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Igor Stravinsky - The Rite of Spring, Firebird - Suite, Petrushka - Suite (2012)

Igor Stravinsky - The Rite of Spring, Firebird - Suite, Petrushka - Suite (2012)
  • Title: Stravinsky conducts Stravinsky: The Rite of Spring, Firebird - Suite, Petrushka - Suite
  • Year Of Release: 2012
  • Label: Naxos
  • Genre: Classical
  • Quality: FLAC (image + .cue, log, scans)
  • Total Time: 01:13:38
  • Total Size: 297 MB
  • WebSite:
Tracklist:

Firebird - Suite (1910; revised 1945)

01. Introduction - 03:01
02. Dance of the Firebird - 01:15
03. Adagio (Pas de deux) - 04:15
04. Scherzo - 02:28
05. Rondo (Khorovod) - 04:00
06. Infernal Dance - 04:13
07. Lullaby - 03:46
08. Final Hymn - 03:17

Petrushka - Suite (1911)

09. The Magic Trick - 01:37
10. Russian Dance - 02:20
11. Petrushka's Room - 03:59
12. Wet-Nurses' Dance - 02:17
13. Peasant with Bear - 01:07
14. Gypsies - 00:51
15. Dance of the Coachmen - 02:05
16. Masqueraders - 01:54

The Rite of Spring (1913)

Part I. Adoration of the Earth

17. Introduction - 02:53
18. Dance of the Young Boys and Girls - 3:14
19. Mock Abduction - 01:18
20. Spring Rounds - 03:05
21. Games of the Rival Towns - 01:49
22. Procession of the Wise Elder - 00:36
23. Adoration of the Earth - 00:21
24. Dance of the Earth - 01:16

Part II. The Sacrifice

25. Introduction - 03:55
26. Mystic Circles of the Young Girls - 02:53
27. Glorification of the Chosen One - 01:39
28. Summoning of the Ancients - 00:45
29. Ritual of the Ancients - 03:01
30. Sacrificial Dance - 04:32

An important Russian composer of totally original and exciting music in many forms. Stravinsky's ballet The Rite of Spring (1913), a work of exotic and primal character, marked a shift in modern Western music. In early pieces like Fireworks (1908) and the marvelous King of the Stars for chorus and orchestra (1911), Stravinsky exhibits a love of orchestral color that seems like a combination of Debussy, Scriabin and Wagner. The wood-flute song and plainchant intervals form one layer of his music. Other layers are the added harmonic dissonances, either in a rhythmic pattern (like the famous sacrificial dance in The Rite of Spring) or in sparkling arpeggios of violin harmonics and woodwinds. Stravinsky wedded the primitive, ancient, and neo-classical to the scale of the present. There seems to be a progression from Petrouchka and The Firebird for the Ballets-Russes, to the neo-jazz Ebony Concerto, to the purity of religious feeling shown in the Symphony of Psalms and Agon, which begins to use the 12-tone technique in a limited way -- but maybe it's more an unfolding of a personality that was there from the start. ~ Blue Gene Tyranny


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