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Peter Serkin - Beethoven: The Last Six Piano Sonatas (2007) FLAC

Peter Serkin - Beethoven: The Last Six Piano Sonatas (2007) FLAC

BAND/ARTIST: Peter Serkin

  • Title: Beethoven: The Last Six Piano Sonatas
  • Year Of Release: 2007
  • Label: Musical Concepts
  • Genre: Classical
  • Quality: FLAC (tracks)
  • Total Time: 02:39:40
  • Total Size: 602 MB
  • WebSite:
Tracklist:

01. Sonata No. 27 In E Minor, Op. 90 - Mit Lebhaftigkeit Und Durchaus Mit Empfidung Und Ausdruck (5:27)
02. Sonata No. 27 In E Minor, Op. 90 - Nicht Zu Geschwind Und Sehr Singbar Vergetragen (6:44)
03. Rondo Op. 51, No. I In C (5:31)
04. Sonata No. 30 In E, Op. 109 - Vivace Ma Non Troppo (3:55)
05. Sonata No. 30 In E, Op. 109 - Prestissimo (2:14)
06. Sonata No. 30 In E, Op. 109 - Andante Molto Cantabile Ed Esspressivo (13:42)
07. Sonata No. 29 In B Flat, Op. 106 "hammerklaver" - Allegro (9:51)
08. Sonata No. 29 In B Flat, Op. 106 "hammerklaver" - Scherzo: Assai Vivace (2:31)
09. Sonata No. 29 In B Flat, Op. 106 "hammerklaver" - Adagio Sostenuto (18:28)
10. Sonata No. 29 In B Flat, Op. 106 "hammerklaver" - Largo - Allegro Risoluto (11:22)
11. Sonata No. 28 In A, Op. 101 - Etwas Lebhaft Und Mit Der Innigsten Empfindung (4:23)
12. Sonata No. 28 In A, Op. 101 - Lebhaft, Marschmassig (6:07)
13. Sonata No. 28 In A, Op. 101 - Langsam Und Sehnsuchtvoll (3:10)
14. Sonata No. 28 In A, Op. 101 - Geschwinde, Doch Nicht Zu Sehr Und Mit Entschlossenheit (7:03)
15. Rondo, Op. 51 No. 2 In G (10:38)
16. Sonata No. 31 In A Flat, Op. 110 - Moderate Cantabile (6:32)
17. Sonata No. 31 In A Flat, Op. 110 - Allegro Molto (2:00)
18. Sonata No. 31 In A Flat, Op. 110 - Adagio, Ma Non Troppo (12:08)
19. Sonata No. 32 In C Minor, Op. 111 - Maestoso - Allegro Con Brio (8:51)
20. Sonata No. 32 In C Minor, Op. 111 - Arietta: Adagio (19:03)

Back in the '80s, there was Pro Arte, a small, Minnesota-based label specializing in classical records made using the then-new digital technology. Among its releases were three LPs featuring Peter Serkin performing late Beethoven sonatas on a strong-toned but sweet and subtle Graf fortepiano. Remastered and re-released on two CDs in 2007, Pro Arte's recordings hold up remarkably well. Though the sessions were all done in St. Mary's Chapel in St. Paul Seminary in 1984 and 1985, each of the three sessions used different microphone configurations and different instrument positioning, resulting in three very different sounding recordings ranging from the close and intimate to the big and brash. Still, whatever the configuration or positioning, the sound in these re-mastering is remarkably clean and crisp and often surprisingly present. Serkin's performances are highly individualistic, perhaps even idiosyncratic, in conception and execution. He does not refrain from driving a tempo forward into a climax nor from reigning it back for a coda. He does not shrink from emphasizing accents nor from stressing rhythm, but rather does both frequently and gladly to prove the strength of the music. Though for some there may be more interpreting in Serkin's performance than Beethoven can stand, for others they will be just the thing to enliven these familiar masterpieces.
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  • olga1001
  •  wrote in 11:32
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Thank you for lossless :))
Peter's planning often ended in failure :p
But this Beethoven, once in front of piano, he emptied his mind and faced Beethoven !
Bravissimo !!
Imperfect ? No problem for me.
It's my gem :))
  • zorrykid
  •  wrote in 16:49
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    • 2
Checked with Audiochecker and the files all look like Mpeg
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  • olga1001
  •  wrote in 23:28
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Wav -> Mpeg -> FLAC ?
Mpeg has lossless and lossy audio, someone knows this is which ?
Anyway better than mp3 though.
Thanks
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  • Reicha
  •  wrote in 09:03
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Quote: zorrykid
Checked with Audiochecker and the files all look like Mpeg


If you split the files up -- first 10 files are CD 1 and the rest are CD 2 -- you can verify the files with CueTools:

[CUETools log; Date: 10/4/2020 10:42:09 PM; Version: 2.1.6]
[CTDB TOCID: SbZOtuAlkPXYfuVva0tmLWJbKOI-] found.
Track | CTDB Status
1 | (15/15) Accurately ripped
2 | (15/15) Accurately ripped
3 | (15/15) Accurately ripped
4 | (15/15) Accurately ripped
5 | (15/15) Differs in 120 samples @02:01:01-02:01:02,02:02:24-02:02:25,02:02:70
6 | (15/15) Accurately ripped
7 | (15/15) Accurately ripped
8 | (15/15) Accurately ripped
9 | (15/15) Accurately ripped
10 | (15/15) Accurately ripped

[CUETools log; Date: 10/4/2020 10:42:26 PM; Version: 2.1.6]
[CTDB TOCID: FoEbY_wsq6b8GC1ccfchOPzfmlU-] found.
Track | CTDB Status
1 | (17/17) Accurately ripped
2 | (17/17) Accurately ripped
3 | (17/17) Accurately ripped
4 | (17/17) Accurately ripped
5 | (16/17) Differs in 584 samples @02:00:38-02:00:40,02:01:23,02:01:32,02:01:37,02:01:47-02:01:49,02:02:16,02:02:24-02:02:25,02:02:31-02:02:33,02:02:41,02:02:49,02:02:58-02:02:59,02:03:00,02:03:23-02:03:25,08:58:44-08:58:45,09:41:21,09:41:56
6 | (16/17) Accurately ripped
7 | (17/17) Accurately ripped
8 | (17/17) Accurately ripped
9 | (17/17) Accurately ripped
10 | (17/17) Accurately ripped

Well, except for those differing samples. I haven't checked whether those differing samples are audible. CueTools can repair them, if needed.

It's true there's not much musical content in the spectrogram above 16 kHz, but how much high frequency content do you think a Graf fortepiano produces? Even 320 kbps mp3 can go up to 20 kHz, so if there was musical content there, it would show up in the mp3s, too (it doesn't).

Even many recordings of modern Steinways have little high frequency content and get flagged by "lossy fake" checking software. The Noriko Ogawa Debussy recordings on a Steinway D are an example, and no one would say those were bad recordings. The same is true of the Bavouzet Debussy recordings.
  • Zorrykid
  •  wrote in 14:28
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I must apologize, Reicha's reasoning is truly persuasive, also checking the files with the more accurate MusicScope, the spectrogram reveals even the high frequencies for the flac ones, and for the mp3 version a bit of dacay.