Jacques Thibaud String Trio - Wolfgang Amadeus Mozart: String Trios (2020) [Hi-Res]
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BAND/ARTIST: Jacques Thibaud String Trio
- Title: Wolfgang Amadeus Mozart: String Trios
- Year Of Release: 2020
- Label: audite Musikproduktion
- Genre: Classical
- Quality: flac lossless / flac 24bits - 96.0kHz +Booklet
- Total Time: 01:33:52
- Total Size: 494 mb / 1.76 gb
- WebSite: Album Preview
Tracklist
01. Divertimento in E-Flat Major, K. 563 ('Di sei Pezzi') I. Allegro
02. Divertimento in E-Flat Major, K. 563 ('Di sei Pezzi') II. Adagio
03. Divertimento in E-Flat Major, K. 563 ('Di sei Pezzi') III. Menuetto. Allegretto - Trio
04. Divertimento in E-Flat Major, K. 563 ('Di sei Pezzi') IV. Andante
05. Divertimento in E-Flat Major, K. 563 ('Di sei Pezzi') V. Menuetto. Allegretto - Trio I - Trio II
06. Divertimento in E-Flat Major, K. 563 ('Di sei Pezzi') VI. Allegro
07. Preludes and Fugues, K. 404a - No. 1 in D Minor Adagio
08. Preludes and Fugues, K. 404a - No. 1 in D Minor Fuga. Andante Cantabile (After J.S. Bach's BWV 853,8)
09. Preludes and Fugues, K. 404a - No. 2 in G Minor Adagio
10. Preludes and Fugues, K. 404a - No. 2 in G Minor Fuga. Allegro (After J.S. Bach's BWV 883,14)
11. Preludes and Fugues, K. 404a - No. 3 in F Major Adagio
12. Preludes and Fugues, K. 404a - No. 3 in F Major Fuga. Vivace (After J.S. Bach's BWV 882,13)
13. Preludes and Fugues, K. 404a - No. 4 in F Major Adagio
14. Preludes and Fugues, K. 404a - No. 4 in F Major Fuga. Allegro (After J.S. Bach's BWV 1080)
15. Preludes and Fugues, K. 404a - No. 5 in E-Flat Major Largo
16. Preludes and Fugues, K. 404a - No. 5 in E-Flat Major Fuga. Moderato (After J.S. Bach's BWV 526)
17. Preludes and Fugues, K. 404a - No. 6 in F Minor Adagio
18. Preludes and Fugues, K. 404a - No. 6 in F Minor Fuga (After W.F. Bach's F.31 No. 8)
19. String Trio in G Major, K. Anh. 66 K. 562e (Fragment) I. Allegro
The complete Mozart works for string trio in a new recording with the Jacques Thibaud String Trio: alongside the well-known Divertimento, K. 563, this album contains the Six Preludes and Fugues, K. 404a, as well as the fragment K. Anh. 66. This fragment and the Prelude and Fugue, K. 404a, No. 6 in F minor are available for download as free bonus tracks.
The Preludes and Fugues are unique documents of Mozart's study of Bach's œuvre. They contain three fugues from The Well-Tempered Clavier, one fugue each from The Art of Fugue and an organ sonata, as well as one fugue by Wilhelm Friedemann Bach. Four of the preludes are probably Mozart's own, whilst two are from Bach's trio sonatas for organ. Mozart produced his arrangements for private Sunday gatherings at the home of Baron van Swieten, where he would play the viola part. Mozart's study of the "old masters" would prove an important influence on his later compositions.
The six-movement Divertimento, K. 563, of 1788 is considered as the string trio par excellence. It is chamber music of the highest order, with rich harmonies and elaborately crafted counterpoint. Here, Mozart makes greater technical demands on the performers than in his violin concertos or his Sinfonia concertante, K. 364, for violin, viola and orchestra. In his three-part writing, Mozart reaches astonishing depths, with double stops at times imitating the sound of a quartet. All three string instruments are treated completely equally, each in turn taking the lead; the viola and cello are given especially rewarding melodic lines. This magnificent work condenses the entire potential of string trio playing into a 50-minute late Mozartian experience.
