’ mating of pop and R&B was shaky. True, the key cuts on the transitional Main Course, for which producer Arif Mardin taught the trio the rhythmic basics, were landmarks. But the following disc, Children of the World, on which the Gibbs and coproducers Albhy Galuten and Karl Richardson toughened up the style, was less satisfying. There, the effort seemed forced, and the combination of harder rhythms and a much grainier sound created an abrasively shrill and somewhat cheesy blue-eyed soul that redeemed itself only once, in the poppers-in-the-fun-house smash, “You Should Be Dancing.” Coming after this letdown album, the gorgeous and surprising Saturday Night Fever songs (from the same production team) elegantly underlined both the strength and delicacy of the special chemistry. These made-to-order movie tunes had such a magical flow and simplicity that, in one stroke, a universal dance music was born. Not since the heyday of Glenn Miller, forty years earlier, had the dreamy and aggressive impulses of pop meshed so seamlessly to stamp an era.
Soul | Pop | Disco | FLAC / APE | HD & Vinyl
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