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Simon Mayr Choir, Bayerischer Staatsopernchor, Concerto de Bassus & Franz Hauk - Donizetti & Mayr: Messa di gloria & Credo in D Major (2016) [CD-Rip]

Simon Mayr Choir, Bayerischer Staatsopernchor, Concerto de Bassus & Franz Hauk - Donizetti & Mayr: Messa di gloria & Credo in D Major (2016) [CD-Rip]
  • Title: Gaetano Donizetti & Johann Simon Mayr: Messa di Gloria and Credo in D
  • Year Of Release: 2016
  • Label: Naxos
  • Genre: Classical
  • Quality: FLAC (image + .cue, log, artwork)
  • Total Time: 01:26:19
  • Total Size: 356 MB
  • WebSite:
Tracklist:

Gaetano Donizetti (1797-1848):

01. Kyrie in D Minor 12:34
02. Gloria in C Major 06:12
03. Laudamus e Gratias agimus in G Major 04:53
04. Domine Deus in E-Flat Major 11:47
05. Qui tollis in E Major 08:40
06. Qui sedes in C Minor 12:49
07. Cum Sancto Spiritu in C Minor: Cum sancto spiritu in C Minor 03:24
08. Credo in D Major: Credo 02:57
09. Credo in D Major: Et incarnates est 02:59
10. Credo in D Major: Et resurrexit 06:48
11. Ave Maria 03:34

Johann Simon Mayr (1763-1845):

12. Sanctus 01:56
13. Benedictus 02:43
14. Agnus Dei 04:55

Performers:

Siri Karoline Thornhill - soprano
Marie-Sophie Pollak - soprano
Marie-Sande Papenmeyer - alto
Mark Adler - tenor
Martin Berner - bass
Theona Gubba-Chkheidze - violin
Simon Mayr Choir
Members of the Bavarian State Opera Chorus
Concerto de Bassus
Franz Hauk - direction

With this 2016 Naxos release, choral conductor Franz Hauk presents a Messa di Gloria and Credo in D, constructed from movements by Gaetano Donizetti and his teacher, Johann Simon Mayr. Ostensibly, this project seems designed to create more exposure for Donizetti's sacred music, the bulk of which remains unperformed and unrecorded. Yet even though this 2014 performance by Hauk, the Simon Mayr Choir, Members of the Bavarian State Opera Chorus, and Concerto de Bassus is intriguing for its dramatic contrasts and operatic flair, some may be perplexed to find that the composite work is not an artifact of its time but a modern assemblage by Hauk: the Kyrie, Gloria, and an interpolated Ave Maria are Donizetti's, while the Credo was a partial collaboration and arrangement by Donizetti and Mayr, and the Sanctus and Agnus Dei were Mayr's own. This gives some idea of how Italian masses were sometimes put together in the 19th century, and the result is probably satisfactory for most listeners, particularly those of a musicological bent. However, this represents only a small fraction of Donizetti's output of approximately 150 choral works, and Hauk's specialization in Mayr's music suggests that this recording is equally a showcase for that composer. While both Donizetti and Mayr deserve Hauk's attention and Naxos' commitment, this hybrid mass may actually raise more questions of authorship than it answers, and interest for such an enterprise may be limited. -- Blair Sanderson


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