Benjamin Righetti - Flowers of Degrowth (2020) [Hi-Res]
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BAND/ARTIST: Benjamin Righetti
- Title: Flowers of Degrowth
- Year Of Release: 2020
- Label: Claves Records
- Genre: Classical
- Quality: flac 24bits - 96.0kHz
- Total Time: 02:15:52
- Total Size: 2.28 gb
- WebSite: Album Preview
Tracklist
01. Praeludium in G-dur, BWV 541
02. Vater unser im Himmelreich, IGB 24
03. Klaviersonate in e moll, Hob. XVI/34: III. Rondo. Vivace molto, innocentemente (Arr. for Organ)
04. Cantata Christ lag in Todesbanden, BWV 4, 2017 (Arr. for Organ): I. Sinfonia-Pro organo pleno
05. Passacaglia in d-moll, BuxWV 161
06. Variations sur un thème de Clément Jannequin, JA 118 (AWV 99)
07. Nun komm der Heiden Heiland, BWV 659
08. Pièce Héroïque, M37
09. Trio super Nun komm der Heiden Heiland, BWV 660
10. Messe pour les Paroisses: Offertoire sur les Grands Jeux
11. Nun komm der Heiden Heiland, BWV 661
12. Dido and Aeneas, Z. 626, Act III: When I Am Laid in Earth (Dido's Lament) (Arr. for Organ)
13. Prelude in G minor, Op. 23 No. 5: Alla marcia (Arr. for Organ)
14. Cantilène Op. 26 (version pour orgue solo)
15. Praeludium in C-dur, BuxWV 137
16. Pièces choisies pour l'orgue : Plein jeu
17. Pièces choisies pour l'orgue: Tierce en taille
18. Pièces choisies pour l'orgue: Basse de trompette
19. Praeludium pro Organo pleno in Es-dur, BWV 552/1
20. Christ unser Herr zum Jordan kam, BWV 684
21. Fuga à 5 con pedale pro Organo pleno in Es-dur, BWV 552/2
22. Fantasia à gusto italiano in F-dur, Krebs-WV 422
23. La Damnation de Faust, Op. 24: Marche Hongroise (Arr. for Organ by Benjamin Righetti)
24. Messe pour orgue: Récit de tierce en taille
25. Passacaglia in c-moll, BWV 582
Spring 2020: The fight against coronavirus brought all concerts to a halt for musicians. Among the various initiatives that rapidly flourished, here are Benjamin Righetti's "Flowers of degrowth", recorded on the Organ of Saint-François in Lausanne.
From March to May 2020, in this period of enforced degrowth that left him more time for his personal work, he recorded 25 works, more than 2 hours of music halfway between live and studio work. Forced to do his own recording, he chose to make one-shot music videos, as fixed shots. Working without video editing, with a camera filming continuously, two microphones and his Nagra, he sought both to simplify the technical work in order to produce these clips in a short time, and also to offer the listeners the purest possible experience, as close as possible to a concert, at a time when video was no longer an alternative to the latter, but a substitute.
Whereas CDs are usually recorded in the middle of the night in downtown churches and noise is avoided during editing, these videos were shot during the day. Here and there you can hear street traffic or the noise of a passer-by, and you can even hear the bells ringing, just like during concerts. In a quest not for some elusive perfection but rather for true sincere gestures that connect us and speak to the listeners as directly as possible right behind the microphones, may these recordings be a witness to this period of degrowth and may they remind us that artistic creation thrives on calm and free time.
01. Praeludium in G-dur, BWV 541
02. Vater unser im Himmelreich, IGB 24
03. Klaviersonate in e moll, Hob. XVI/34: III. Rondo. Vivace molto, innocentemente (Arr. for Organ)
04. Cantata Christ lag in Todesbanden, BWV 4, 2017 (Arr. for Organ): I. Sinfonia-Pro organo pleno
05. Passacaglia in d-moll, BuxWV 161
06. Variations sur un thème de Clément Jannequin, JA 118 (AWV 99)
07. Nun komm der Heiden Heiland, BWV 659
08. Pièce Héroïque, M37
09. Trio super Nun komm der Heiden Heiland, BWV 660
10. Messe pour les Paroisses: Offertoire sur les Grands Jeux
11. Nun komm der Heiden Heiland, BWV 661
12. Dido and Aeneas, Z. 626, Act III: When I Am Laid in Earth (Dido's Lament) (Arr. for Organ)
13. Prelude in G minor, Op. 23 No. 5: Alla marcia (Arr. for Organ)
14. Cantilène Op. 26 (version pour orgue solo)
15. Praeludium in C-dur, BuxWV 137
16. Pièces choisies pour l'orgue : Plein jeu
17. Pièces choisies pour l'orgue: Tierce en taille
18. Pièces choisies pour l'orgue: Basse de trompette
19. Praeludium pro Organo pleno in Es-dur, BWV 552/1
20. Christ unser Herr zum Jordan kam, BWV 684
21. Fuga à 5 con pedale pro Organo pleno in Es-dur, BWV 552/2
22. Fantasia à gusto italiano in F-dur, Krebs-WV 422
23. La Damnation de Faust, Op. 24: Marche Hongroise (Arr. for Organ by Benjamin Righetti)
24. Messe pour orgue: Récit de tierce en taille
25. Passacaglia in c-moll, BWV 582
Spring 2020: The fight against coronavirus brought all concerts to a halt for musicians. Among the various initiatives that rapidly flourished, here are Benjamin Righetti's "Flowers of degrowth", recorded on the Organ of Saint-François in Lausanne.
From March to May 2020, in this period of enforced degrowth that left him more time for his personal work, he recorded 25 works, more than 2 hours of music halfway between live and studio work. Forced to do his own recording, he chose to make one-shot music videos, as fixed shots. Working without video editing, with a camera filming continuously, two microphones and his Nagra, he sought both to simplify the technical work in order to produce these clips in a short time, and also to offer the listeners the purest possible experience, as close as possible to a concert, at a time when video was no longer an alternative to the latter, but a substitute.
Whereas CDs are usually recorded in the middle of the night in downtown churches and noise is avoided during editing, these videos were shot during the day. Here and there you can hear street traffic or the noise of a passer-by, and you can even hear the bells ringing, just like during concerts. In a quest not for some elusive perfection but rather for true sincere gestures that connect us and speak to the listeners as directly as possible right behind the microphones, may these recordings be a witness to this period of degrowth and may they remind us that artistic creation thrives on calm and free time.
Year 2020 | Classical | FLAC / APE | HD & Vinyl
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