Piotr Anderszewski - Piotr Anderszewski at Carnegie Hall (2009)
BAND/ARTIST: Piotr Anderszewski
- Title: Piotr Anderszewski at Carnegie Hall
- Year Of Release: 2009
- Label: Erato
- Genre: Classical
- Quality: FLAC (tracks) / MP3 320 Kbps
- Total Time: 01:24:16
- Total Size: 287 Mb / 215 Mb
- WebSite: Album Preview
Tracklist:
1. Applause 0:15
2. Partita No. 2 In C Minor BWV826: I. Sinfonia (Grave Adagio - Andante) 4:06
3. Partita No. 2 In C Minor BWV826: II. Allemande 3:54
4. Partita No. 2 In C Minor BWV826: III. Courante 2:10
5. Partita No. 2 In C Minor BWV826: IV. Sarabande 4:36
6. Partita No. 2 In C Minor BWV826: V. Rondeau 1:42
7. Partita No. 2 In C Minor BWV826: VI. Capriccio 3:45
8. Faschingsschwank Aus Wien Op. 26: 1. Allegro (Sehr Lebhaft) 9:12
9. Faschingsschwank Aus Wien Op. 26: 2. Romanze (Ziemlich Langsam) 3:02
10. Faschingsschwank Aus Wien Op. 26: 3. Scherzino [No Marking] 2:05
11. Faschingsschwank Aus Wien Op. 26: 4. Intermezzo (Mit Grösster Energie) 2:21
12. Faschingsschwank Aus Wien Op. 26: 5. Finale (Höchst Lebhaft) 5:34
13. V Mlhách: I. Andante 3:36
14. V Mlhách: II. Molto Adagio 3:53
15. V Mlhách: III. Andantino 3:20
16. V Mlhách: IV. Presto 4:55
17. Piano Sonata No. 31 In A Flat Major Op. 110: I. Moderato Cantabile Molto Espressivo 6:37
18. Piano Sonata No. 31 In A Flat Major Op. 110: II. Allegro Molto 2:07
19. Piano Sonata No. 31 In A Flat Major Op. 110: III. Adagio Ma Non Troppo - Fuga (Allegro Ma Non Troppo) - L'istesso Tempo Di Arioso - L'istesso Tempo Di Fuga - Meno Allegro 13:06
20. Három Csikmegyei Népdal: Rubato -L'istesso Tempo - Poco Vivo 3:58
Performers:
Piotr Anderszewski (piano)
1. Applause 0:15
2. Partita No. 2 In C Minor BWV826: I. Sinfonia (Grave Adagio - Andante) 4:06
3. Partita No. 2 In C Minor BWV826: II. Allemande 3:54
4. Partita No. 2 In C Minor BWV826: III. Courante 2:10
5. Partita No. 2 In C Minor BWV826: IV. Sarabande 4:36
6. Partita No. 2 In C Minor BWV826: V. Rondeau 1:42
7. Partita No. 2 In C Minor BWV826: VI. Capriccio 3:45
8. Faschingsschwank Aus Wien Op. 26: 1. Allegro (Sehr Lebhaft) 9:12
9. Faschingsschwank Aus Wien Op. 26: 2. Romanze (Ziemlich Langsam) 3:02
10. Faschingsschwank Aus Wien Op. 26: 3. Scherzino [No Marking] 2:05
11. Faschingsschwank Aus Wien Op. 26: 4. Intermezzo (Mit Grösster Energie) 2:21
12. Faschingsschwank Aus Wien Op. 26: 5. Finale (Höchst Lebhaft) 5:34
13. V Mlhách: I. Andante 3:36
14. V Mlhách: II. Molto Adagio 3:53
15. V Mlhách: III. Andantino 3:20
16. V Mlhách: IV. Presto 4:55
17. Piano Sonata No. 31 In A Flat Major Op. 110: I. Moderato Cantabile Molto Espressivo 6:37
18. Piano Sonata No. 31 In A Flat Major Op. 110: II. Allegro Molto 2:07
19. Piano Sonata No. 31 In A Flat Major Op. 110: III. Adagio Ma Non Troppo - Fuga (Allegro Ma Non Troppo) - L'istesso Tempo Di Arioso - L'istesso Tempo Di Fuga - Meno Allegro 13:06
20. Három Csikmegyei Népdal: Rubato -L'istesso Tempo - Poco Vivo 3:58
Performers:
Piotr Anderszewski (piano)
Since his first release for Virgin Classics, Beethoven’s Diabelli Variations in 2000, Polish pianist Piotr Anderszewski’s has produced a catalogue which ranges from Bach and Mozart, through more Beethoven to Chopin, Szymanowski and Webern, and which includes several prizewinning recordings.
