Gottlieb Wallisch - Schubert: Piano Sonatas Nos. 5, 7a, 11 And 12 (Fragments) (2004) [Hi-Res]
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BAND/ARTIST: Gottlieb Wallisch
- Title: Schubert: Piano Sonatas Nos. 5, 7a, 11 And 12 (Fragments)
- Year Of Release: 2004
- Label: Naxos
- Genre: Classical
- Quality: flac 24bits - 44.1kHz +Booklet
- Total Time: 01:08:36
- Total Size: 545 mb
- WebSite: Album Preview
Tracklist
01. Piano Sonata No. 5 in A flat major, D. 557 : I. Allegro moderato
02. Piano Sonata No. 5 in A flat major, D. 557 : II. Andante
03. Piano Sonata No. 5 in A flat major, D. 557 : III. Allegro
04. Piano Sonata No. 7a in D flat major, D. 567 (incomplete): Allegro moderato
05. Piano Sonata No. 7a in D flat major, D. 567 (incomplete): Andante molto
06. Piano Sonata No. 7a in D flat major, D. 567 (incomplete): Allegretto
07. Piano Sonata No. 11 in C major, D. 613: Moderato
08. Piano Sonata No. 11 in C major, D. 613: Adagio (D. 612)
09. Piano Sonata No. 11 in C major, D. 613: (Allegretto)
10. Piano Sonata No. 12 in F minor, D. 625: Allegro
11. Piano Sonata No. 12 in F minor, D. 625: Scherzo: Allegretto
12. Piano Sonata No. 12 in F minor, D. 625: Adagio (D. 505)
13. Piano Sonata No. 12 in F minor, D. 625: Allegro
Among his most imaginative works, Schubert's fragmentary piano sonatas offer insights into his struggles with form and his experiments with tonality, preoccupations that led to great innovations in his final masterpieces. Composed between 1817 and 1823, the 12 unfinished sonatas reveal the most striking ideas and expressions, though many proved too difficult to develop satisfactorily; or, in other cases, the sonatas are incomplete because pages or whole movements are missing. The Sonata No. 5 in A flat major, D. 557, is the most complete and is included here because its unusual ending in E flat suggests an unwritten fourth movement. Written in 1817, the Sonata No. 7a in D flat major, D. 567, is a virtuoso piece Schubert wished to publish. However, the lost last page puts this substantial work among the fragments. The Sonata No. 11 in C major, D. 613/612, and the Sonata No. 12 in F minor, D. 625/505, are true fragments, with significant lacunae and without middle movements. Aside from the insertions of D. 612 and D. 505, Gottlieb Wallisch plays the sonatas as they appear in the manuscripts, without the completions added by others, and stops playing where Schubert halted. Wallisch's performances are sensitive, clean, and stylistically appropriate, and Naxos provides splendid sound throughout.
01. Piano Sonata No. 5 in A flat major, D. 557 : I. Allegro moderato
02. Piano Sonata No. 5 in A flat major, D. 557 : II. Andante
03. Piano Sonata No. 5 in A flat major, D. 557 : III. Allegro
04. Piano Sonata No. 7a in D flat major, D. 567 (incomplete): Allegro moderato
05. Piano Sonata No. 7a in D flat major, D. 567 (incomplete): Andante molto
06. Piano Sonata No. 7a in D flat major, D. 567 (incomplete): Allegretto
07. Piano Sonata No. 11 in C major, D. 613: Moderato
08. Piano Sonata No. 11 in C major, D. 613: Adagio (D. 612)
09. Piano Sonata No. 11 in C major, D. 613: (Allegretto)
10. Piano Sonata No. 12 in F minor, D. 625: Allegro
11. Piano Sonata No. 12 in F minor, D. 625: Scherzo: Allegretto
12. Piano Sonata No. 12 in F minor, D. 625: Adagio (D. 505)
13. Piano Sonata No. 12 in F minor, D. 625: Allegro
Among his most imaginative works, Schubert's fragmentary piano sonatas offer insights into his struggles with form and his experiments with tonality, preoccupations that led to great innovations in his final masterpieces. Composed between 1817 and 1823, the 12 unfinished sonatas reveal the most striking ideas and expressions, though many proved too difficult to develop satisfactorily; or, in other cases, the sonatas are incomplete because pages or whole movements are missing. The Sonata No. 5 in A flat major, D. 557, is the most complete and is included here because its unusual ending in E flat suggests an unwritten fourth movement. Written in 1817, the Sonata No. 7a in D flat major, D. 567, is a virtuoso piece Schubert wished to publish. However, the lost last page puts this substantial work among the fragments. The Sonata No. 11 in C major, D. 613/612, and the Sonata No. 12 in F minor, D. 625/505, are true fragments, with significant lacunae and without middle movements. Aside from the insertions of D. 612 and D. 505, Gottlieb Wallisch plays the sonatas as they appear in the manuscripts, without the completions added by others, and stops playing where Schubert halted. Wallisch's performances are sensitive, clean, and stylistically appropriate, and Naxos provides splendid sound throughout.
Classical | FLAC / APE | HD & Vinyl
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