Tim Cunningham - Right Turn Only (1996)
BAND/ARTIST: Tim Cunningham
- Title: Right Turn Only
- Year Of Release: 1996
- Label: Atlantic / Wea
- Genre: Jazz
- Quality: FLAC (tracks)
- Total Time: 52:40 min
- Total Size: 333 MB
- WebSite: Album Preview
Tracklist:
01. Drastic Measures [05:28]
02. Friday Nite Fire [05:33]
03. Can You Stop The Rain [05:37]
04. This Is The Life [04:52]
05. What Will It Take (Interlude) [01:44]
06. T2 [04:47]
07. You Should Have Told Me [05:17]
08. Pacific Coast Highway [04:47]
09. Sideshow [04:42]
10. To The M.A.C.K.'s [04:47]
11. What Will It Take [05:02]
Personnel:
Tim Cunningham (soprano, alto & tenor saxophones);
Bobby Lyle (piano);
Brian Culbertson (trombone, keyboards, drums, percussion, keyboard & drum programming);
Tim Gant (keyboards, drums, drum programming);
Sonny Emory (keyboards, drums);
Daron Steward (keyboards, percussion);
Jerome Ali, Jerry Johnson, Jorge Evans, Richie Davis (guitar);
Jim Culbertson (trumpet);
Tony Carpenter (drums, percussion);
Earl "Buster" Smith , Todd Sucherman (drums);
Will Downing (vocals);
Kevin Whalum, Will Downing (vocals, background vocals).
01. Drastic Measures [05:28]
02. Friday Nite Fire [05:33]
03. Can You Stop The Rain [05:37]
04. This Is The Life [04:52]
05. What Will It Take (Interlude) [01:44]
06. T2 [04:47]
07. You Should Have Told Me [05:17]
08. Pacific Coast Highway [04:47]
09. Sideshow [04:42]
10. To The M.A.C.K.'s [04:47]
11. What Will It Take [05:02]
Personnel:
Tim Cunningham (soprano, alto & tenor saxophones);
Bobby Lyle (piano);
Brian Culbertson (trombone, keyboards, drums, percussion, keyboard & drum programming);
Tim Gant (keyboards, drums, drum programming);
Sonny Emory (keyboards, drums);
Daron Steward (keyboards, percussion);
Jerome Ali, Jerry Johnson, Jorge Evans, Richie Davis (guitar);
Jim Culbertson (trumpet);
Tony Carpenter (drums, percussion);
Earl "Buster" Smith , Todd Sucherman (drums);
Will Downing (vocals);
Kevin Whalum, Will Downing (vocals, background vocals).
On this poppish/R&B jazz date, Tim Cunningham (heard on alto and soprano) shows off some impressive playing chops along with the influence of Grover Washington, Jr., but he is heard primarily in rather commercial settings. While the solos are generally good, the tunes are mundane, the rhythms sound like they are set on automatic pilot, the background vocals are rather insipid, and the overall effect is forgettable. Cunningham is capable of better, but this program was clearly designed with the hope of getting radio airplay, and it is quite dated. ~ Scott Yanow
Jazz | Smooth Jazz | FLAC / APE
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