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Alla Francesca & Brigitte Lesne - Variations amoureuses (2020) [Hi-Res]

Alla Francesca & Brigitte Lesne - Variations amoureuses (2020) [Hi-Res]
  • Title: Variations amoureuses
  • Year Of Release: 2020
  • Label: Paraty
  • Genre: Classical
  • Quality: FLAC (tracks) / 24bit-88.2kHz FLAC (tracks+booklet)
  • Total Time: 54:49
  • Total Size: 226 / 882 MB
  • WebSite:
Tracklist:

01. Flos in monte cernitur (1:20)
02. Chanter et renvoisier sueil (3:08)
03. Sol sub nube latuit (1:12)
04. Por mon chief reconforter (3:20)
05. Sol sub nube latuit [2] (4:02)
06. Onques n'amai tant que jou fui amee (5:32)
07. En non Dieu c'est la rage (1:10)
08. Or la voi - Chou est la jus desos l'olive (1:18)
09. Fi, maris, de vostre amour (0:58)
10. Dame bele et avenant - Fi, mari - Nus n'iert ja jolis (1:31)
11. Haute chose a en amor (2:58)
12. Que ferai / Ne puet faillir / Descendentibus (0:52)
13. Trop est mes maris jalos (2:43)
14. Amours dont sui espris (3:11)
15. Procurans odium (1:44)
16. Suspirat spiritus (1:54)
17. L'amours dont sui espris (1:05)
18. S'amour dont sui espris (3:16)
19. Un chant renvoisié - Decantatur (1:19)
20. Amis, vostre demoree (0:56)
21. Amours mi fait renvoisier et chanter (4:07)
22. Ave nobilis venerabilis Maria (1:42)
23. Mere au roi puissant (2:46)
24. Ave nobilis venerabilis Maria [2] (1:16)
25. Amors qui souprent (3:23)
26. Ave nobilis venerabilis Maria [3] (0:58)

The variant, and its corollary the variation, inseparable from the Middle Ages, have established themselves, particularly since Eloge de la variante (In praise of the variant) by Bernard Cerquiglini and the term of “mouvance” (mobility) inaugurated by Paul Zumthor, as genuine writing processes. Extending them to the musical field sounds quite obvious, and allows us furthermore to apprehend the modes of transmission and circulation of the medieval melodic repertoires. These Love variations thus bring into play the sometimes substantial differences which exist between compositions that tread across the borders of genres and styles. As evidence of this lively interpenetration of genres, certain secular monodies sometimes crop up as fragments of conducti, polyphonic songs whose etymology testifies to their original destination: to accompany processions.


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  • User offline
  • isparodi
  •  wrote in 13:21
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Thank you so much, sddd!
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  • platico
  •  wrote in 04:54
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gracias....