Pearl Bailey - The Essential Pearl Bailey 1952-57 (2020)
BAND/ARTIST: Pearl Bailey
- Title: The Essential Pearl Bailey 1952-57
- Year Of Release: 2020
- Label: Bop Vibes
- Genre: Jazz
- Quality: FLAC (tracks) / MP3
- Total Time: 2:33:42
- Total Size: 896 / 356 MB
- WebSite: Album Preview
Tracklist:
01. Say "Si Si"
02. Ciribiribin
03. Strike While The Iron's Hot
04. I Love My Argentine
05. Fernandez Of The Andes
06. Alla En El Rancho Grande
07. I Wouldn't Walk Across The Street
08. She's Something Spanish
09. Takes Two To Tango
10. Let There Be Love
11. My Ideal
12. Toot Toot Tootsie (Goodbye)
13. Nothing
14. 8th Street Association
15. The Birth Of The Blues
16. I Heard
17. That's Gratitude
18. Somebody Else Not Me
19. It'll Get Worse
20. When Your Guy Is Gone
21. Drunk With Love
22. Changeable You
23. I Ain't Got Nobody And Nobody Cares For Me
24. Nobody
25. Runnin' Wild
26. Big Words
27. Me And My Shadow
28. What's Happened To The Hair (On The Head Of The Man I Love)
29. He May Be Your Man
30. I Cried For You
31. He's Gone
32. As Long As I Live
33. Hug Me A Hug (Kiss Me a Kiss)
34. World Weary
35. Nothin' Nothin' Baby (Without You)
36. A Porter's Love Song To A Chambermaid
37. A Man Is A Necessary Evil
38. The Gypsy Goofed
39. My Man
40. You Waited Too Long
41. Sweet Georgia Brown
42. Easy Street
43. I Can't Rock 'N' Roll To Save My Soul
44. There's A Man In My Life
45. Everybody Loves My Baby
46. There's Plenty More Where That Came From
47. That's My Weakness Now
48. I'm Gonna Keep On Doin' What I'm Doin'
49. I've Taken A Fancy to You
50. Here You Come With Love
51. That's What You Think
52. Call Me Again When You're in Town
53. It Figures
54. The Saga of My Life
55. What Will We Do On Sunday
56. You've Got It Made
57. Who Me? I'd Love It
58. Empty House Blues
59. Love 'Im, Love 'Im, Love 'Im
01. Say "Si Si"
02. Ciribiribin
03. Strike While The Iron's Hot
04. I Love My Argentine
05. Fernandez Of The Andes
06. Alla En El Rancho Grande
07. I Wouldn't Walk Across The Street
08. She's Something Spanish
09. Takes Two To Tango
10. Let There Be Love
11. My Ideal
12. Toot Toot Tootsie (Goodbye)
13. Nothing
14. 8th Street Association
15. The Birth Of The Blues
16. I Heard
17. That's Gratitude
18. Somebody Else Not Me
19. It'll Get Worse
20. When Your Guy Is Gone
21. Drunk With Love
22. Changeable You
23. I Ain't Got Nobody And Nobody Cares For Me
24. Nobody
25. Runnin' Wild
26. Big Words
27. Me And My Shadow
28. What's Happened To The Hair (On The Head Of The Man I Love)
29. He May Be Your Man
30. I Cried For You
31. He's Gone
32. As Long As I Live
33. Hug Me A Hug (Kiss Me a Kiss)
34. World Weary
35. Nothin' Nothin' Baby (Without You)
36. A Porter's Love Song To A Chambermaid
37. A Man Is A Necessary Evil
38. The Gypsy Goofed
39. My Man
40. You Waited Too Long
41. Sweet Georgia Brown
42. Easy Street
43. I Can't Rock 'N' Roll To Save My Soul
44. There's A Man In My Life
45. Everybody Loves My Baby
46. There's Plenty More Where That Came From
47. That's My Weakness Now
48. I'm Gonna Keep On Doin' What I'm Doin'
49. I've Taken A Fancy to You
50. Here You Come With Love
51. That's What You Think
52. Call Me Again When You're in Town
53. It Figures
54. The Saga of My Life
55. What Will We Do On Sunday
56. You've Got It Made
57. Who Me? I'd Love It
58. Empty House Blues
59. Love 'Im, Love 'Im, Love 'Im
An uninhibited vocalist who gave more to her performances than any other singers around, Pearl Bailey gained fame for her work in Broadway, cabaret, and Hollywood. Bailey's sultry, slurred delivery livened up many a stale standard, including "Baby It's Cold Outside" and her only hit, "Takes Two to Tango."
