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Andras Schiff - J.S. Bach: Das Wohltemperierte Clavier (2012) [Hi-Res]

Andras Schiff - J.S. Bach: Das Wohltemperierte Clavier (2012) [Hi-Res]

BAND/ARTIST: Andras Schiff

  • Title: J.S. Bach: Das Wohltemperierte Clavier
  • Year Of Release: 2012
  • Label: ECM New Series
  • Genre: Classical
  • Quality: FLAC (tracks) / 24bit-44.1kHz FLAC (tracks+booklet)
  • Total Time: 04:03:27
  • Total Size: 810 MB / 1.98 GB
  • WebSite:
Tracklist:

01. Präludium C-Dur, BWV 846 (1:48)
02. Fuge C-Dur, BWV 846 (1:54)
03. Präludium c-Moll, BWV 847 (1:35)
04. Fuge c-Moll, BWV 847 (1:35)
05. Präludium Cis-Dur, BWV 848 (1:21)
06. Fuge Cis-Dur, BWV 848 (2:25)
07. Präludium cis-Moll, BWV 849 (2:19)
08. Fuge cis-Moll, BWV 849 (4:01)
09. Präludium D-Dur, BWV 850 (1:16)
10. Fuge D-Dur, BWV 850 (1:42)
11. Präludium d-Moll, BWV 851 (2:09)
12. Fuge d-Moll, BWV 851 (2:24)
13. Präludium Es-Dur, BWV 852 (3:43)
14. Fuge Es-Dur, BWV 852 (1:31)
15. Präludium es-Moll/dis-Moll, BWV 853 (3:25)
16. Fuge es-Moll/dis-Moll, BWV 853 (4:33)
17. Präludium E-Dur, BWV 854 (1:19)
18. Fuge E-Dur, BWV 854 (1:06)
19. Präludium e-Moll, BWV 855 (2:15)
20. Fuge e-Moll, BWV 855 (1:04)
21. Präludium F-Dur, BWV 856 (0:56)
22. Fuge F-Dur, BWV 856 (1:18)
23. Präludium f-Moll, BWV 857 (1:59)
24. Fuge f-Moll, BWV 857 (4:18)
25. Präludium Fis-Dur, BWV 858 (1:34)
26. Fuge Fis-Dur, BWV 858 (1:59)
27. Präludium fis-Moll, BWV 859 (0:55)
28. Fuge fis-Moll, BWV 859 (3:00)
29. Präludium G-Dur, BWV 860 (0:51)
30. Fuge G-Dur, BWV 860 (2:54)
31. Präludium g-Moll, BWV 861 (2:04)
32. Fuge g-Moll, BWV 861 (1:28)
33. Präludium As-Dur, BWV 862 (1:15)
34. Fuge As-Dur, BWV 862 (2:16)
35. Präludium gis-Moll, BWV 863 (1:32)
36. Fuge gis-Moll, BWV 863 (2:11)
37. Präludium A-Dur, BWV 864 (1:14)
38. Fuge A-Dur, BWV 864 (2:19)
39. Präludium a-Moll, BWV 865 (0:57)
40. Fuge a-Moll, BWV 865 (4:04)
41. Präludium B-Dur, BWV 866 (1:14)
42. Fuge B-Dur, BWV 866 (1:39)
43. Präludium b-Moll, BWV 867 (2:35)
44. Fuge b-Moll, BWV 867 (2:52)
45. Präludium H-Dur, BWV 868 (0:57)
46. Fuge H-Dur, BWV 868 (2:18)
47. Präludium h-Moll, BWV 869 (4:36)
48. Fuge h-Moll, BWV 869 (6:50)
49. Präludium C-Dur, BWV 870 (2:28)
50. Fuge C-Dur, BWV 870 (1:33)
51. Präludium c-Moll, BWV 871 (2:35)
52. Fuge c-Moll, BWV 871 (2:10)
53. Präludium Cis-Dur, BWV 872 (1:52)
54. Fuge Cis-Dur, BWV 872 (2:03)
55. Präludium cis-Moll, BWV 873 (3:42)
56. Fuge cis-Moll, BWV 873 (2:16)
57. Präludium D-Dur, BWV 874 (4:55)
58. Fuge D-Dur, BWV 874 (2:58)
59. Präludium d-Moll, BWV 875 (1:34)
60. Fuge d-Moll, BWV 875 (2:11)
61. Präludium Es-Dur, BWV 876 (2:30)
62. Fuge Es-Dur, BWV 876 (1:43)
63. Präludium dis-Moll, BWV 877 (3:43)
64. Fuge dis-Moll, BWV 877 (3:41)
65. Präludium E-Dur, BWV 878 (4:19)
66. Fuge E-Dur, BWV 878 (3:07)
67. Präludium e-Moll, BWV 879 (3:09)
68. Fuge e-Moll, BWV 879 (2:40)
69. Präludium F-Dur, BWV 880 (3:19)
70. Fuge F-Dur, BWV 880 (1:46)
71. Präludium f-Moll, BWV 881 (4:08)
72. Fuge f-Moll, BWV 881 (1:46)
73. Präludium Fis-Dur, BWV 882 (2:58)
74. Fuge Fis-Dur, BWV 882 (2:18)
75. Präludium fis-Moll, BWV 883 (3:04)
76. Fuge fis-Moll, BWV 883 (4:16)
77. Präludium G-Dur, BWV 884 (2:22)
78. Fuge G-Dur, BWV 884 (1:22)
79. Präludium g-Moll, BWV 885 (2:39)
80. Fuge g-Moll, BWV 885 (2:47)
81. Präludium As-Dur, BWV 886 (3:19)
82. Fuge As-Dur, BWV 886 (2:28)
83. Präludium gis-Moll, BWV 887 (3:47)
84. Fuge gis-Moll, BWV 887 (5:34)
85. Präludium A-Dur, BWV 888 (1:41)
86. Fuge A-Dur, BWV 888 (1:10)
87. Präludium a-Moll, BWV 889 (5:40)
88. Fuge a-Moll, BWV 889 (1:43)
89. Präludium B-Dur, BWV 890 (7:19)
90. Fuge B-Dur, BWV 890 (2:09)
91. Präludium b-Moll, BWV 891 (2:39)
92. Fuge b-Moll, BWV 891 (4:38)
93. Präludium H-Dur, BWV 892 (1:57)
94. Fuge H-Dur, BWV 892 (3:24)
95. Präludium h-Moll, BWV 893 (1:52)
96. Fuge h-Moll, BWV 893 (1:41)

András Schiff recorded his first set of J.S. Bach's Well-Tempered Clavier for London in the mid-1980s, but the passage of time, personal reflection, and improvements in digital recording have contributed to making his second recording of "The 48" a necessity, this time on ECM New Series. As eloquent as ever, and always meticulous in execution, Schiff plays the two books of preludes and fugues without use of the piano's pedals, so his touch and control are evident in every note and in the interplay of lines, which are cleanly separated. The transparent recording, which is de rigueur for ECM, is a great aid in conveying Schiff's scrupulous playing, so the music almost seems to exist in its own pristine, abstract realm, without the botherments of background noises or sounds of physical exertion. However, there is an ideal amount of resonance in the studio space that heightens the timbres of the piano without blurring the music, so Schiff doesn't perform in a vacuum. The earlier recordings garnered high praise from critics and Schiff's many admirers, so this exceptional presentation is sure to win him a new and well-deserved audience. Highly recommended. © TiVo


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  •  wrote in 15:21
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Great, please more of thatECM Hi Res , Thank you........

I am still looking for ECM 2435 DD Burkhard Reinartz - Eine Olive des Nichts 2015