Gonzalo Noqué & María José Belotto - Rebay: Flute and Guitar Sonatas (2012)
BAND/ARTIST: Gonzalo Noqué, María José Belotto
- Title: Rebay: Flute and Guitar Sonatas
- Year Of Release: 2012
- Label: Brilliant Classics
- Genre: Classical
- Quality: flac lossless +Booklet
- Total Time: 00:52:08
- Total Size: 195 mb
- WebSite: Album Preview
Tracklist
01. Sonata No. 1 in E Major for Flute and Guitar: I. Allegretto moderato
02. Sonata No. 1 in E Major for Flute and Guitar: II. Thema mit Variationen. Thema
03. Sonata No. 1 in E Major for Flute and Guitar: II. Thema mit Variationen. Var. 1, L'istesso tempo
04. Sonata No. 1 in E Major for Flute and Guitar: II. Thema mit Variationen. Var. 2, L'istesso tempo
05. Sonata No. 1 in E Major for Flute and Guitar: II. Thema mit Variationen. Var. 3, Etwas ruhigeres Zeitmass
06. Sonata No. 1 in E Major for Flute and Guitar: II. Thema mit Variationen. Var. 4, Leicht bewegt
07. Sonata No. 1 in E Major for Flute and Guitar: III. Scherzo-Trio
08. Sonata No. 1 in E Major for Flute and Guitar: IV. Rondo
09. Sonata No. 2 in D Major for Flute and Guitar: I. Allegro, molto moderato
10. Sonata No. 2 in D Major for Flute and Guitar: II. Sehr ruhig, mit zartem Ausdruck
11. Sonata No. 2 in D Major for Flute and Guitar: III. Scherzo-Trio
12. Sonata No. 2 in D Major for Flute and Guitar: IV. Thema mit Variationen. Thema
13. Sonata No. 2 in D Major for Flute and Guitar: IV. Thema mit Variationen. Var. 1, Etwas bewegter
14. Sonata No. 2 in D Major for Flute and Guitar: IV. Thema mit Variationen. Var. 2, Allegro
15. Sonata No. 2 in D Major for Flute and Guitar: IV. Thema mit Variationen. Var. 3, Wieder sehr mässiges Zeitmass
16. Sonata No. 2 in D Major for Flute and Guitar: IV. Thema mit Variationen. Var. 4, Wieder lebhaft bewegt
17. Sonata No. 2 in D Major for Flute and Guitar: IV. Thema mit Variationen. Var. 5, Allegretto commodo
18. Sonata No. 2 in D Major for Flute and Guitar: IV. Thema mit Variationen. Var. 6, Andante
19. Sonata No. 2 in D Major for Flute and Guitar: IV. Thema mit Variationen. Var. 7, Molto moderato
20. Sonata No. 2 in D Major for Flute and Guitar: IV. Thema mit Variationen. Schluss-Variation, Marsch-Trio
The combination of flute and guitar enjoy a long tradition, going back to Robert De Visée, and, later in the Classical Period, composers Joseph Kaspar Mertz and Mauro Giuliani. The combination is a happy one, the long and flowing cantilenas of the flute embedded in the rich sonorities and harmonies of the guitar.
Ferdinand Rebay, Austrian composer living from 1880 till 1953, blew new life into the genre with his sonatas for flute and guitar: Lively, attractive works, full of surprising melodious twists, in retro classical style.
Brilliant performances by María José Belotto and Gonzalo Noqué, who also participated in Brilliant Classics’ earlier Rebay issue: the Quartets (BC 9250).
An instrument that is almost entirely absent from the output of the great pretwentieth- century composers, the guitar has long been viewed as a means to discovering new repertoire and neglected composers. One such example is Ferdinand Rebay, whose works (which have only recently come to light) present a unique case in bridging the central-European gap. This release is dedicated to his two Sonatas for Flute and Guitar. Rebay believed that the blending of wind and guitar timbres produced a far more attractive sound than that of winds and piano, and the two sonatas – written in 1942 – date from an immensely productive period as regards the composer’s chamber duo output for guitar.
Heavy in dialogue, they reveal a technique deeply rooted in Viennese tradition; from the Neoclassical style of the First, whose Scherzo exudes Beethovenian inspiration, to the stirringly Romance feel of the Second, with its broad phrasing and intensely lyrical passagework, these are two strikingly different works of character that together illuminate a fascinating area of past-century musicmaking.
In representing the first recording of the two sonatas – works that currently exist only in manuscript form – this release forms a significant addition to Brilliant Classics’ chamber music discography. The two young Spanish artists on the disc, María José Belotto and Gonzalo Noqué (who created the performing editions), set a high standard with their virtuosic display, arguing a strong case for why this composer deserves to be better known.
