Liza Ferschtman & Inon Barnatan - Works for Piano and Violin (2007)
BAND/ARTIST: Liza Ferschtman, Inon Barnatan
- Title: Works for Piano and Violin
- Year Of Release: 2007
- Label: Challenge Classics
- Genre: Classical
- Quality: flac lossless
- Total Time: 00:57:42
- Total Size: 249 mb
- WebSite: Album Preview
Tracklist
01. Sonata for piano and violin in G major op. 96 Allegro moderato
02. Sonata for piano and violin in G major op. 96 Adagio espressivo
03. Sonata for piano and violin in G major op. 96 Scherzo. Allegro
04. Sonata for piano and violin in G major op. 96 Poco Allegretto
05. Fantasia for piano and violin in C major (Sei mir gegrusst), D 934 (op. Posth. 159)
06. Fantasia for piano and violin in C major (Sei mir gegrusst), D 934 (op. Posth. 159)
07. Fantasia for piano and violin in C major (Sei mir gegrusst), D 934 (op. Posth. 159)
08. Fantasia for piano and violin in C major (Sei mir gegrusst), D 934 (op. Posth. 159)
09. Sei mir gegrusst, D 741 op. 20 no. 1
The works on this album, while joining together to make an enjoyable program, do not seem to have a great deal in common with one another. The liner notes make an attempt to draw similarities, but these are circumstantial and subjective at best. Nevertheless, despite the odd pairing of pieces, violinist Liza Ferschtman and pianist Inon Barnatan offer listeners an almost magical listening experience. The placid and serene Op. 96 Sonata of Beethoven is performed with the utmost elegance and attention to detail. Ferschtman's dynamic range is marvelous and is brilliantly supported by her partner. Intonation is pristine and vibrato is enjoyably understated. Barnatan's sound achieves the two seemingly contradictory traits of being dark and clear at the same time. His left hand is wonderfully articulate without so much as a trace of being over pedaled. The Schubert D. 934 begins with an undulating and hypnotic cloud of sound produced by the duo. The beautiful lyrical qualities of Ferschtman's playing are even more apparent here than it was in the Beethoven. The unity of musical vision between these two artists will leave listeners wishing that the liner notes gave some information about them. Many will also be left crossing their fingers for a complete Beethoven cycle by this talented ensemble.
01. Sonata for piano and violin in G major op. 96 Allegro moderato
02. Sonata for piano and violin in G major op. 96 Adagio espressivo
03. Sonata for piano and violin in G major op. 96 Scherzo. Allegro
04. Sonata for piano and violin in G major op. 96 Poco Allegretto
05. Fantasia for piano and violin in C major (Sei mir gegrusst), D 934 (op. Posth. 159)
06. Fantasia for piano and violin in C major (Sei mir gegrusst), D 934 (op. Posth. 159)
07. Fantasia for piano and violin in C major (Sei mir gegrusst), D 934 (op. Posth. 159)
08. Fantasia for piano and violin in C major (Sei mir gegrusst), D 934 (op. Posth. 159)
09. Sei mir gegrusst, D 741 op. 20 no. 1
The works on this album, while joining together to make an enjoyable program, do not seem to have a great deal in common with one another. The liner notes make an attempt to draw similarities, but these are circumstantial and subjective at best. Nevertheless, despite the odd pairing of pieces, violinist Liza Ferschtman and pianist Inon Barnatan offer listeners an almost magical listening experience. The placid and serene Op. 96 Sonata of Beethoven is performed with the utmost elegance and attention to detail. Ferschtman's dynamic range is marvelous and is brilliantly supported by her partner. Intonation is pristine and vibrato is enjoyably understated. Barnatan's sound achieves the two seemingly contradictory traits of being dark and clear at the same time. His left hand is wonderfully articulate without so much as a trace of being over pedaled. The Schubert D. 934 begins with an undulating and hypnotic cloud of sound produced by the duo. The beautiful lyrical qualities of Ferschtman's playing are even more apparent here than it was in the Beethoven. The unity of musical vision between these two artists will leave listeners wishing that the liner notes gave some information about them. Many will also be left crossing their fingers for a complete Beethoven cycle by this talented ensemble.
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