Jean-Pierre Armengaud & Olivier Chauzu - Debussy: Four-Hand Piano Music, Vol. 2 (2016) [Hi-Res]
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BAND/ARTIST: Jean-Pierre Armengaud, Olivier Chauzu
- Title: Debussy: Four-Hand Piano Music, Vol. 2
- Year Of Release: 2016
- Label: Naxos
- Genre: Classical, Piano
- Quality: flac lossless / flac 24bits - 96.0kHz +Booklet
- Total Time: 01:09:14
- Total Size: 230 mb / 1.1 gb
- WebSite: Album Preview
Tracklist
01. Prélude à l'après-midi d'un faune (arr. M. Ravel for piano 4 hands) - Jean-Pierre Armengaud
02. La mer, L. 109 (Version for Piano 4 Hands): No. 1. De l'aube à midi sur la mer - Jean-Pierre Armengaud
03. La mer, L. 109 (Version for Piano 4 Hands): No. 2. Jeux de vagues - Jean-Pierre Armengaud
04. La mer, L. 109 (Version for Piano 4 Hands): No. 3. Dialogue du vent et de la mer - Jean-Pierre Armengaud
05. Images pour orchestre, L. 122 (Arr. A. Caplet for Piano 4 Hands): No. 1. Gigues - Olivier Chauzu
06. Images pour orchestre, L. 122 (Arr. A. Caplet for Piano 4 Hands): No. 2. Ibéria: a. Par les rues et par les chemins- - Olivier Chauzu
07. Images pour orchestre, L. 122 (Arr. A. Caplet for Piano 4 Hands): No. 2. Ibéria: b. Les Parfums de la nuit- - Olivier Chauzu
08. Images pour orchestre, L. 122 (Arr. A. Caplet for Piano 4 Hands): No. 2. Ibéria: c. Le Matin d'un jour de fête - Olivier Chauzu
09. Images pour orchestre, L. 122 (Arr. A. Caplet for Piano 4 Hands): No. 3. Rondes de printemps - Olivier Chauzu
In 1891 the Symbolist poet Stéphane Mallarmé asked Debussy to compose incidental music for a theatrical version of his poem L’Après-midi d’un faune (The afternoon of the faun) and the resulting work, with its innovative melodic, harmonic, and rhythmic writing, is both impassioned and expressive. The four-hand arrangement was made by Ravel in 1910. Inspired by the natural phenomena of water, light and wind and, according to Mme Debussy, unplayable in its piano four-hand version, La Mer is a masterpiece of some structural complexity. Of the technically inventive Images, which evoke Spanish sights, sounds and fragrances, Debussy wrote that the work marked a departure for him, dealing with “realities” not impressionism.
01. Prélude à l'après-midi d'un faune (arr. M. Ravel for piano 4 hands) - Jean-Pierre Armengaud
02. La mer, L. 109 (Version for Piano 4 Hands): No. 1. De l'aube à midi sur la mer - Jean-Pierre Armengaud
03. La mer, L. 109 (Version for Piano 4 Hands): No. 2. Jeux de vagues - Jean-Pierre Armengaud
04. La mer, L. 109 (Version for Piano 4 Hands): No. 3. Dialogue du vent et de la mer - Jean-Pierre Armengaud
05. Images pour orchestre, L. 122 (Arr. A. Caplet for Piano 4 Hands): No. 1. Gigues - Olivier Chauzu
06. Images pour orchestre, L. 122 (Arr. A. Caplet for Piano 4 Hands): No. 2. Ibéria: a. Par les rues et par les chemins- - Olivier Chauzu
07. Images pour orchestre, L. 122 (Arr. A. Caplet for Piano 4 Hands): No. 2. Ibéria: b. Les Parfums de la nuit- - Olivier Chauzu
08. Images pour orchestre, L. 122 (Arr. A. Caplet for Piano 4 Hands): No. 2. Ibéria: c. Le Matin d'un jour de fête - Olivier Chauzu
09. Images pour orchestre, L. 122 (Arr. A. Caplet for Piano 4 Hands): No. 3. Rondes de printemps - Olivier Chauzu
In 1891 the Symbolist poet Stéphane Mallarmé asked Debussy to compose incidental music for a theatrical version of his poem L’Après-midi d’un faune (The afternoon of the faun) and the resulting work, with its innovative melodic, harmonic, and rhythmic writing, is both impassioned and expressive. The four-hand arrangement was made by Ravel in 1910. Inspired by the natural phenomena of water, light and wind and, according to Mme Debussy, unplayable in its piano four-hand version, La Mer is a masterpiece of some structural complexity. Of the technically inventive Images, which evoke Spanish sights, sounds and fragrances, Debussy wrote that the work marked a departure for him, dealing with “realities” not impressionism.
Year 2016 | Classical | FLAC / APE | HD & Vinyl
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