Parker Quartet - Jeremy Gill: Capriccio (2015) [Hi-Res]
![Parker Quartet - Jeremy Gill: Capriccio (2015) [Hi-Res]](https://www.dibpic.com/uploads/posts/2020-06/1591527444_parker-quartet-jeremy-gill-capriccio-2015.jpg)
BAND/ARTIST: Parker Quartet
- Title: Jeremy Gill: Capriccio
- Year Of Release: 2020
- Label: Naxos
- Genre: Classical
- Quality: flac lossless / flac 24bits - 96.0kHz +Booklet
- Total Time: 00:59:25
- Total Size: 248 mb / 1.06 gb
- WebSite: Album Preview
Tracklist
01. Capriccio, Pt. 1: Arsis
02. Capriccio, Pt. 1: Sonata da chiesa "Misterium tremendum"
03. Capriccio, Pt. 1: Up, Down
04. Capriccio, Pt. 1: La chitarra
05. Capriccio, Pt. 1: Tip, Balance, Frog; Wood
06. Capriccio, Pt. 1: Heterophonic/Homophonic Interlude
07. Capriccio, Pt. 1: Colors. Normal, Fingerboard, Bridge
08. Capriccio, Pt. 1: Nodes
09. Capriccio, Pt. 1: Two at Once
10. Capriccio, Pt. 1: Eros
11. Capriccio, Pt. 1: Up, Up… , Down, Down…
12. Capriccio, Pt. 1: Pressure
13. Capriccio, Pt. 1: Monophonic Interlude
14. Capriccio, Pt. 1: Normal, Mute, Mute
15. Capriccio, Pt. 1: Across the Strings
16. Capriccio, Pt. 2: Artificial Harmonics
17. Capriccio, Pt. 2: Pluck, Snap
18. Capriccio, Pt. 2: Stopped Strings
19. Capriccio, Pt. 2: Drumming
20. Capriccio, Pt. 2: Sonata da camera
21. Capriccio, Pt. 2: The Left Hand
22. Capriccio, Pt. 2: Open Strings
23. Capriccio, Pt. 2: On the String-Off the String
24. Capriccio, Pt. 2: Polyphonic Interlude
25. Capriccio, Pt. 2: Multiple Strings, Plucked
26. Capriccio, Pt. 2: Terpsichore
27. Capriccio, Pt. 2: Thesis
Recorded here by the Grammy-winning Parker Quartet, Jeremy Gill’s “Capriccio” is a wide-ranging exploration of the potential of the string quartet. “The historical frame of the capriccio [by Bach, Brahms, and Paganini among others] allowed me to create a kaleidoscopic array of wildly varying movements that explore all of the technical, expressive, and textural possibilities of the string quartet medium,” says Gill. “The didactic nature of ‘Capriccio’ makes it ideal for educational concerts, allowing young listeners to experience the various techniques that string players employ. The Parker Quartet has already excerpted the work for several such events around the country.”
From The Washington Post, after the DC-area premiere of “Capriccio”: “A movement in which the strings wandered around in high silvery harmonics followed one in which the three high strings plucked a guitarlike accompaniment to the cello’s tenor song. In another, a broadly bowed legato morphed into the pins and needles of a sharply detached spiccato. A movement titled ‘Open Strings,’ which gave off a whiff of orchestral tuning, seemed as at home in here as the movements where the quartet slithered around in microtones. Scattered among the movements, the four interludes with their echoes of the Renaissance and the Baroque paid homage to the music’s forebears. The total effect of these distilled slices of musical stuff was intriguing.”
Massachussett’s-based Jeremy Gillʼs music has been lauded as “vividly colored” (The New York Times), “exhilarating” (The Philadelphia Inquirer), “intriguing” (The Washington Post), and “work of considerable intensity” (American Record Guide). He has composed in every genre—symphonies, concerti, chamber music, songs and song cycles, and opera—is an active pianist and conductor. His music has been commissioned by the Dallas Symphony, Concert Artists Guild, Chamber Music America, and the Lois Lehrman Grass Foundation, among others.
Formed in 2002 and now in residence at Harvard, the Parker Quartet (Daniel Chong, Ying Xue, Jessica Bodner, and Kee-Hyun Kim) has rapidly distinguished itself as one of the preeminent ensembles of its generation. The New York Times has hailed the quartet as “something extraordinary,” The Washington Post has described them as having “exceptional virtuosity [and] imaginative interpretation,” and The Boston Globe acclaims their “pinpoint precision and spectacular sense of urgency.” The quartet began touring on the international circuit after winning the Concert Artists Guild Competition as well as the Grand Prix and Mozart Prize at the Bordeaux International String Quartet Competition in France.