Both intellectual and inspirational, Anderszewski has said of musical interpretation: “One can speculate endlessly about the right ingredients, the perfect combination but the essential question remains unanswerable, lying far beyond the limits of the cleverest and most refined argument. And yet one goes on searching and, while realising that the search is about everything, the essence may yet reveal itself in the most unexpected way.”
This new release captures live performances by Anderszewski at a very recent recital – December 2008 – in New York’s legendary Carnegie Hall. The critic of the New York Times made clear that this was an exceptional musical experience.
After a performance so intense and draining, the notion of encores almost seemed superfluous. But Bartók’s Three Hungarian Folksongs from the Csik District had a welcome earthiness”
Anderszewski repeated the programme in Chicago shortly afterwards, and the response of the Chicago Sun Times was at a similar level of enthusiasm:
“There is something deeply comforting about the kind of perfection that Polish-Hungarian pianist Piotr Anderszewski brought to his program of Bach, Janácek and Beethoven … Perfection is a relative term when it comes to art, of course. There are myriad but equally valid ways to play a Bach partita or Beethoven sonata … Different artists plumb different facets in a piece of music, and listeners can only benefit from hearing what each one has managed to unearth.
But during the two hours or so that they are onstage, artists like Anderszewski manage to create a universe that seems utterly complete unto itself. There is a sense of inevitability in their performance, a feeling that the true essence of a composer's intentions has been discovered. Especially when our daily lives are battered by forces beyond our control, it is reassuring to spend an afternoon in a world of such richly calibrated balance.“
“It can be hard not to wax hyperbolic when confronted with the pianist Piotr Anderszewski’s sensitive touch and potent imagination.” New York Times
Both intellectual and inspirational, Anderszewski has said of musical interpretation: “One can speculate endlessly about the right ingredients, the perfect combination but the essential question remains unanswerable, lying far beyond the limits of the cleverest and most refined argument. And yet one goes on searching and, while realising that the search is about everything, the essence may yet reveal itself in the most unexpected way.”
This new release captures live performances by Anderszewski at a very recent recital – December 2008 – in New York’s legendary Carnegie Hall. The critic of the New York Times made clear that this was an exceptional musical experience.
After a performance so intense and draining, the notion of encores almost seemed superfluous. But Bartók’s Three Hungarian Folksongs from the Csik District had a welcome earthiness”
Anderszewski repeated the programme in Chicago shortly afterwards, and the response of the Chicago Sun Times was at a similar level of enthusiasm:
“There is something deeply comforting about the kind of perfection that Polish-Hungarian pianist Piotr Anderszewski brought to his program of Bach, Janácek and Beethoven … Perfection is a relative term when it comes to art, of course. There are myriad but equally valid ways to play a Bach partita or Beethoven sonata … Different artists plumb different facets in a piece of music, and listeners can only benefit from hearing what each one has managed to unearth.
But during the two hours or so that they are onstage, artists like Anderszewski manage to create a universe that seems utterly complete unto itself. There is a sense of inevitability in their performance, a feeling that the true essence of a composer's intentions has been discovered. Especially when our daily lives are battered by forces beyond our control, it is reassuring to spend an afternoon in a world of such richly calibrated balance.“
“It can be hard not to wax hyperbolic when confronted with the pianist Piotr Anderszewski’s sensitive touch and potent imagination.” New York Times
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