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Véronique Gens & John Axelrod - Véronique Gens sings Berlioz & Ravel (2012)

Véronique Gens & John Axelrod - Véronique Gens sings Berlioz & Ravel (2012)
  • Title: Berlioz: Herminie; Les Nuits d'ete; Ravel: Sheherazade
  • Year Of Release: 2012
  • Label: Ondine
  • Genre: Classical
  • Quality: FLAC (image + .cue, log, scans)
  • Total Time: 65:53
  • Total Size: 276 MB
  • WebSite:
Tracklist:

Hector Berlioz: Herminie
Moderato - Recitative: Quel trouble te poursuit, malheureuse
Aria: Adagio non troppo, "Ah! Si de la tendresse ou mon coeur - Recitative: Que dis-je? ou s'egarent mes voeux?
Aria: Allegro assai agitato, "Arrete! Cher Tancrede" - Recitative: Que Clorinde est heureuse
Aria: Allegro impetuoso vivace, "Venez, venez, terribles armes!" - Priere: Largo, "Dieu des chretiens, toi que j'ignore - Tempo I

Hector Berlioz: Les nuits d'ete, Op. 7
No. 1. Villanelle
No. 2. Le Spectre de la rose
No. 3. Sur les lagunes
No. 4. Absence
No. 5. Au cimetiere
No. 6. L'Ile inconnue

Maurice Ravel: Sheherazade
No. 1. Asie
No. 2. La flute enchantee
No. 3. L'indifferent

The vocal works of Hector Berlioz are less familiar than his gigantic orchestral pieces, but in the right hands they're delightful. This release by French soprano Veronique Gens, who is at the absolute peak of her powers, has all you could ask. It has the sheer creamy goodness of Gens' voice, made still tastier by her obvious enthusiasm for the likes of Ravel's Asie (Asia) from the Sheherazade set. It offers a distinction from earlier traversals of the same material: the song cycle Les Nuits d'ete (Summer Nights), especially, has been the province of big dramatic sopranos, but Gens' reading is more chamber-sized, and indeed more in line with the medium-sized halls Berlioz would have known in material of this kind. The album has a novel item: the early Berlioz cantata Herminie, written in 1828 as one of his unsuccessful attempts to capture the Prix de Rome. (He finally succeeded with Sardanapale in 1830.) The music of this piece has links to the Symphonie fantastique, and in general it has the fearlessly showy lyricism that makes the music of the young Berlioz so attractive. The album boasts excellent orchestral support from the Orchestre National des Pays de la Loire under conductor John Axelrod, who fully merits his full-page picture in the CD version's booklet. Sound ideally suited to the dimensions of Gens' voice is just a bonus by this time. This is state-of-the-art Berlioz (and Ravel). -- James Manheim

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