01. Sonata No. 1 in E Major for Flute and Guitar: I. Allegretto moderato
02. Sonata No. 1 in E Major for Flute and Guitar: II. Thema mit Variationen. Thema
03. Sonata No. 1 in E Major for Flute and Guitar: II. Thema mit Variationen. Var. 1, L'istesso tempo
04. Sonata No. 1 in E Major for Flute and Guitar: II. Thema mit Variationen. Var. 2, L'istesso tempo
05. Sonata No. 1 in E Major for Flute and Guitar: II. Thema mit Variationen. Var. 3, Etwas ruhigeres Zeitmass
06. Sonata No. 1 in E Major for Flute and Guitar: II. Thema mit Variationen. Var. 4, Leicht bewegt
07. Sonata No. 1 in E Major for Flute and Guitar: III. Scherzo-Trio
08. Sonata No. 1 in E Major for Flute and Guitar: IV. Rondo
09. Sonata No. 2 in D Major for Flute and Guitar: I. Allegro, molto moderato
10. Sonata No. 2 in D Major for Flute and Guitar: II. Sehr ruhig, mit zartem Ausdruck
11. Sonata No. 2 in D Major for Flute and Guitar: III. Scherzo-Trio
12. Sonata No. 2 in D Major for Flute and Guitar: IV. Thema mit Variationen. Thema
13. Sonata No. 2 in D Major for Flute and Guitar: IV. Thema mit Variationen. Var. 1, Etwas bewegter
14. Sonata No. 2 in D Major for Flute and Guitar: IV. Thema mit Variationen. Var. 2, Allegro
15. Sonata No. 2 in D Major for Flute and Guitar: IV. Thema mit Variationen. Var. 3, Wieder sehr mässiges Zeitmass
16. Sonata No. 2 in D Major for Flute and Guitar: IV. Thema mit Variationen. Var. 4, Wieder lebhaft bewegt
17. Sonata No. 2 in D Major for Flute and Guitar: IV. Thema mit Variationen. Var. 5, Allegretto commodo
18. Sonata No. 2 in D Major for Flute and Guitar: IV. Thema mit Variationen. Var. 6, Andante
19. Sonata No. 2 in D Major for Flute and Guitar: IV. Thema mit Variationen. Var. 7, Molto moderato
20. Sonata No. 2 in D Major for Flute and Guitar: IV. Thema mit Variationen. Schluss-Variation, Marsch-Trio
The combination of flute and guitar enjoy a long tradition, going back to Robert De Visée, and, later in the Classical Period, composers Joseph Kaspar Mertz and Mauro Giuliani. The combination is a happy one, the long and flowing cantilenas of the flute embedded in the rich sonorities and harmonies of the guitar.
Ferdinand Rebay, Austrian composer living from 1880 till 1953, blew new life into the genre with his sonatas for flute and guitar: Lively, attractive works, full of surprising melodious twists, in retro classical style.
Brilliant performances by María José Belotto and Gonzalo Noqué, who also participated in Brilliant Classics’ earlier Rebay issue: the Quartets (BC 9250).
An instrument that is almost entirely absent from the output of the great pretwentieth- century composers, the guitar has long been viewed as a means to discovering new repertoire and neglected composers. One such example is Ferdinand Rebay, whose works (which have only recently come to light) present a unique case in bridging the central-European gap. This release is dedicated to his two Sonatas for Flute and Guitar. Rebay believed that the blending of wind and guitar timbres produced a far more attractive sound than that of winds and piano, and the two sonatas – written in 1942 – date from an immensely productive period as regards the composer’s chamber duo output for guitar.
Heavy in dialogue, they reveal a technique deeply rooted in Viennese tradition; from the Neoclassical style of the First, whose Scherzo exudes Beethovenian inspiration, to the stirringly Romance feel of the Second, with its broad phrasing and intensely lyrical passagework, these are two strikingly different works of character that together illuminate a fascinating area of past-century musicmaking.
In representing the first recording of the two sonatas – works that currently exist only in manuscript form – this release forms a significant addition to Brilliant Classics’ chamber music discography. The two young Spanish artists on the disc, María José Belotto and Gonzalo Noqué (who created the performing editions), set a high standard with their virtuosic display, arguing a strong case for why this composer deserves to be better known.
Classical | Instrumental | FLAC / APE
As a ISRA.CLOUD's PREMIUM member you will have the following benefits:
- Unlimited high speed downloads
- Download directly without waiting time
- Unlimited parallel downloads
- Support for download accelerators
- No advertising
- Resume broken downloads