Profeti della Quinta - Luzzaschi: Madrigals, Motets & Instrumental Music (2016)
BAND/ARTIST: Profeti della Quinta
- Title: Luzzaschi: Madrigals, Motets & Instrumental Music
- Year Of Release: 2016
- Label: Pan Classics
- Genre: Classical
- Quality: FLAC (tracks+booklet)
- Total Time: 69:20 min
- Total Size: 345 MB
- WebSite: Album Preview
Tracklist:
01. Il Lauro verde: Ecco il bel Lauro verde
02. 12 Madrigali per cantare et sonare a uno: Cor mio, deh, non languire
03. Gagliarde in D Major
04. Quivi sospiri, pianti e alti guai
05. Sacrarum Cantionum, Book 1: Deus tu scis insipientiam meam
06. Secondo libro de ricercare a 4: Ricercar quarto
07. Madrigals, Book 3: Dolci sospiri ardenti
08. Madrigals, Book 2: Deh non cantar, Donna gentil, ch'io sento
09. I lieti amanti: Filli al partir del suo caro Pastore
10. Sacrarum Cantionum: In tribulatione mea
11. 12 Madrigali per cantare et sonare a uno, e doi, e tre soprani: Aura soave
12. 12 Madrigali per cantare et sonare a uno: Stral pungente d’Amore
13. Madrigali a 5, Book 2: Lucenti e chiare stelle (arr. E. Rotem for voice and keyboard)
14. Canzoni per sonare: Canzona X
15. Secondo libro de ricercare a 4: Ricercar terzo
16. Toccata e Ricercar del quarto tono
17. Madrigali a 5, Book 2: Io veggio pur pietate
18. Gagliarde in E Minor
19. Madrigali a 5, Book 3: Morir non può’l mio core
In his publications, Luzzasco Luzzaschi (c. 1545-1607) presents himself, rather modestly as the “Organist of the Serene Highness Duke of Ferrara”. Accordingly, Luzzaschi’s reputation today is similarly modest; he is known, if at all, thanks only to the music he composed for the Concerto delle Dame – an ensemble of virtuoso female singers at the d’Este court in Ferrara. And yet, when his entire oeuvre is explored, one discovers that his music and influence are greater than could have been imagined. In fact, Luzzaschi was both musically and historically one of the central musical figures of the late Renaissance.
This recording presents a broad picture of Luzzaschi’s oeuvre, selecting works in various genres, performed in historically informed settings with appropriate performance practices. While pieces for the Concerto delle Dame are included, one of the intentions of Profeti della Quinta is to highlight the fact that the rest of Luzzaschi’s output stands equally alongside these compositions. Many of the pieces are recorded here for the very first time. The programme opens with a festive 6-voice madrigal, 'Ecco il bel Lauro verde', performed by singers and an instrumental consort. This is followed by madrigals for 5 voices, performed either a cappella or with chitarrone accompaniment; grave polyphonic motets, performed with organ accompaniment, and various instrumental pieces. The picture is completed by pieces written for the Concerto delle Dame as well as special new arrangements of 5-voice madrigals into solos and duets, which evidence suggests was done at the time of the Concerto delle Dame.
This recording presents a broad picture of Luzzaschi’s oeuvre, selecting works in various genres, performed in historically informed settings with appropriate performance practices. While pieces for the Concerto delle Dame are included, one of the intentions of Profeti della Quinta is to highlight the fact that the rest of Luzzaschi’s output stands equally alongside these compositions. Many of the pieces are recorded here for the very first time. The programme opens with a festive 6-voice madrigal, 'Ecco il bel Lauro verde', performed by singers and an instrumental consort. This is followed by madrigals for 5 voices, performed either a cappella or with chitarrone accompaniment; grave polyphonic motets, performed with organ accompaniment, and various instrumental pieces. The picture is completed by pieces written for the Concerto delle Dame as well as special new arrangements of 5-voice madrigals into solos and duets, which evidence suggests was done at the time of the Concerto delle Dame.
Year 2016 | Classical | FLAC / APE
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