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Septura - Music for Brass Septet, Vol. 1 (2014) [Hi-Res]

Septura - Music for Brass Septet, Vol. 1 (2014) [Hi-Res]

BAND/ARTIST: Septura

  • Title: Music for Brass Septet, Vol. 1
  • Year Of Release: 2014
  • Label: Naxos
  • Genre: Classical
  • Quality: flac lossless / flac 24bits - 96.0kHz
  • Total Time: 00:56:02
  • Total Size: 240 / 961 mb
  • WebSite:
Septura - Music for Brass Septet, Vol. 1 (2014) [Hi-Res]


Tracklist

02. Organ Sonata in C Minor, Op. 65, No. 2, MWV W57: II. Adagio (Arr. S. Cox)
03. Organ Sonata in C Minor, Op. 65, No. 2, MWV W57: III. Allegro maestoso e vivace (Arr. S. Cox)
04. Organ Sonata in C Minor, Op. 65, No. 2, MWV W57: IV. Fuga. Allegro moderato (Arr. S. Cox)
05. 4 Doppelchörige Gesänge, Op. 141: No. 1, An die Sterne (Arr. S. Cox)
06. 4 Doppelchörige Gesänge, Op. 141: No. 2, Ungewisses Licht (Arr. S. Cox)
07. 4 Doppelchörige Gesänge, Op. 141: No. 3, Zuversicht (Arr. S. Cox)
08. 4 Doppelchörige Gesänge, Op. 141: No. 4, Talismane (Arr. S. Cox)
09. 11 Chorale Preludes, Op. 122: No. 1, Mein Jesu, der du mich (Arr. S. Cox)
10. 11 Chorale Preludes, Op. 122: No. 2, Herzliebster Jesu (Arr. S. Cox)
11. 11 Chorale Preludes, Op. 122: No. 7, O Gott, du frommer Gott (Arr. S. Cox)
12. 11 Chorale Preludes, Op. 122: No. 3, O Welt, ich muss dich lassen (Arr. S. Cox)
13. 11 Chorale Preludes, Op. 122: No. 9, Herzlich tut mich verlangen (Arr. S. Cox)
14. Geistliches Lied, Op. 30 (Arr. M. Knight)
15. Aequale No. 1 in C Minor, WAB 114
16. Aequale No. 2 in C Minor, WAB 149
17. Locus iste, WAB 23 (Arr. M. Knight)
18. Christus factus est, WAB 11 (Arr. S. Cox for)
19. Ave Maria, WAB 6 (Arr. S. Cox)
20. Os justi, WAB 30 (Arr. S. Hicks)


What if four celebrated nineteenth-century composers—Mendelssohn, Schumann, Bruckner and Brahms—had written original works for brass septet? This disc explores that fascinating counterfactual twist, re-imagining choral and organ works by those composers. The arrangements call on the full dynamic and tonal range of the instruments—often extended with a multitude of mutes—to imitate the expressivity of the choir, the power of the organ, and the versatile sonorities of its different registrations and manuals. In dazzling and varied combinations the arrangers and performers together persuade us that this could indeed be original brass chamber music.


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