Benny Carter Quartet - Sax A La Carter (2004)
BAND/ARTIST: Benny Carter Quartet
- Title: Sax A La Carter
- Year Of Release: 2004
- Label: Capitol Jazz
- Genre: Jazz
- Quality: Mp3 / 320kbps
- Total Time: 46:22 min
- Total Size: 105 MB
- WebSite: Album Preview
Tracklist
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01. And The Angels Sing
02. Everything I Have Is Yours
03. I Understand
04. All Or Nothing At All
05. I'll Never Smile Again
06. If I Loved You
07. Far Away Places
08. I Should Care
09. For All We Know
10. (I Don't Stand A) Ghost Of A Chance With You
11. The One I Love (Belongs To Someone Else)
12. Moon Of Manakoora
13. Ennui
14. Friendly Islands
15. Friendly Islands
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01. And The Angels Sing
02. Everything I Have Is Yours
03. I Understand
04. All Or Nothing At All
05. I'll Never Smile Again
06. If I Loved You
07. Far Away Places
08. I Should Care
09. For All We Know
10. (I Don't Stand A) Ghost Of A Chance With You
11. The One I Love (Belongs To Someone Else)
12. Moon Of Manakoora
13. Ennui
14. Friendly Islands
15. Friendly Islands
Benny Carter - sax, Jimmy Rowles - piano, Leroy Vinnegar - bass, Mel Lewis - drums. Recorded at Radio Recorders in Los Angeles on February 5, 1960.
This is the great American alto saxist and composer Benny Carter, who died last year (2004) at 95, breezing along with a fine quartet in LA in 1960 - with that genius of piano accompaniment, Jimmy Rowles. Carter's sound seems to embody the pragmatically sensual, life-embracing ease that characterises the jazz of the pre-bop era - though as an immensely sophisticated musician, Carter's improvising was full of modern audacities.
This is a conventional and easy-swinging set - but the pleading romantic tremor in the ballad playing, the suggestively swivelling slurs and the almost Bird-like brittleness on For All We Know all testify to a master in his prime. ~John Fordham
This is the great American alto saxist and composer Benny Carter, who died last year (2004) at 95, breezing along with a fine quartet in LA in 1960 - with that genius of piano accompaniment, Jimmy Rowles. Carter's sound seems to embody the pragmatically sensual, life-embracing ease that characterises the jazz of the pre-bop era - though as an immensely sophisticated musician, Carter's improvising was full of modern audacities.
This is a conventional and easy-swinging set - but the pleading romantic tremor in the ballad playing, the suggestively swivelling slurs and the almost Bird-like brittleness on For All We Know all testify to a master in his prime. ~John Fordham
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