La Morra - Dulcedo (2020) [Hi-Res]
![La Morra - Dulcedo (2020) [Hi-Res]](https://www.dibpic.com/uploads/posts/2020-07/1594660859_la-morra-dulcedo-2020.jpg)
BAND/ARTIST: La Morra
- Title: Dulcedo
- Year Of Release: 2020
- Label: OMF
- Genre: Classical
- Quality: flac lossless / flac 24bits - 192.0kHz
- Total Time: 01:00:46
- Total Size: 294 mb / 2.43 gb
- WebSite: Album Preview
Tracklist
01. Danca amorosa
02. En attendant esperance
03. Aspre refus
04. Che ti zova nascondere
05. I' priego amor
06. Andray soulet
07. Chanconetta tedescha (Arr. M. Gondko for Chamber Ensemble)
08. Stella pia
09. O quam pulchra puella - Min herze
10. Pax eterna - Iacob scalam - Terribilis (Arr. for Chamber Ensemble)
11. Quene note
12. Myn hertis lust (Arr. for Chamber Ensemble)
13. Auxce bonyour delabonestren
14. Qui veut mesdire
15. Il sera pour vous conbatu - L’omme arme (Arr. for Chamber Ensemble)
16. Ma dame trop vous m’esprennes
17. Gross senen
18. Lioncello vecchio
19. Petit vriens
20. Cecus non iudicat de coloribus
Medieval Europeans often used various forms of the word ‘sweetness’ (Lat. dulcedo) to describe the beauty of a musical sound. ‘Sweet’ could apply to the sound of the human voice, but also to that of a musical instrument. When the ancestor of the ‘pianoforte’ was invented in the fifteenth century – some 250 years before Cristofori! –, it was baptized ‘sweet melody’ (Lat. dulce melos). Indeed, if there was a sound that medieval people were particularly fond of, it was that of plucked stringed instruments.
This recording explores the combined sound of the harp, the lute and the harpsichord, three of the most popular plucked stringed instruments in late medieval Europe. Corina Marti, Michal Gondko and Marie Nishiyama cast their net wide in the pool of the surviving fourteenth- and fifteenth-century European music, both monophonic and polyphonic.
This recording was made with the Japanese market in mind and is primarily available there.
01. Danca amorosa
02. En attendant esperance
03. Aspre refus
04. Che ti zova nascondere
05. I' priego amor
06. Andray soulet
07. Chanconetta tedescha (Arr. M. Gondko for Chamber Ensemble)
08. Stella pia
09. O quam pulchra puella - Min herze
10. Pax eterna - Iacob scalam - Terribilis (Arr. for Chamber Ensemble)
11. Quene note
12. Myn hertis lust (Arr. for Chamber Ensemble)
13. Auxce bonyour delabonestren
14. Qui veut mesdire
15. Il sera pour vous conbatu - L’omme arme (Arr. for Chamber Ensemble)
16. Ma dame trop vous m’esprennes
17. Gross senen
18. Lioncello vecchio
19. Petit vriens
20. Cecus non iudicat de coloribus
Medieval Europeans often used various forms of the word ‘sweetness’ (Lat. dulcedo) to describe the beauty of a musical sound. ‘Sweet’ could apply to the sound of the human voice, but also to that of a musical instrument. When the ancestor of the ‘pianoforte’ was invented in the fifteenth century – some 250 years before Cristofori! –, it was baptized ‘sweet melody’ (Lat. dulce melos). Indeed, if there was a sound that medieval people were particularly fond of, it was that of plucked stringed instruments.
This recording explores the combined sound of the harp, the lute and the harpsichord, three of the most popular plucked stringed instruments in late medieval Europe. Corina Marti, Michal Gondko and Marie Nishiyama cast their net wide in the pool of the surviving fourteenth- and fifteenth-century European music, both monophonic and polyphonic.
This recording was made with the Japanese market in mind and is primarily available there.
Year 2020 | Classical | FLAC / APE | HD & Vinyl
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