“Capriccio” was commissioned by the Chamber Music America Classical Commissioning Program, with generous funding provided by The Andrew W. Mellon Foundation and the Chamber Music America Endowment Fund, and this recording of the work was supported by a NewMusic USA Project Grant awarded in January 2015, made possible by annual program support and/or endowment gifts from the Helen F. Whitaker Fund and the Aaron Copland Fund for Music.
01. Capriccio, Pt. 1: Arsis
02. Capriccio, Pt. 1: Sonata da chiesa "Misterium tremendum"
03. Capriccio, Pt. 1: Up, Down
04. Capriccio, Pt. 1: La chitarra
05. Capriccio, Pt. 1: Tip, Balance, Frog; Wood
06. Capriccio, Pt. 1: Heterophonic/Homophonic Interlude
07. Capriccio, Pt. 1: Colors. Normal, Fingerboard, Bridge
08. Capriccio, Pt. 1: Nodes
09. Capriccio, Pt. 1: Two at Once
10. Capriccio, Pt. 1: Eros
11. Capriccio, Pt. 1: Up, Up… , Down, Down…
12. Capriccio, Pt. 1: Pressure
13. Capriccio, Pt. 1: Monophonic Interlude
14. Capriccio, Pt. 1: Normal, Mute, Mute
15. Capriccio, Pt. 1: Across the Strings
16. Capriccio, Pt. 2: Artificial Harmonics
17. Capriccio, Pt. 2: Pluck, Snap
18. Capriccio, Pt. 2: Stopped Strings
19. Capriccio, Pt. 2: Drumming
20. Capriccio, Pt. 2: Sonata da camera
21. Capriccio, Pt. 2: The Left Hand
22. Capriccio, Pt. 2: Open Strings
23. Capriccio, Pt. 2: On the String-Off the String
24. Capriccio, Pt. 2: Polyphonic Interlude
25. Capriccio, Pt. 2: Multiple Strings, Plucked
26. Capriccio, Pt. 2: Terpsichore
27. Capriccio, Pt. 2: Thesis
Recorded here by the Grammy-winning Parker Quartet, Jeremy Gill’s “Capriccio” is a wide-ranging exploration of the potential of the string quartet. “The historical frame of the capriccio [by Bach, Brahms, and Paganini among others] allowed me to create a kaleidoscopic array of wildly varying movements that explore all of the technical, expressive, and textural possibilities of the string quartet medium,” says Gill. “The didactic nature of ‘Capriccio’ makes it ideal for educational concerts, allowing young listeners to experience the various techniques that string players employ. The Parker Quartet has already excerpted the work for several such events around the country.”
From The Washington Post, after the DC-area premiere of “Capriccio”: “A movement in which the strings wandered around in high silvery harmonics followed one in which the three high strings plucked a guitarlike accompaniment to the cello’s tenor song. In another, a broadly bowed legato morphed into the pins and needles of a sharply detached spiccato. A movement titled ‘Open Strings,’ which gave off a whiff of orchestral tuning, seemed as at home in here as the movements where the quartet slithered around in microtones. Scattered among the movements, the four interludes with their echoes of the Renaissance and the Baroque paid homage to the music’s forebears. The total effect of these distilled slices of musical stuff was intriguing.”
Massachussett’s-based Jeremy Gillʼs music has been lauded as “vividly colored” (The New York Times), “exhilarating” (The Philadelphia Inquirer), “intriguing” (The Washington Post), and “work of considerable intensity” (American Record Guide). He has composed in every genre—symphonies, concerti, chamber music, songs and song cycles, and opera—is an active pianist and conductor. His music has been commissioned by the Dallas Symphony, Concert Artists Guild, Chamber Music America, and the Lois Lehrman Grass Foundation, among others.
Formed in 2002 and now in residence at Harvard, the Parker Quartet (Daniel Chong, Ying Xue, Jessica Bodner, and Kee-Hyun Kim) has rapidly distinguished itself as one of the preeminent ensembles of its generation. The New York Times has hailed the quartet as “something extraordinary,” The Washington Post has described them as having “exceptional virtuosity [and] imaginative interpretation,” and The Boston Globe acclaims their “pinpoint precision and spectacular sense of urgency.” The quartet began touring on the international circuit after winning the Concert Artists Guild Competition as well as the Grand Prix and Mozart Prize at the Bordeaux International String Quartet Competition in France.
“Capriccio” was commissioned by the Chamber Music America Classical Commissioning Program, with generous funding provided by The Andrew W. Mellon Foundation and the Chamber Music America Endowment Fund, and this recording of the work was supported by a NewMusic USA Project Grant awarded in January 2015, made possible by annual program support and/or endowment gifts from the Helen F. Whitaker Fund and the Aaron Copland Fund for Music.
Classical | FLAC / APE | HD & Vinyl
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