Chorwerk Ruhr, Concerto Köln, Florian Helgath, Gabriela Scherer - Mozart: Requiem (Completed and Edited by Michael Ostrzyga) (2020) [Hi-Res]
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- Title: Mozart: Requiem (Completed and Edited by Michael Ostrzyga)
- Year Of Release: 2020
- Label: Coviello Classics
- Genre: Classical
- Quality: flac 24bits - 96.0kHz +Booklet
- Total Time: 00:50:59
- Total Size: 958 mb
- WebSite: Album Preview
Tracklist
01. Requiem in D Minor, K. 626 Introitus
02. Requiem in D Minor, K. 626 Kyrie
03. Requiem in D Minor, K. 626 Dies Irae
04. Requiem in D Minor, K. 626 Tuba mirum
05. Requiem in D Minor, K. 626 Rex Tremendae
06. Requiem in D Minor, K. 626 Recordare
07. Requiem in D Minor, K. 626 Confutatis
08. Requiem in D Minor, K. 626 Lacrimosa
09. Requiem in D Minor, K. 626 Domine Jesu
10. Requiem in D Minor, K. 626 Hostias
11. Requiem in D Minor, K. 626 Sanctus
12. Requiem in D Minor, K. 626 Benedictus
13. Requiem in D Minor, K. 626 Agnus Dei
14. Requiem in D Minor, K. 626 Lux aeterna
15. Libera me
There is hardly any other major work in the history of music where there are as many secrets about its genesis as in Mozart’s Requiem: from the ominous masked commissioner to the repeated criticism of the completion of the fragment by Mozart’s pupil Süßmayr (which has nevertheless established itself as a common version in concert life) to the speculation that the composer knew that he was writing his own requiem mass. The source situation is confusing, perhaps there were other “completers” besides Süßmayr at work, which the widow Constanze wanted to publish as one of Mozart’s alone. Some stylistic breaks in the common version that are untypical of Mozart reinforce the doubts. After a thorough study of sources and comparative stylistic analyses, Michael Ostrzyga now presents a carefully corrected version, which brings him closer to the “most probable compositional solutions for November/December 1791” that Mozart would probably have chosen. Chorwerk Ruhr presents a first reference recording.
01. Requiem in D Minor, K. 626 Introitus
02. Requiem in D Minor, K. 626 Kyrie
03. Requiem in D Minor, K. 626 Dies Irae
04. Requiem in D Minor, K. 626 Tuba mirum
05. Requiem in D Minor, K. 626 Rex Tremendae
06. Requiem in D Minor, K. 626 Recordare
07. Requiem in D Minor, K. 626 Confutatis
08. Requiem in D Minor, K. 626 Lacrimosa
09. Requiem in D Minor, K. 626 Domine Jesu
10. Requiem in D Minor, K. 626 Hostias
11. Requiem in D Minor, K. 626 Sanctus
12. Requiem in D Minor, K. 626 Benedictus
13. Requiem in D Minor, K. 626 Agnus Dei
14. Requiem in D Minor, K. 626 Lux aeterna
15. Libera me
There is hardly any other major work in the history of music where there are as many secrets about its genesis as in Mozart’s Requiem: from the ominous masked commissioner to the repeated criticism of the completion of the fragment by Mozart’s pupil Süßmayr (which has nevertheless established itself as a common version in concert life) to the speculation that the composer knew that he was writing his own requiem mass. The source situation is confusing, perhaps there were other “completers” besides Süßmayr at work, which the widow Constanze wanted to publish as one of Mozart’s alone. Some stylistic breaks in the common version that are untypical of Mozart reinforce the doubts. After a thorough study of sources and comparative stylistic analyses, Michael Ostrzyga now presents a carefully corrected version, which brings him closer to the “most probable compositional solutions for November/December 1791” that Mozart would probably have chosen. Chorwerk Ruhr presents a first reference recording.
Year 2020 | FLAC / APE | HD & Vinyl
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