Measha Brueggergosman - Measha Jazz (2020)
BAND/ARTIST: Measha Brueggergosman
- Title: Measha Jazz
- Year Of Release: 2020
- Label: Measha Brueggergosman
- Genre: Jazz, Vocal Jazz
- Quality: FLAC (tracks)
- Total Time: 45:20 min
- Total Size: 260 MB
- WebSite: Album Preview
Tracklist:
01. Woke up This Morning (with My Mind Stayed on Freedom)
02. Les Deux Printemps
03. My Romance
04. You Can Have Him
05. Forbidden Fruit
06. Four Women
07. Cry Me A River (Kannst Ein' Fluss Für Mich Weinen)
08. Sinnerman
09. My Man's Gone Now
10. We Rise
11. Strange Fruit
12. Take Me to the Water
01. Woke up This Morning (with My Mind Stayed on Freedom)
02. Les Deux Printemps
03. My Romance
04. You Can Have Him
05. Forbidden Fruit
06. Four Women
07. Cry Me A River (Kannst Ein' Fluss Für Mich Weinen)
08. Sinnerman
09. My Man's Gone Now
10. We Rise
11. Strange Fruit
12. Take Me to the Water
Canadian soprano Measha Brueggergosman crosses over into jazz in this latest project, performing a selection of jazz standards. Having cemented her status as a fresh and youthful ambassador for classical music that breaks the stereotype of an opera diva in every way imaginable, Brueggergosman is a force to be reckoned with. With an innate musicianship and voluptuous voice, she has emerged as one of the most magnificent performers and vibrant personalities of the day.
Motivated and hungry for new experiences, Ms. Brueggergosman’s career effortlessly embraces the broadest array of performance platforms and musical styles and genres.
Measha began her career predominantly committed to the art of the song recital and has presented innovative programs at Carnegie Hall, Washington’s Kennedy Center, London’s Wigmore Hall, both the Konzerthaus and Musikverein in Vienna, Madrid’s Teatro Real, as well as at the Schwarzenberg, Edinburgh, Verbier and Bergen Festivals with celebrated collaborative pianists Justus Zeyen, Roger Vignoles, Julius Drake, and Simon Lepper.
On the opera stage, her recent highlights include the roles of Giulietta and Antonia in Les contes d’Hoffmann, Elettra in Idomeneo, Jenny in Weill’s Mahagonny, Emilia Marty in Janáček’s Věc Makropulos, Hannah in Miroslav Srnka’s Make No Noise, and Sister Rose in Jake Heggie’s Dead Man Walking. On the concert platform last season she returned to Carnegie Hall with the New World Symphony, performed Elettra in Idomeneo at Opera Atelier, Toronto, and gave a recital at the Barbican Center, London.
She has also recently worked with the Orchestre de Paris, the Philadelphia Orchestra, the Los Angeles Philharmonic, San Francisco Symphony and New World Symphony Orchestras and conductors such as Daniel Barenboim, Michael Tilson Thomas, Franz Welser-Möst, Sir
Andrew Davis, Gustavo Dudamel and Daniel Harding.Her first recording for Deutsche Grammophon, Surprise, includes works by Schoenberg, Satie and Bolcom and is one of the most highly regarded debut albums of recent years. Her subsequent disc Night and Dreams, which features songs by Mozart, Brahms, Strauss, Schubert, Debussy, Duparc and Fauré won several awards and her recording of the Wesendonck Lieder with Franz Welser-Möst and the Cleveland Orchestra earned her a Grammy nomination.
Off the stage, Measha is just as active: she recently released her memoir “Something Is Always On Fire” published by Harper Collins, she appears regularly on primetime TV (most recently advocating on behalf of contemporary Canadian literature); and leading Canadian children across the country in song, in celebration of the nationwide campaign for music education.
Motivated and hungry for new experiences, Ms. Brueggergosman’s career effortlessly embraces the broadest array of performance platforms and musical styles and genres.
Measha began her career predominantly committed to the art of the song recital and has presented innovative programs at Carnegie Hall, Washington’s Kennedy Center, London’s Wigmore Hall, both the Konzerthaus and Musikverein in Vienna, Madrid’s Teatro Real, as well as at the Schwarzenberg, Edinburgh, Verbier and Bergen Festivals with celebrated collaborative pianists Justus Zeyen, Roger Vignoles, Julius Drake, and Simon Lepper.
On the opera stage, her recent highlights include the roles of Giulietta and Antonia in Les contes d’Hoffmann, Elettra in Idomeneo, Jenny in Weill’s Mahagonny, Emilia Marty in Janáček’s Věc Makropulos, Hannah in Miroslav Srnka’s Make No Noise, and Sister Rose in Jake Heggie’s Dead Man Walking. On the concert platform last season she returned to Carnegie Hall with the New World Symphony, performed Elettra in Idomeneo at Opera Atelier, Toronto, and gave a recital at the Barbican Center, London.
She has also recently worked with the Orchestre de Paris, the Philadelphia Orchestra, the Los Angeles Philharmonic, San Francisco Symphony and New World Symphony Orchestras and conductors such as Daniel Barenboim, Michael Tilson Thomas, Franz Welser-Möst, Sir
Andrew Davis, Gustavo Dudamel and Daniel Harding.Her first recording for Deutsche Grammophon, Surprise, includes works by Schoenberg, Satie and Bolcom and is one of the most highly regarded debut albums of recent years. Her subsequent disc Night and Dreams, which features songs by Mozart, Brahms, Strauss, Schubert, Debussy, Duparc and Fauré won several awards and her recording of the Wesendonck Lieder with Franz Welser-Möst and the Cleveland Orchestra earned her a Grammy nomination.
Off the stage, Measha is just as active: she recently released her memoir “Something Is Always On Fire” published by Harper Collins, she appears regularly on primetime TV (most recently advocating on behalf of contemporary Canadian literature); and leading Canadian children across the country in song, in celebration of the nationwide campaign for music education.
Year 2020 | Jazz | Vocal Jazz | FLAC / APE
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