Seth MacFarlane - Music Is Better Than Words (2011)
BAND/ARTIST: Seth MacFarlane
- Title: Music Is Better Than Words
- Year Of Release: 2011
- Label: Universal Republic
- Genre: Vocal Jazz, Swing
- Quality: FLAC (tracks+.cue,log)
- Total Time: 51:36
- Total Size: 296 MB
- WebSite: Album Preview
Tracklist:
1. It's Anybody's Spring
2. Music Is Better Than Words
3. Anytime, Anywhere
4. Night They Invented Champagne, The
5. Two Sleepy People (feat. Norah Jones)
6. You're the Cream in My Coffee
7. Something Good
8. Nine O'clock
9. Love Won't Let You Get Away (feat. Sara Bareilles)
10. It's Easy to Remember
11. The Sadder But Wiser Girl
12. Laura
13. You and I
14. She's Wonderful Too
1. It's Anybody's Spring
2. Music Is Better Than Words
3. Anytime, Anywhere
4. Night They Invented Champagne, The
5. Two Sleepy People (feat. Norah Jones)
6. You're the Cream in My Coffee
7. Something Good
8. Nine O'clock
9. Love Won't Let You Get Away (feat. Sara Bareilles)
10. It's Easy to Remember
11. The Sadder But Wiser Girl
12. Laura
13. You and I
14. She's Wonderful Too
Music Is Better Than Words is a traditional big-band album from Seth MacFarlane, the wise-ass behind Family Guy. MacFarlane plays it straight throughout Music Is Better Than Words, hiring American Dad composer Joel McNeely to create approximations of Nelson Riddle, Gordon Jenkins, and Billy May's arrangements for Frank Sinatra's deathless, mid-century records for Capitol. These classic concept albums are clearly the blueprint for Music Is Better Than Words which was, after all, recorded at Capitol Records' legendary studio with MacFarlane singing into the very same microphone Sinatra used all those years ago, and there is a bit of a concept to this 2011 LP, too, with the cartoonist selecting songs never recorded by any member of the Rat Pack -- along with a couple recent tunes like “She’s Wonderful Too,” which McNeely originally wrote for The Young Indiana Jones Chronicles -- for his tribute to that ring-a-ding-ding swing. MacFarlane and McNeely don’t attempt to ape the pizzazz of Frank’s Reprise years, nor do they spend much time with May’s snazzy snap, they stick with Riddle and Jenkins, keeping things sentimental and lush even when the words crackle with wit.
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