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Trio Talweg - Johannes Brahms: The Piano Trios (2014) [Hi-Res]

Trio Talweg - Johannes Brahms: The Piano Trios (2014) [Hi-Res]

BAND/ARTIST: Trio Talweg

  • Title: Johannes Brahms: The Piano Trios
  • Year Of Release: 2014
  • Label: Pavane Records
  • Genre: Classical
  • Quality: flac lossless / flac 24bits - 44.1kHz +Booklet
  • Total Time: 01:28:09
  • Total Size: 436 / 849 mb
  • WebSite:
Tracklist

CD1
01. Piano Trio No. 1 in B major, Op. 8 (Johannes Brahms): I. Allegro con brio
02. Piano Trio No. 1 in B major, Op. 8 (Johannes Brahms): II. Scherzo (Allegro molto)
03. Piano Trio No. 1 in B major, Op. 8 (Johannes Brahms): III. Adagio
04. Piano Trio No. 1 in B major, Op. 8 (Johannes Brahms): IV. Allegro

CD1
01. Piano Trio No. 2 in C major, Op. 87 (Johannes Brahms): I. Allegro
02. Piano Trio No. 2 in C major, Op. 87 (Johannes Brahms): II. Andante con moto
03. Piano Trio No. 2 in C major, Op. 87 (Johannes Brahms): Scherzo (Presto)
04. Piano Trio No. 2 in C major, Op. 87 (Johannes Brahms): IV. Finale (Allegro giocoso)
05. Piano Trio No. 3 in C minor, Op. 101 (Johannes Brahms): I. Allegro energico
06. Piano Trio No. 3 in C minor, Op. 101 (Johannes Brahms): II. Presto non assai
07. Piano Trio No. 3 in C minor, Op. 101 (Johannes Brahms): III. Andante grazioso
08. Piano Trio No. 3 in C minor, Op. 101 (Johannes Brahms): IV. Allegro molto


After a debut album featuring works by Tchaikovsky and Shostakovich, awarded with a prestigious Diapason d’Or in France, the Trio Talweg’s three young musicians - French violinist Sébastien Surel, Belgian cellist Sébastien Walnier and French-Brazilian pianist Juliana Steinbach - explore in their second recording some of Brahms greatest chamber music repertoire: his complete piano trios.

The composition of these three major works covers a large period of Johannes Brahms’s creative life. While the first trio, opus 8, was composed by a very young man (1853), the two following works, opus 87 (1880-1882) and opus 101 (1886), were written by a mature artist who later made a complete revision of the opus 8 (1889), admirably combining its youthful energy with the old master’s narrative power. It’s with this last version of the first trio that the Talwegs introduce their interpretation of the complete cycle.


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