Emily Keener - I Do Not Have To Be Good (2020)
BAND/ARTIST: Emily Keener
- Title: I Do Not Have To Be Good
- Year Of Release: 2020
- Label: Emily Keener
- Genre: Indie Folk, Singer/Songwriter
- Quality: 320 / FLAC (tracks)
- Total Time: 40:57
- Total Size: 95 / 194 Mb
- WebSite: Album Preview
Tracklist:
01. Nap (4:04)
02. Do You Love Me Lately? (3:56)
03. I Know (4:41)
04. I Don't Know Anything (5:14)
05. Boats (4:31)
06. Static (4:47)
07. Mary, I Love Her (4:09)
08. Elbow (5:19)
09. Comfort (4:14)
01. Nap (4:04)
02. Do You Love Me Lately? (3:56)
03. I Know (4:41)
04. I Don't Know Anything (5:14)
05. Boats (4:31)
06. Static (4:47)
07. Mary, I Love Her (4:09)
08. Elbow (5:19)
09. Comfort (4:14)
Emily Keener has marked her 2020 return with unbridled honesty, intimate reflection, and a hauntingly poignant indie folk sound. It’s a winning combination for the 21-year-old Cleveland-based singer/songwriter, and one that makes her sophomore solo record a tremendous success: A stirring coming-of-age soundtrack to life and love, isolation and connection, I Do Not Have to Be Good hails Emily Keener’s rise as a vulnerable lyricist and a breathtaking songwriter.
Emily Keener’s third release is an exercise in self-compassion. But it’s not a record full of inspirational Instagram posts about loving yourself. I Do Not Have to Be Good is a heavy record, where sadness and doubts are magnified.
Throughout the record, Keener — the 2017 winner of the No Depression Singer-Songwriter Award — sings in fretful murmurs. It makes lyrics like “brushed him off my teeth because I needed to be alone” (“Comfort”) or “all those classic country songs you hate / I sleep with them turned up loud” (“Static”) feel even more intimate. The instrumentals on I Do Not Have to Be Good are, in general, minimal, and songs range from lonesome guitar-focused tracks to moody rock numbers that further underline Keener’s melancholy. “Do You Love Me Lately” is the lone song with a steady, upbeat rhythm.
In her poem “Wild Geese,” Mary Oliver writes:
You do not have to be good.
You do not have to walk on your knees
for a hundred miles through the desert repenting.
You only have to let the soft animal of your body
love what it loves.
Oliver is a muse for Keener across I Do Not Have to Be Good. The album title is taken from the opening line of “Wild Geese,” and “Mary, I Love Her” is an ode to the late poet. Oliver’s poem feels like a touchstone throughout the album. While Keener wades through her doubts, she has moments of clarity and confidence, as if she’s just re-read Oliver’s words. Among the tender sways of “Boats,” she admits: “All my life I’ve never known much about anything / But I know you.” And it feels like she’s talking about herself.
Emily Keener’s third release is an exercise in self-compassion. But it’s not a record full of inspirational Instagram posts about loving yourself. I Do Not Have to Be Good is a heavy record, where sadness and doubts are magnified.
Throughout the record, Keener — the 2017 winner of the No Depression Singer-Songwriter Award — sings in fretful murmurs. It makes lyrics like “brushed him off my teeth because I needed to be alone” (“Comfort”) or “all those classic country songs you hate / I sleep with them turned up loud” (“Static”) feel even more intimate. The instrumentals on I Do Not Have to Be Good are, in general, minimal, and songs range from lonesome guitar-focused tracks to moody rock numbers that further underline Keener’s melancholy. “Do You Love Me Lately” is the lone song with a steady, upbeat rhythm.
In her poem “Wild Geese,” Mary Oliver writes:
You do not have to be good.
You do not have to walk on your knees
for a hundred miles through the desert repenting.
You only have to let the soft animal of your body
love what it loves.
Oliver is a muse for Keener across I Do Not Have to Be Good. The album title is taken from the opening line of “Wild Geese,” and “Mary, I Love Her” is an ode to the late poet. Oliver’s poem feels like a touchstone throughout the album. While Keener wades through her doubts, she has moments of clarity and confidence, as if she’s just re-read Oliver’s words. Among the tender sways of “Boats,” she admits: “All my life I’ve never known much about anything / But I know you.” And it feels like she’s talking about herself.
Year 2020 | Folk | Indie | FLAC / APE | Mp3
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