The Eureka Brass Band Of New Orleans - Jazz At Preservation Hall I (2013)
BAND/ARTIST: The Eureka Brass Band Of New Orleans
- Title: Jazz At Preservation Hall I
- Year Of Release: 1962
- Label: Atlantic/Warner Japan/WEA/Rhino
- Genre: Dixieland, New Orleans Jazz
- Quality: FLAC (tracks+.cue,log,scans)
- Total Time: 39:02
- Total Size: 344 MB
- WebSite: Album Preview
Tracklist:
01. Just A Little While To Stay Here (5:00)
02. Bye & Bye (5:00)
03. Whoopin' Blues (5:04)
04. Down In Honky Tonk Town (5:37)
05. Take Your Burden To The Lord (5:34)
06. Joe Avery's Blues (6:11)
07. Panama (6:37)
Personnel:
Percy Humphrey - trumpet & leader
George "Kid Sheik" Colar & Peter Bocage - trumpets
Albert Warner & Oscar "Chicken" Henry - trombones
Willie Humphrey - clarinet
Emanuel Paul - saxophone
Wilbert "Bird" Tilman - sousaphone
Josiah "Cie" Frazier - snare drum
Robert "Some Few Clothes" Lewis - bass drum
01. Just A Little While To Stay Here (5:00)
02. Bye & Bye (5:00)
03. Whoopin' Blues (5:04)
04. Down In Honky Tonk Town (5:37)
05. Take Your Burden To The Lord (5:34)
06. Joe Avery's Blues (6:11)
07. Panama (6:37)
Personnel:
Percy Humphrey - trumpet & leader
George "Kid Sheik" Colar & Peter Bocage - trumpets
Albert Warner & Oscar "Chicken" Henry - trombones
Willie Humphrey - clarinet
Emanuel Paul - saxophone
Wilbert "Bird" Tilman - sousaphone
Josiah "Cie" Frazier - snare drum
Robert "Some Few Clothes" Lewis - bass drum
Features 24 bit remastering and comes with a mini-description. Jazz at Preservation Hall: The Eureka Brass Band features New Orleans street parade jazz with bristling horns, sousaphone, and two marching drummers. Trumpeter Percy Humphrey leads an ensemble notable for the presence of saxophonist Emanuel Paul and Percy's brother, Willie, who blows some of the best clarinet he ever recorded. What makes this an unforgettable listening experience is the dual trombone action supplied by Albert Warner and Oscar "Chicken" Henry.
Tailgate trombone is almost always fun, but these two seem to have discovered some sort of harmonic convergence, as two trombones, in unison glissando with a slight burr, deliver an almost intoxicating thrill. The best example of this effect occurs in "Take Your Burden to the Lord," while "Panama" allows the 'bones to interact with the saxophone in marvelous ways. A gem of an album, certainly among the finest extant examples of classic Crescent City jazz as played in the early '60s.
Tailgate trombone is almost always fun, but these two seem to have discovered some sort of harmonic convergence, as two trombones, in unison glissando with a slight burr, deliver an almost intoxicating thrill. The best example of this effect occurs in "Take Your Burden to the Lord," while "Panama" allows the 'bones to interact with the saxophone in marvelous ways. A gem of an album, certainly among the finest extant examples of classic Crescent City jazz as played in the early '60s.
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