01. Divertimento in E-Flat Major, K. 563 ('Di sei Pezzi') I. Allegro
02. Divertimento in E-Flat Major, K. 563 ('Di sei Pezzi') II. Adagio
03. Divertimento in E-Flat Major, K. 563 ('Di sei Pezzi') III. Menuetto. Allegretto - Trio
04. Divertimento in E-Flat Major, K. 563 ('Di sei Pezzi') IV. Andante
05. Divertimento in E-Flat Major, K. 563 ('Di sei Pezzi') V. Menuetto. Allegretto - Trio I - Trio II
06. Divertimento in E-Flat Major, K. 563 ('Di sei Pezzi') VI. Allegro
07. Preludes and Fugues, K. 404a - No. 1 in D Minor Adagio
08. Preludes and Fugues, K. 404a - No. 1 in D Minor Fuga. Andante Cantabile (After J.S. Bach's BWV 853,8)
09. Preludes and Fugues, K. 404a - No. 2 in G Minor Adagio
10. Preludes and Fugues, K. 404a - No. 2 in G Minor Fuga. Allegro (After J.S. Bach's BWV 883,14)
11. Preludes and Fugues, K. 404a - No. 3 in F Major Adagio
12. Preludes and Fugues, K. 404a - No. 3 in F Major Fuga. Vivace (After J.S. Bach's BWV 882,13)
13. Preludes and Fugues, K. 404a - No. 4 in F Major Adagio
14. Preludes and Fugues, K. 404a - No. 4 in F Major Fuga. Allegro (After J.S. Bach's BWV 1080)
15. Preludes and Fugues, K. 404a - No. 5 in E-Flat Major Largo
16. Preludes and Fugues, K. 404a - No. 5 in E-Flat Major Fuga. Moderato (After J.S. Bach's BWV 526)
17. Preludes and Fugues, K. 404a - No. 6 in F Minor Adagio
18. Preludes and Fugues, K. 404a - No. 6 in F Minor Fuga (After W.F. Bach's F.31 No. 8)
19. String Trio in G Major, K. Anh. 66 K. 562e (Fragment) I. Allegro
The complete Mozart works for string trio in a new recording with the Jacques Thibaud String Trio: alongside the well-known Divertimento, K. 563, this album contains the Six Preludes and Fugues, K. 404a, as well as the fragment K. Anh. 66. This fragment and the Prelude and Fugue, K. 404a, No. 6 in F minor are available for download as free bonus tracks.
The Preludes and Fugues are unique documents of Mozart's study of Bach's œuvre. They contain three fugues from The Well-Tempered Clavier, one fugue each from The Art of Fugue and an organ sonata, as well as one fugue by Wilhelm Friedemann Bach. Four of the preludes are probably Mozart's own, whilst two are from Bach's trio sonatas for organ. Mozart produced his arrangements for private Sunday gatherings at the home of Baron van Swieten, where he would play the viola part. Mozart's study of the "old masters" would prove an important influence on his later compositions.
The six-movement Divertimento, K. 563, of 1788 is considered as the string trio par excellence. It is chamber music of the highest order, with rich harmonies and elaborately crafted counterpoint. Here, Mozart makes greater technical demands on the performers than in his violin concertos or his Sinfonia concertante, K. 364, for violin, viola and orchestra. In his three-part writing, Mozart reaches astonishing depths, with double stops at times imitating the sound of a quartet. All three string instruments are treated completely equally, each in turn taking the lead; the viola and cello are given especially rewarding melodic lines. This magnificent work condenses the entire potential of string trio playing into a 50-minute late Mozartian experience.
Year 2020 | Classical | FLAC / APE | HD & Vinyl
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