Susan Werner - I Can't Be New (2004)
BAND/ARTIST: Susan Werner
- Title: I Can't Be New
- Year Of Release: 2004
- Label: Koch Records
- Genre: Jazz / Vocal Jazz
- Quality: Mp3 / 320kbps
- Total Time: 40:15 min
- Total Size: 91,2 MB
- WebSite: Album Preview
Tracklist
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01. I Can't Be New
02. Late For The Dance
03. Seeing You Again
04. I'm Not Sure
05. Much At All
06. Tall Drink Of Water
07. You Come Through
08. No One Needs To Know
09. Let's Regret This In Advance
10. Don't I Know You
11. Philanthropy
12. Stay On Your Side Of Town
13. Coda: Maybe If I Sang Cole Porter
----------
01. I Can't Be New
02. Late For The Dance
03. Seeing You Again
04. I'm Not Sure
05. Much At All
06. Tall Drink Of Water
07. You Come Through
08. No One Needs To Know
09. Let's Regret This In Advance
10. Don't I Know You
11. Philanthropy
12. Stay On Your Side Of Town
13. Coda: Maybe If I Sang Cole Porter
With 6 albums under her belt, an active touring career throughout the U.S. and a string of accolades from the likes of The Washington Post, The Village Voice and The New Yorker, Susan Werner has become one of the defining artists of the folk music genre. Her songs effortlessly slide between folk, jazz and pop and are delivered with a sassy wit and classic midwestern charm.
Farm girl Susan Werner was raised in rural Iowa but began her professional music career in Philadelphia, after studying classical voice at Temple University. Inspired by a Nanci Griffith concert, Werner left behind her opera training and began performing as a singer-songwriter at coffeehouses throughout the northeast. She self-released her first album "Midwestern Saturday Night" in 1992 and then went on to put out "Live at Tin Angel" the following year. In 1995 came her breakout album, BMG/Private Music's "Last of the Good Straight Girls," but a corporate reshuffle left her and her folk-pop masterpiece behind. Werner went on, recording two albums even better than her previous work, adding some country and soul sounds to her signature vocal stylings with the help of Nashville multi-instrumentalist and songwriter Darrell Scott, who produced "Time Between Trains" and Colin Linden (Blackie & The Rodeo Kings), who produced her 2001 "New Non-Fiction."
Always ready to reinvent herself, in 2004 Susan Werner released her album of instant songbook classics "I Can't Be New" on Koch Records. For years she incorporated cabaret-style numbers in her live performances, exchanging her guitar for a piano (when there was one to be had), and she'd been asked by her audience to put all those songs in one recording. Fans and critics alike sang her praises: the All Music Guide calling it "a brilliantly constructed, soulful, and cleverly tender effort by a songwriter and musician who is in such complete command of her gifts that it's almost scary."
As Howard Reich, chief critic of the Chicago Tribune, wrote in 2006: "Werner is one of the most innovative songwriters working today."- Ellen Stanley
Farm girl Susan Werner was raised in rural Iowa but began her professional music career in Philadelphia, after studying classical voice at Temple University. Inspired by a Nanci Griffith concert, Werner left behind her opera training and began performing as a singer-songwriter at coffeehouses throughout the northeast. She self-released her first album "Midwestern Saturday Night" in 1992 and then went on to put out "Live at Tin Angel" the following year. In 1995 came her breakout album, BMG/Private Music's "Last of the Good Straight Girls," but a corporate reshuffle left her and her folk-pop masterpiece behind. Werner went on, recording two albums even better than her previous work, adding some country and soul sounds to her signature vocal stylings with the help of Nashville multi-instrumentalist and songwriter Darrell Scott, who produced "Time Between Trains" and Colin Linden (Blackie & The Rodeo Kings), who produced her 2001 "New Non-Fiction."
Always ready to reinvent herself, in 2004 Susan Werner released her album of instant songbook classics "I Can't Be New" on Koch Records. For years she incorporated cabaret-style numbers in her live performances, exchanging her guitar for a piano (when there was one to be had), and she'd been asked by her audience to put all those songs in one recording. Fans and critics alike sang her praises: the All Music Guide calling it "a brilliantly constructed, soulful, and cleverly tender effort by a songwriter and musician who is in such complete command of her gifts that it's almost scary."
As Howard Reich, chief critic of the Chicago Tribune, wrote in 2006: "Werner is one of the most innovative songwriters working today."- Ellen Stanley
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