Gabrielle Goodman - Until We Love (1995)
BAND/ARTIST: Gabrielle Goodman
- Title: Until We Love
- Year Of Release: 1995
- Label: JMT Music
- Genre: Jazz / Vocal Jazz
- Quality: Mp3 / 320kbps
- Total Time: 66:34 min
- Total Size: 150 MB
- WebSite: Album Preview
Tracklist
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01. Green Dolpin Street
02. Taking A Chance On Love
03. Until We Love
04. For The First Time In My Life
05. In Love In Vain
06. Sorry To Say Goodbye
07. One For My Baby, One For The Road
08. Calling You
09. On A Clear Day (You Can See Forever)
10. September In New York
11. Amazing Grace
12. Lush Life
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01. Green Dolpin Street
02. Taking A Chance On Love
03. Until We Love
04. For The First Time In My Life
05. In Love In Vain
06. Sorry To Say Goodbye
07. One For My Baby, One For The Road
08. Calling You
09. On A Clear Day (You Can See Forever)
10. September In New York
11. Amazing Grace
12. Lush Life
Blending the swoops and swirls of a Betty Carter and Abbey Lincoln with the lightness of Rose Murphy's voice, Gabrielle Goodman brings her patented interpretative techniques to this second album for the Japanese label JMT. Using several combinations of younger jazz musicians to support her, Goodman creates a resonating palette of vocal colors as she wafts her way through a program of 12 tunes of standards, assorted originals, and a gospel favorite, "Amazing Grace." The latter adds to the near religious experience Goodman creates with her intense, wild, and sometimes right-to-the-edge frenetic singing. That this session is a serious proceeding is evident right from the vocal roller coaster version of the kick-off tune, "Green Dolphin Street," through a sulky, slinky, down in the sawdust on the floor "One for My Baby, One More for the Road," to the album's coda, Billy Strayhorn's classic tale of happy dissolution, "Lush Life." In between there is a large amount of close give and take interplay between Goodman's voice, both as a champion of the lyrics and as an instrument. On her own "Until We Love," her overdubbed voice and scatting blends with the biting sax sound of Gary Bartz's tenor, creating one of the several out of the ordinary aural sensations which characterize this set as it becomes one of the album's highlights. Another highlight is the duet with Kenny Davis' bass on "In Love in Vain." With Lucky Peterson's organ and David Bunn's piano, "On a Clear Day (You Can See Forever)" becomes as fervent as anything one might hear at an old-time revival meeting culminating with a swinging last chorus built around the guitar of Wolfgang Muthspiel. Although some of the piano playing is a bit intrusive, the overall support given to Goodman is outstanding, as one might expect given the caliber of musicians present. One word of warning. With almost 70 minutes of music here -- much of it intense -- some may need a couple of sittings to fully absorb the performances. But it's worth the time and effort. (by Dave Nathan)
Personnel: Gabrielle Goodman (vocals); Gabrielle Goodman; Gary Thomas (saxophone); Christian McBride, Kenny Davis (double bass); Wolfgang Muthspiel (guitar); Gary Bartz (saxophone); Mulgrew Miller, Uri Caine, David Bunn (piano); Lucky Peterson (organ); Don Alias (drums, percussion); Marvin "Smitty" Smith, Terri Lyne Carrington (drums).
Personnel: Gabrielle Goodman (vocals); Gabrielle Goodman; Gary Thomas (saxophone); Christian McBride, Kenny Davis (double bass); Wolfgang Muthspiel (guitar); Gary Bartz (saxophone); Mulgrew Miller, Uri Caine, David Bunn (piano); Lucky Peterson (organ); Don Alias (drums, percussion); Marvin "Smitty" Smith, Terri Lyne Carrington (drums).
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