Shanes - Shanes, 1963-68! (Reissue) (1992)
BAND/ARTIST: Shanes
- Title: Shanes, 1963-68!
- Year Of Release: 1992
- Label: Odeon/EMI
- Genre: Beat, Garage Rock
- Quality: Mp3 320 / Flac (tracks)
- Total Time: 01:17:25
- Total Size: 193/591 Mb
- WebSite: Album Preview
Tracklist:
01. Gunfight Saloon
02. Oh, Wow!
03. Pistoleros
04. Gun Rider
05. Keep a Knockin'
06. Come on Sally
07. Let Me Show You Who I Am
08. Say You Want Me
09. The Shanegang
10. Georgia's Back in Town
11. My Lover Baby
12. I Don't Want Your Love
13. Crazy Country Hop
14. Skinnie Minnie
15. It's Alright Babe
16. Marshall Clayton
17. Blue Blue Feeling
18. People Don't Like Me
19. Break Down
20. I Don't Care, Babe
21. Hi-Lili, Hi-Lo
22. Dreamgirl
23. Can I Trust You (Io Ti Daro Di Piu)
24. Like Before
25. Let Me Tell Yah'
26. Nobody Nobody
27. Chris Craft No 9
28. Save the Last Dance for Me
29. Drip-Drop
30. Cara Mia
31. Faces, Faces
32. Friday Kind of Monday
Line-up:
Lennart Grahn (vocals)
Tommy Wåhlberg (guitar,vocals)
Kit Sundqvist (keyboards,guitar,vocals)
Svante Elfgren (bass)
Tor-Erik Rautio (drums)
01. Gunfight Saloon
02. Oh, Wow!
03. Pistoleros
04. Gun Rider
05. Keep a Knockin'
06. Come on Sally
07. Let Me Show You Who I Am
08. Say You Want Me
09. The Shanegang
10. Georgia's Back in Town
11. My Lover Baby
12. I Don't Want Your Love
13. Crazy Country Hop
14. Skinnie Minnie
15. It's Alright Babe
16. Marshall Clayton
17. Blue Blue Feeling
18. People Don't Like Me
19. Break Down
20. I Don't Care, Babe
21. Hi-Lili, Hi-Lo
22. Dreamgirl
23. Can I Trust You (Io Ti Daro Di Piu)
24. Like Before
25. Let Me Tell Yah'
26. Nobody Nobody
27. Chris Craft No 9
28. Save the Last Dance for Me
29. Drip-Drop
30. Cara Mia
31. Faces, Faces
32. Friday Kind of Monday
Line-up:
Lennart Grahn (vocals)
Tommy Wåhlberg (guitar,vocals)
Kit Sundqvist (keyboards,guitar,vocals)
Svante Elfgren (bass)
Tor-Erik Rautio (drums)
The Shanes had about a dozen Top Ten hits in their native Sweden between 1964 and 1967, but were absolutely unknown to listeners who spoke English as their first language. Not that the group deserved any better. In the manner of some other Swedish bands of the time, they valued versatility, adaptability, and mimicry far more than individuality or expression. Thus they were able to competently ape an astonishing variety of foreign trends, including Shadows-styled instrumentals with a country twinge,'50s rock oldies, Merseybeat, British R&B, Europop, bloated American pop/rock, and more. They did write much of their own material, but this was often blatantly derivative. Even their best song, "Chris-Craft No. 9" (a number-two hit in Sweden in 1967), lifted a lot of its parts from Herman's Hermits "A Must to Avoid."
Pop | Oldies | Rock | FLAC / APE | Mp3
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