Giovanni Caruso - Brouwer: Works for Guitar Solo (2009)
BAND/ARTIST: Giovanni Caruso
- Title: Brouwer: Works for Guitar Solo
- Year Of Release: 2009
- Label: Brilliant Classics
- Genre: Classical Guitar
- Quality: flac lossless
- Total Time: 00:53:26
- Total Size: 188 mb
- WebSite: Album Preview
Tracklist
01. El Decamerón Negro: El Arpa del Guerrero
02. El Decamerón Negro: La Huida de los Amantes por el Valle de los Ecos
03. El Decamerón Negro: Balada de la Doncella Enamorada
04. Estudios Sencillos: Estudio No. 1
05. Estudios Sencillos: Estudio No. 2
06. Estudios Sencillos: Estudio No. 3
07. Estudios Sencillos: Estudio No. 4
08. Estudios Sencillos: Estudio No. 5
09. Estudios Sencillos: Estudio No. 6
10. Estudios Sencillos: Estudio No. 7
11. Estudios Sencillos: Estudio No. 8
12. Estudios Sencillos: Estudio No. 9
13. Estudios Sencillos: Estudio No. 10
14. Estudios Sencillos: Estudio No. 11
15. Estudios Sencillos: Estudio No. 12
16. Estudios Sencillos: Estudio No. 13
17. Estudios Sencillos: Estudio No. 14
18. Estudios Sencillos: Estudio No. 15
19. Estudios Sencillos: Estudio No. 16
20. Estudios Sencillos: Estudio No. 17
21. Estudios Sencillos: Estudio No. 18
22. Estudios Sencillos: Estudio No. 19
23. Estudios Sencillos: Estudio No. 20
24. Elogio de la Danza: I. Lento
25. Elogio de la Danza: II. Obstinato
Leo Brouwer was born in Havana in 1939, and we can trace his lineage as a guitarist back to Francisco Tárrega (1852–1909).
His teacher was Isaac Nicola, initiator of the Cuban Guitar School, himself a pupil of Emilio Pujol, who in turn, studied with the great Tárrega. In 1959, Brouwer won a scholarship for a composition class at the Julliard School in New York.
A period in Warsaw changed his outlook on composition completely, and the influence of ‘the Polish School’ upon him and other Cuban avant-garde artists was far-reaching. His work has involved both ballet and cinema, extending to symphonic works in the 1960s. Some of these works pick up on references to the past, Bach is sometimes detected, and the audience is invited to participate with a ‘shush’!
On this recital CD are his Estudios, or studies. These are in a direct line to the Études for guitar by Sor (1827) and Villa-Lobos (1929). His later works have a simplicity of line, and El decamerón negro from 1981 is an example of this late style.
01. El Decamerón Negro: El Arpa del Guerrero
02. El Decamerón Negro: La Huida de los Amantes por el Valle de los Ecos
03. El Decamerón Negro: Balada de la Doncella Enamorada
04. Estudios Sencillos: Estudio No. 1
05. Estudios Sencillos: Estudio No. 2
06. Estudios Sencillos: Estudio No. 3
07. Estudios Sencillos: Estudio No. 4
08. Estudios Sencillos: Estudio No. 5
09. Estudios Sencillos: Estudio No. 6
10. Estudios Sencillos: Estudio No. 7
11. Estudios Sencillos: Estudio No. 8
12. Estudios Sencillos: Estudio No. 9
13. Estudios Sencillos: Estudio No. 10
14. Estudios Sencillos: Estudio No. 11
15. Estudios Sencillos: Estudio No. 12
16. Estudios Sencillos: Estudio No. 13
17. Estudios Sencillos: Estudio No. 14
18. Estudios Sencillos: Estudio No. 15
19. Estudios Sencillos: Estudio No. 16
20. Estudios Sencillos: Estudio No. 17
21. Estudios Sencillos: Estudio No. 18
22. Estudios Sencillos: Estudio No. 19
23. Estudios Sencillos: Estudio No. 20
24. Elogio de la Danza: I. Lento
25. Elogio de la Danza: II. Obstinato
Leo Brouwer was born in Havana in 1939, and we can trace his lineage as a guitarist back to Francisco Tárrega (1852–1909).
His teacher was Isaac Nicola, initiator of the Cuban Guitar School, himself a pupil of Emilio Pujol, who in turn, studied with the great Tárrega. In 1959, Brouwer won a scholarship for a composition class at the Julliard School in New York.
A period in Warsaw changed his outlook on composition completely, and the influence of ‘the Polish School’ upon him and other Cuban avant-garde artists was far-reaching. His work has involved both ballet and cinema, extending to symphonic works in the 1960s. Some of these works pick up on references to the past, Bach is sometimes detected, and the audience is invited to participate with a ‘shush’!
On this recital CD are his Estudios, or studies. These are in a direct line to the Études for guitar by Sor (1827) and Villa-Lobos (1929). His later works have a simplicity of line, and El decamerón negro from 1981 is an example of this late style.
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