Alberto Mesirca - Sanz: Complete Music for Guitar (2018)
BAND/ARTIST: Alberto Mesirca
- Title: Sanz: Complete Music for Guitar
- Year Of Release: 2018
- Label: Brilliant Classics
- Genre: Classical, Guitar
- Quality: flac lossless
- Total Time: 01:54:43
- Total Size: 308 mb
- WebSite: Album Preview
Tracklist
01. Jácaras
02. Marionas
03. Villanos
04. Dance de las hachas-La buelta, IGS 6
05. Españoletas, IGS 3
06. Pavana, IGS 5
07. Torneo
08. Batalla
09. Passacalle sobre la d con muchas diferencias para soltar una y otra mano
10. Gallardas, IGS 4
11. Canarios, IGS 1
12. Preludio y fantasía con mucha variedad de falsas para los que se precian de aficionados por la o
13. Alemandala serenissima
14. Jiga al aire Inglés
15. Zarabanda francesa
16. Preludio, o capricho arpeado por la-Sesquiáltera
17. Alemandala preciosa
18. Coriente
19. Zarabanda francesa (2)
20. Fuga 1ª, por primer tono al ayre Español
21. Al que gustare de falsas ponga cuido en estos cromáticos
22. Fuga 2ª, al ayre de jiga
23. Zarabanda francesa (3)
24. Passacalles por la e
25. Passacalles con varios pasajes, campanelas, y con cromáticos las 8 últimas diferencias
26. Folías
27. Rujero
28. Paradetas
29. Matachín
30. Zarabanda
31. Chacona
32. Españoletas, IGS 3 (2)
33. Pasacalles
34. Mariçápalos
35. Granduque
36. Otro granduque
37. Passacalles
38. Pavanas por la d, con partidas al aire español
39. Jiga inglesa
40. Bailete francés
41. Passacalles por la o
42. Clarines y trompetas con canciones muy curiosas Españolas, y de estranjeras naciones
43. La cavallería de Nápoles con dos clarines, IGS 2
44. Canciones
45. La garzona
46. La coquina francesa
47. Lantururú
48. La esfachata de Nápoles
49. La miñona de Cataluña
50. La minina de Portugal
51. Dos trompetas de la reyna de Suecia
52. Clarín de los mosqueteros del rey de Francia
53. Baile de Mantua
54. La tarantela
55. Passacalles por la c por cruçado y por quinto tono punto alto
56. Prosiguen más diferencias sobre los antecedentes passacalles con falsas a tres y quatro voces y cromáticos
57. Passacalles por la I
58. Passacalles por la E, y D, por el cinco y seis, y por primero y quarto tono
59. Estos passeos son por 4 tono
60. Passacalles por la K por el siete y el ocho, por tercer tono, y 4° punto alto
61. Paso por el ocho y K²
62. Passacalles por la H, por el quatro y por quinto tono punto bajo
63. Passacalles por la G, y B por el tres, y dos y por el sexto y quinto tono
64. Passeos por la B
65. Passacalles por la O, por el uno bemolado, y por segundo tono
66. Passacalles por la L, por el dos bemolado, y por primer tono punto
67. Passacalles por la K², por el ocho, y por quarto tono punto alto
Composer, theorist and guitarist Gaspar Sanz was born in Calanda in Aragon in 1640, and in 1674, in Zaragoza, he published the first edition of his Musical Instruction for the Spanish Guitar, containing numerous compositions. Sanzs music reveals him to have been a key figure in bridging two different musical traditions the Spanish and the Italian. We know from his own testimony that music from outside Spain was being performed in Zaragoza in his lifetime, and the cultural influence of Austria, with its leanings for the Italian style, would also have been felt in the city at that time. His book, at once a collection of music and a method, was addressed to both aficionados and beginners, as well as professional musicians. It contains practical and innovative advice on harmony, counterpoint and continuo practice for accompanying soloists and dancers, his vast musical knowledge and creativity demonstrated in numerous original compositions and national and foreign songs. Having travelled the continent extensively, much of his musical education took place in Italy, and he would have encountered these songs and dances there in instrumental versions. Italian classical guitarist Alberto Mesirca was hailed as prodigiously talented in Classical Guitar Magazine, and Kenneth Keaton of American Record Guide praised his album Scarlatti Sonatas as the best Scarlatti Ive heard on solo guitar. He is a two-time winner of the Golden Guitar Award: for Best Recording in 2007 and as Best Upcoming Artist of the Year in 2009. With this release, he has recorded all of Sanzs punteado (plucked) music for guitar, together with the corresponding rasgueado (strummed) parts or dances. He includes his own arrangements of the dances La tarantela and Baile de Mantua, which Sanz published in strummed versions only.