The daughter of a preacher, Bailey began singing at the age of three (her brother, Bill Bailey, also taught her a few dance steps). She was performing professionally by her early teenage years and after touring as a dancer for several years, she featured both as a singer and dancer with jazz bands led by Noble Sissle, Cootie Williams, and Edgar Hayes. She began performing as a solo act in 1944, and wooed night club audiences with her relaxed stage presence and humorous asides. After briefly replacing Sister Rosetta Tharpe in Cab Calloway's Orchestra during the mid-'40s, she debuted on Broadway during 1946 in the musical St. Louis Woman. Bailey earned an award for most promising newcomer, and made her first film, Variety Girl, in 1947.
Though it wasn't a hit, her version of "Tired" (from Variety Girl) increased her standing in the jazz community. She recorded for several different labels, including Columbia, during the '40s and finally found a hit in 1952 after signing to Coral. Her version of "Takes Two to Tango," backed by Don Redman's Orchestra, hit the Top Ten. That same year, she married drummer Louie Bellson, and he left his position with Duke Ellington to become her musical director. Bailey recorded several albums for Coral during the early '50s, and starred as a fortune teller in the 1954 film Carmen Jones. More starring roles followed, in the W.C. Handy biopic St. Louis Blues as well as the first filmed version of Gershwin's classic operetta Porgy and Bess.
For Adults OnlyIn 1959, a new recording contract (with Roulette) resulted in a change of direction. After her double-entendre LP For Adults Only was banned from radio play, it became a big seller and occasioned a string of similar albums during the early '60s. She continued to perform on Broadway, and won a Tony award in 1970 for her title role in Hello, Dolly!. She led her own television variety show in 1971, but retired from active performance several years later. Pearl Bailey was named to the American delegation to the United Nations in 1976, and awarded the Medal of Freedom in 1988. ~ John Bush
The daughter of a preacher, Bailey began singing at the age of three (her brother, Bill Bailey, also taught her a few dance steps). She was performing professionally by her early teenage years and after touring as a dancer for several years, she featured both as a singer and dancer with jazz bands led by Noble Sissle, Cootie Williams, and Edgar Hayes. She began performing as a solo act in 1944, and wooed night club audiences with her relaxed stage presence and humorous asides. After briefly replacing Sister Rosetta Tharpe in Cab Calloway's Orchestra during the mid-'40s, she debuted on Broadway during 1946 in the musical St. Louis Woman. Bailey earned an award for most promising newcomer, and made her first film, Variety Girl, in 1947.
Though it wasn't a hit, her version of "Tired" (from Variety Girl) increased her standing in the jazz community. She recorded for several different labels, including Columbia, during the '40s and finally found a hit in 1952 after signing to Coral. Her version of "Takes Two to Tango," backed by Don Redman's Orchestra, hit the Top Ten. That same year, she married drummer Louie Bellson, and he left his position with Duke Ellington to become her musical director. Bailey recorded several albums for Coral during the early '50s, and starred as a fortune teller in the 1954 film Carmen Jones. More starring roles followed, in the W.C. Handy biopic St. Louis Blues as well as the first filmed version of Gershwin's classic operetta Porgy and Bess.
For Adults OnlyIn 1959, a new recording contract (with Roulette) resulted in a change of direction. After her double-entendre LP For Adults Only was banned from radio play, it became a big seller and occasioned a string of similar albums during the early '60s. She continued to perform on Broadway, and won a Tony award in 1970 for her title role in Hello, Dolly!. She led her own television variety show in 1971, but retired from active performance several years later. Pearl Bailey was named to the American delegation to the United Nations in 1976, and awarded the Medal of Freedom in 1988. ~ John Bush
Year 2020 | Jazz | Vocal Jazz | Oldies | FLAC / APE | Mp3
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