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Lucy Crowe, Tim Mead, La Nuova Musica & David Bates - Pergolesi: Stabat Mater - Bach: Cantatas, BWV 54 & 170 (2017) [Hi-Res]

Lucy Crowe, Tim Mead, La Nuova Musica & David Bates - Pergolesi: Stabat Mater - Bach: Cantatas, BWV 54 & 170 (2017) [Hi-Res]
  • Title: Bach: Cantatas, BWV 54 & 170
  • Year Of Release: 2017
  • Label: Harmonia Mundi
  • Genre: Classical
  • Quality: 24bit-96kHz FLAC
  • Total Time: 01:04:05
  • Total Size: 1.09 GB
  • WebSite:
Tracklist:

Johann Sebastian Bach (1685-1750)

Widerstehe doch der Sünde, BWV 54
1 I. Aria "Widerstehe doch der Sünde" 07:03
2 II. Recitativo "Die Art verruchter Sünden" 01:13
3 III. Aria "Wer Sünde tut, der ist vom Teufel" 02:45

Giovanni Battista Pergolesi (1710-1736)

Stabat Mater, P. 77
4 I. Duo "Stabat mater dolorosa" 04:24
5 II. Aria "Cujus animam gementem" (soprano) 01:39
6 III. Duo "O quam tristis et afflicta" 01:57
7 IV. Aria "Quae moerebat et dolebat" (alto) 01:36
8 V. Duo "Quis est homo qui non fleret" 02:16
9 VI. Aria "Vidit suum dulcem natum" (soprano) 02:47
10 VII. Aria "Eja, mater, fons amoris" (alto) 02:28
11 VIII. Duo "Fac, ut ardeat cor meum" 02:02
12 IX. Duo "Sancta mater, istud agas" 04:35
13 X. Aria "Fac, ut portem Christi mortem" (alto) 03:15
14 XI. Duo "Inflammatus et accensus" 01:36
15 XII. Duo "Quando corpus morietur" 03:17
16 XIII. Duo "Amen" 01:08

Johann Sebastian Bach

Vergnügte Ruh, beliebte Seelenlust, BWV 170
17 I. Aria "Vergnügte Ruh! beliebte Seelenlust!" 06:24
18 II. Recitativo "Die Welt, das Sündenhaus" 01:11
19 III. Aria "Wie jammern mich doch die verkehrten Herzen" 06:05
20 IV. Recitativo "Wer sollte sich demnach" 01:08
21 V. Aria "Mir ekelt mehr zu leben" 05:15

Personnel:
Lucy Crowe, soprano
Tim Mead, counter-tenor
La Nuova Musica
David Bates, direction

Two of Bach’s finest cantatas, both for solo alto, composed in Weimar (1714) and Leipzig (1726) respectively, are here coupled with the delicious agony of grief that is Pergolesi’s 'Stabat mater', an acknowledged masterpiece by one of the 18th century’s most influential composers. Bach so admired the composition of his Neapolitan colleague that he made his own ‘parody’ of it to a German text. On this recording, La Nuova Musica, in its 10th anniversary year, and its two eminent soloists display equal mastery of both idioms.

Counter-tenor Tim Mead is praised for his “alluring...consistently excellent” interpretations (The New York Times). With his “rich, mellifluous sound” (Guardian), he is recognised as one of the finest across the generations of counter-tenors. Described as having a voice of bell-like clarity with an impeccable vocal technique and powerful stage presence, Lucy Crowe has established herself as one of the leading lyric sopranos of her generation.

Lucy Crowe and Tim Mead reunite to perform the 'Stabat Mater' at St John's Smith Square on May 12th [Early Opera Company/Curnyn]


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