01. Jácaras
02. Marionas
03. Villanos
04. Dance de las hachas-La buelta, IGS 6
05. Españoletas, IGS 3
06. Pavana, IGS 5
07. Torneo
08. Batalla
09. Passacalle sobre la d con muchas diferencias para soltar una y otra mano
10. Gallardas, IGS 4
11. Canarios, IGS 1
12. Preludio y fantasía con mucha variedad de falsas para los que se precian de aficionados por la o
13. Alemandala serenissima
14. Jiga al aire Inglés
15. Zarabanda francesa
16. Preludio, o capricho arpeado por la-Sesquiáltera
17. Alemandala preciosa
18. Coriente
19. Zarabanda francesa (2)
20. Fuga 1ª, por primer tono al ayre Español
21. Al que gustare de falsas ponga cuido en estos cromáticos
22. Fuga 2ª, al ayre de jiga
23. Zarabanda francesa (3)
24. Passacalles por la e
25. Passacalles con varios pasajes, campanelas, y con cromáticos las 8 últimas diferencias
26. Folías
27. Rujero
28. Paradetas
29. Matachín
30. Zarabanda
31. Chacona
32. Españoletas, IGS 3 (2)
33. Pasacalles
34. Mariçápalos
35. Granduque
36. Otro granduque
37. Passacalles
38. Pavanas por la d, con partidas al aire español
39. Jiga inglesa
40. Bailete francés
41. Passacalles por la o
42. Clarines y trompetas con canciones muy curiosas Españolas, y de estranjeras naciones
43. La cavallería de Nápoles con dos clarines, IGS 2
44. Canciones
45. La garzona
46. La coquina francesa
47. Lantururú
48. La esfachata de Nápoles
49. La miñona de Cataluña
50. La minina de Portugal
51. Dos trompetas de la reyna de Suecia
52. Clarín de los mosqueteros del rey de Francia
53. Baile de Mantua
54. La tarantela
55. Passacalles por la c por cruçado y por quinto tono punto alto
56. Prosiguen más diferencias sobre los antecedentes passacalles con falsas a tres y quatro voces y cromáticos
57. Passacalles por la I
58. Passacalles por la E, y D, por el cinco y seis, y por primero y quarto tono
59. Estos passeos son por 4 tono
60. Passacalles por la K por el siete y el ocho, por tercer tono, y 4° punto alto
61. Paso por el ocho y K²
62. Passacalles por la H, por el quatro y por quinto tono punto bajo
63. Passacalles por la G, y B por el tres, y dos y por el sexto y quinto tono
64. Passeos por la B
65. Passacalles por la O, por el uno bemolado, y por segundo tono
66. Passacalles por la L, por el dos bemolado, y por primer tono punto
67. Passacalles por la K², por el ocho, y por quarto tono punto alto
Composer, theorist and guitarist Gaspar Sanz was born in Calanda in Aragon in 1640, and in 1674, in Zaragoza, he published the first edition of his Musical Instruction for the Spanish Guitar, containing numerous compositions. Sanzs music reveals him to have been a key figure in bridging two different musical traditions the Spanish and the Italian. We know from his own testimony that music from outside Spain was being performed in Zaragoza in his lifetime, and the cultural influence of Austria, with its leanings for the Italian style, would also have been felt in the city at that time. His book, at once a collection of music and a method, was addressed to both aficionados and beginners, as well as professional musicians. It contains practical and innovative advice on harmony, counterpoint and continuo practice for accompanying soloists and dancers, his vast musical knowledge and creativity demonstrated in numerous original compositions and national and foreign songs. Having travelled the continent extensively, much of his musical education took place in Italy, and he would have encountered these songs and dances there in instrumental versions. Italian classical guitarist Alberto Mesirca was hailed as prodigiously talented in Classical Guitar Magazine, and Kenneth Keaton of American Record Guide praised his album Scarlatti Sonatas as the best Scarlatti Ive heard on solo guitar. He is a two-time winner of the Golden Guitar Award: for Best Recording in 2007 and as Best Upcoming Artist of the Year in 2009. With this release, he has recorded all of Sanzs punteado (plucked) music for guitar, together with the corresponding rasgueado (strummed) parts or dances. He includes his own arrangements of the dances La tarantela and Baile de Mantua, which Sanz published in strummed versions only.
Year 2018 | Classical | FLAC / APE
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