Sonny Criss - The Beat Goes On! (1968) FLAC
BAND/ARTIST: Sonny Criss
- Title: The Beat Goes On!
- Year Of Release: January 12, 1968
- Label: Prestige/Original Jazz Classics
- Genre: Jazz, Hard Bop
- Quality: Flac lossless
- Total Time: 33:32
- Total Size: 220 MB
- WebSite: Album Preview
Tracks
01. The Beat Goes On
02. Georgia Rose
03. Somewhere My Love
04. Calidad
05. Yesterdays
06. Ode to Billie Joe
Personnel
Sonny Criss - alto saxophone
Cedar Walton - piano
Bob Cranshaw - bass
Alan Dawson - drums
This is one of a group of Prestige dates by Sonny Criss from the late '60s that featured the altoist elegantly ripping through pop tunes, standing them on their heads and making them into credible vehicles for his dazzling virtuosity. For this 1968 recording, Criss gets hold of Sonny Bono's "The Beat Goes On" and makes it sophisticated, soulful, and swinging. The saxophonist is ably aided in this unlikely transformation by bassist Bob Cranshaw, pianist Cedar Walton, and drummer Alan Dawson, whose swirling brush work is key to the success of the title track. The group is less successful in pulling off a similar identity change on "Somewhere My Love." The melody gets an overly snappy Las Vegas lounge treatment, but then the piece comes together for some crisp, exciting solo work. Bobbie Gentry's "Ode to Billy Joe" also gets the Criss treatment. Partial success again, as the rhythm section remains a bit too static. Moving outside the pop repertoire, Criss scores full marks with a fiery, focused, up-tempo version of "Yesterdays"; the mid-tempo standard "Georgia Rose"; and his own urbane blues, "Calidad." This last piece is one of the performances on the CD where Criss, with his rapid, serpentine flow of ideas, begins to sound almost like Eric Dolphy. But where Dolphy regularly pushed towards the avant-garde, Criss' astonishing abilities are based within a more traditional, accessible syntax.
Jim Todd
01. The Beat Goes On
02. Georgia Rose
03. Somewhere My Love
04. Calidad
05. Yesterdays
06. Ode to Billie Joe
Personnel
Sonny Criss - alto saxophone
Cedar Walton - piano
Bob Cranshaw - bass
Alan Dawson - drums
This is one of a group of Prestige dates by Sonny Criss from the late '60s that featured the altoist elegantly ripping through pop tunes, standing them on their heads and making them into credible vehicles for his dazzling virtuosity. For this 1968 recording, Criss gets hold of Sonny Bono's "The Beat Goes On" and makes it sophisticated, soulful, and swinging. The saxophonist is ably aided in this unlikely transformation by bassist Bob Cranshaw, pianist Cedar Walton, and drummer Alan Dawson, whose swirling brush work is key to the success of the title track. The group is less successful in pulling off a similar identity change on "Somewhere My Love." The melody gets an overly snappy Las Vegas lounge treatment, but then the piece comes together for some crisp, exciting solo work. Bobbie Gentry's "Ode to Billy Joe" also gets the Criss treatment. Partial success again, as the rhythm section remains a bit too static. Moving outside the pop repertoire, Criss scores full marks with a fiery, focused, up-tempo version of "Yesterdays"; the mid-tempo standard "Georgia Rose"; and his own urbane blues, "Calidad." This last piece is one of the performances on the CD where Criss, with his rapid, serpentine flow of ideas, begins to sound almost like Eric Dolphy. But where Dolphy regularly pushed towards the avant-garde, Criss' astonishing abilities are based within a more traditional, accessible syntax.
Jim Todd
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